Thurs. July 12, 2018: Clown Semen & Other Creative Adventures

Thursday, July 12, 2018
New moon
Saturn Retrograde
Pluto Retrograde
Neptune Retrograde
Mars Retrograde
Sunny and pleasant

Hop on over to Ink-Dipped Advice to see why loving your job does not forfeit your right to earn a living at it.

The impromptu artists’ retreat with my friends last week gave me a lot to think about, and it will take me some time to work through it all. While I didn’t get a lot of words on paper during that time, I refilled the creative well, as we all helped each other refill our creative wells.

I helped brainstorm their creative projects; because that work is not mine, I can’t discuss it here, in a public space. The results of the brainstorming are theirs to use or not use, discuss or not discuss as they see fit. But I find helping others sort their way out of creative obstacles always teaches me a lot about my own work.

As far as my work, I now have:

— a clearer idea of how to proceed on the anti-gun violence play;

–a stronger thread for THE BALTHAZAAR TREASURE (breaking MYTH & INTERPRETATION out of it helped, but now it’s even more focused);

–a clearer idea of CRAVE THE HUNT, which needs to go back into the queue in late summer;

–how to incorporate the editorial notes I received recently on the two manuscripts in a way that solves the problems the editors pointed out without diluting my vision for the books. The only way I could see on one of them was to dumb it down, but now I know how to make what the editor feels is missing work while still driving the book’s unique edge, the thing that makes it different from other books in the genre;

–a new determination to work, in and around other projects on what I’ve called THE POWER OF WORDS, so the first six books will be ready to release one-a-month next spring or summer;

–a new determination to get back to THE FIX-IT GIRL edits (the book set in 1930s Hollywood), so that can go out on submission;

–the problem that had me stuck on THREE ROADS OF STRANGERS is untangled, and I can fix that; when, I’m not sure, but the “how” is handled;

–the outline for the first book in a more traditional mystery series that has a good chance of finding a home in a more traditional venue — if I can work in the time to do a good job on it;

–ideas for a couple of radio plays, and new venues to send existing radio plays;

So I would say it was a productive few days.

I went to Falmouth Art Center to the opening of an exhibit where a friend of mine had a couple of pieces. The drive was a nightmare, but the exhibit was lovely. Her pieces (ceramics) had a wonderful sense of fun. Of the other pieces, I found myself especially drawn to the oils. I loved their depth. It reminds me of the difference between film and video.

Came home to discover other family friends had stopped by, although they hadn’t been able to stay.

Once the last of the guests left. I did laundry and some tidying up, but cut myself a break to process ideas and read and rest. I felt a huge need to rest.

Part of me worried that I’m getting too far behind on the word count for RELICS; more of me felt I couldn’t put words of any value down, and it was better to rest.

One of the books I read was THE ADDRESS by Fiona Davis, which I really liked.

I tried to read some books by an author whose latest book I loved, but they were written in present tense, and I couldn’t. I loathe novels written in present tense. I don’t care how much praise they get. I find them unreadable. It’s the author getting between me and the story, screaming in my face about what a cool stylist the author is, instead of letting me experience the story.

A writer friend is coming to the Cape to teach at the Conference next month and wants to get together. I’m delighted.

Monday morning, I woke up early with a blasting headache. I ended up drafting most of a flash fiction piece — I still have to figure out how to end it. That alleviated the headache somewhat.

Client work, prepping and getting out a marketing campaign for an event the client has in August.

Steady work on RELICS, getting back into the groove with DHARMA. Researching my almanac articles. Getting ready to re-read HEADLONG this weekend so I can write the foreword. I’m so thrilled my friend asked me to write the foreword. What an honor. It remains one of my favorite books ever. I have to put some material together for a couple of proposals in the next few days, too.

