Wednesday, February 3, 2010

Wednesday, February 3, 2010
Waning Moon
Mars Retrograde
Snowy and cold

We had about four inches of snow overnight. The roads look pretty clear, so I think I can hold on to my original intent to go to Greenwich Library after lunch to do some research.

Linkage stuff to share: My SDR blog is up “The Intersection of Life and Fiction.” The new issue of THE SCRUFFY DOG REVIEW is out, with my Literary Athlete column on workshops. Kim Smith kindly awarded me a “Prolific Blogger” award last week, and I haven’t had the chance to pay it forward, although I plan to in the next few days.

Acupuncture was great yesterday, and I felt so much better once I was done. Driving to and from Long Island wasn’t all that bad, either.

The writing went very well, so that was a relief. Switching between the long WIP I’ve been working on (tentatively titled POWER OF WORDS) and the dark piece (REDEMPTION KILL) works because they’re very different, and yet, they feed off each other in a weird way. Hey, I’m not going to argue, I’m just going to roll with it.

Two very interesting and different conversations yesterday re: scriptwriting jobs for which I’d pitched. The first really liked my samples, but they need someone local (in LA) to be on-site doing topical revisions — it’s the monologue for a small, daily show. They hired someone to fit that, but wanted to talk to me anyway about future projects. They’re in negotiations for a development deal for some scripted web projects, and wanted to know if they could keep me on file and contact me if and when they had funding for something like that. That project could be done mostly remotely, but, if and when they needed me present, they’d also have the funds to bring me out west as needed, whereas this project doesn’t have the budget. Everything’s an “if”, but they came across as having integrity, and should the opportunity come up, I think we’d work together well. If the opportunity doesn’t come up, at least we had a good talk! 😉

The second conversation was more typical. They like the samples, but wanted me to write a project-specific script for them to “help them make their decision.” Without pay. I refused. I said I’d write a partial at a specially-negotiated rate, but I don’t do free project-specific samples. I know that road — the “employer” sends out different “samples” to different individuals, tells everyone they’ve hired someone else and gets the whole project for free, not paying anyone. I didn’t just fall off the turnip truck. They also said that, although, in the ad, they’d listed a per-script rate (which I found acceptable but not brilliant), they’d decided that was the rate they were paying for ALL the scripts, not just one. I said no, thank you. These are NOT people I’d want to work with in the future.

So, I watched the premiere of LOST’s final season. I didn’t watch the narrated pre-show explanation — I stand by my belief that if you have to keep explaining things, you’re not telling the story well. I enjoyed seeing old, familiar faces from the first season, the season I liked. I enjoyed the scenes from “the plane didn’t crash” section. I see where they’re going with the rest of it, and I’m just sighing and shaking my head. As I’ve said frequently when I’ve dipped into it once I stopped watching regularly, I enjoy the scene work, but not the overall arc, and I don’t trust the creators to lead me on a fulfilling journey. I’m glad the show gets the support it does, it is truly innovative on so many levels, and I’m glad so many people are fanatically loyal to it — that helps everyone creatively, the show’s creators, the writers, the actors — and, once the knock-offs run out of steam, will hopefully open the door to more innovation. But LOST lost me at the top of Season 3 and never won me back. It’s really well done, and, in spite of it, I feel like they’re over-manipulating the audience. To me, that’s a turn-off. I’ll probably watch it here and there over the coming weeks, and I want to see the series finale to see if my speculations are correct. But I’m certainly not planning my week around it.

Imbolc ritual was lovely, honoring the stirring of what is to come.

Good first writing session this morning. The word count is low, but I’m writing a scene that’s both physically and emotionally complex and I’d rather take my time with it than rush through it. It’s pivotal to the rest of the book, so I’d rather get it mostly right (there’s always room for improvements during revision) than rush through it, blow it, and then not have built a strong foundation for the rest of the piece.

Back to the page for a bit, and then I’m headed off to the library.

Devon