I’d sent a pitch to a potential client through a recruiter — who sent it to THE WRONG COMPANY. My pitch was to join the marketing team for a company that promotes wellness in the workplace. Instead, the recruiter sent the pitch to a different company with the same first initials/acronym located in a different town. This one is a fast-paced, very corporate organization. I was puzzled at first, when the corporation contacted me to set up a meeting. Because I knew I hadn’t sent them anything. Then I did some research and realized what had happened. Then I did some research on the company and — no. Just no. We are not a good fit. The “leaders” stay in the shadows and the double-speak made me question their ethics. Plus, they’re looking for entry level to groom. I’m not entry level. Too many decades of work under my belt for that. I sent a polite email thanking them for their interest, explaining the mix-up, and withdrawing from consideration.

Savasana/sukasana/reiki was great. I love spending an hour a week lying in a quiet room with no expectations.

Then, Wednesday, there was some unpleasantness at one of the client sites. Unnecessary, manipulative unpleasantness. I was onsite, working on the client’s campaign for an upcoming event. However, another person in the workplace specifically sparked an incident that she knew would set off my client to go on a rant to which I would have to respond or be the type of compliant spineless moron I despise.This individual did it because she thought it was “funny.”Now, my client and I wound up being fine by remaining cordial and listening to each other, and giving each other respect for our differing views.

My fury (and believe me, it was fury) was at the person who sparked the incident, who threw me under the bus because she thought it was “funny.” My client left and I was finishing up what I needed to get done until I go back onsite next week. I was seething, but I figured I’d let myself cool down and then, if it was relevant, have a quiet word with the instigator next week.

But no, this one had to start joking about how funny it was. I told her to never put me in that situation again, and that I was angry, and didn’t appreciate she threw me under the bus. I have covered her ass plenty of times in that place. Then she denied that she “knew” it would cause a problem which either a flat out lie or she has cognitive issues, because we’ve discussed this more than once. Then she started the whole thing about how my anger “hurt her feelings.”

Too bad, bubbelah, maybe you should have considered that before deliberately stirring the pot. Her actions and her words are too far apart for me to believe her words. Anyone with a grain of common sense, consideration for someone else, and basic reasoning skills could have predicted what would happen.

Walk your fucking talk or get out of my life.

Of course, this is the same person who, last week, during a discussion about human rights violations, said she “doesn’t do politics. Besides, none of this affects me because I have white skin.”

Which just tells all of us all we need to know, right?

I’d much rather know someone’s true colors sooner rather than later. Now I know what I’m dealing with.

Fortunately, I got to have fun on Wednesday night, which is where the clown semen comes in.

My friend, author Ray Bartlett, did an event with another author, Mary Hart. I saw his post on Facebook about it, and hadn’t seen him in ages, so I figured it was a good time to get together, come out and support his book (I’d put together the launch party for it when it originally came out), and meet a new-to-me author. All good.

It was at Hyannis library, and tons of fun. Ray read from SUNSETS OF TULUM, and Mary read from SOME HORRIFIC EVENING. The audience was engaged, there was a great talk/question & answer session, and, best for them, the audience members bought books. It was lively and fun and creative.

I’m also looking forward to both of their next books.

After, we went to a nearby bar to chat and catch up. We ordered our various drinks. Mary ordered an IPA called something like “Clown Shoes”. It was clown something. Well, when it arrived at the table, it looked kind of like milky orange juice.

You get where I’m going with this, right?

We asked the waitress if it was supposed to look like that; she didn’t know, but suggested an app that has pictures and info on different beers. Mary pulled it up on her phone.

Uh, no, it wasn’t supposed to look like that. All the pictures were very different than what was in the glass in front of us. In the photos, it looked like beer.

What was in the glass didn’t look like beer.

Which is when the comment came up about it looking like “clown semen.”

Which quieted the men at the table into shocked silence for about 20 seconds.

Anyway, she sent it back and got something drinkable. But we started doing jokes about clown semen. Because it was just that kind of night.

We decided that it should be the title of her third book (because the title of her upcoming second book is already really cool). And if she doesn’t use it by her third book, I will.

I promised her I’d write about this today, so Mary, this one’s for you! 😉

And there was other laughter interspersed with the creative conversation, and it was fun. Also, when you go to one of Mary’s readings, ask about the story of how her parents met, because it’s really lovely.

Came home later than expected and puttered around.

This morning, it’s yard work, some remote client work. I need to up my game on RELICS & REQUIEM to make deadline, and I have to make sure I don’t drop the ball on DAVY JONES DHARMA.

Plus, you know, the novella, MYTH & INTERPRETATION, releases on Tuesday, so I better up the PR.

I need to prepare an international proposal for a play that needs to go out tomorrow, and two radio drama pitches to go out next week. I also want to get out some more LOIs this week.

Tomorrow, I’ll share some Adventures in Wildlife we’re having around the yard.

Back to the page!

 

Advertisements

Wed. June 27, 2018: Trying to Balance the Writing

Wednesday, June 27, 2018
Day before full moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Neptune Retrograde
Mars Retrograde

The retrogrades are stifling.

Hop on over to Ink-Dipped Advice for my piece on billing for phone time.

Mowed the front lawn on Monday afternoon. Still don’t love it, but the reel push mower works better for me than the gas mower.

But then, of course, it was cocktail time!

MYTH & INTERPRETATION is going through the publication process. I should have the Universal buy link and pre-order information up soon. It releases on July 17. I’m finishing up the media kit for it, and then I’ll do the series media kit.

I have to up my game with RELICS & REQUIEM. I often say that every novel has its own innate rhythm. This one’s is slower than I need it to be in order to meet my deadlines. I have to up it by at least two pages a day. Not quite sure how I’ll do that yet.

Another Gwen Finnegan between-the-books novella has started churning in my head. This would be between Book #2, BALTHAZAAR TREASURE, and Book #3, SANDOVAHL SECRET. It puts them in competition, when they are hired by different teams after the same object. Given where they are at the end of BALTHAZAAR, it might be a fun piece. I may do an outline and give it to my editor, to see what she thinks.

Watched NATIONAL TREASURE for about the fortieth time on Monday night. I have such fun with that movie.

RELICS & REQUIEM, finessing the DAVY JONES DHARMA outline, client work. I got some LOIs out, and one of them already wants additional information, so that’s good.

Lost respect for several people because they don’t care enough to take action against the human rights violations done by our own government, because they don’t believe it affects them. I have no place in my life for cowards or appeasers.

There was a beautifully written editorial in the NY Times by Michelle Goldberg. The content was superb (unusual, because for months the NYT has been the Paper of Appeasement). But the writing, the sentence structure was glorious. I loved it, and tweeted about her.

I shouldn’t have been shocked that those who derided the writing – not the content, but the quality of the writing – were white men.

It’s a gorgeous piece. The use of language is the best of what being a writer can be.

Today, one of my clients is taking her team out to lunch overlooking the water. That should be fun. Depending on my schedule after that, I might to go Green Drinks in Mashpee later. Never a dull moment, and that’s the way it should be!

 

Tues. June 26, 2018: Good Writing Things While the Country Burns Down

Tuesday, June 26, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Neptune Retrograde
Mars Retrograde

Five retrogrades. That’s a lot of weight.

Turned around the galleys for MYTH & INTERPRETATION. The book will be ready for pre-orders soon. I’m happy with it.

RELICS & REQUIEM is steaming along nicely. I couldn’t sleep on Saturday night, so I spent several hours lying in bed refining plot points and making mental adjustments to the Writers Rough outline. I’ve started putting those adjustments into practice. It makes a big adjustment to the romantic part of the romantic suspense arc, and I’m not quite sure it will work, but I’m going to give it a shot.

This week, along with RELICS, I get back into the saddle with DAVY JONES DHARMA, the second Nautical Namaste mystery. I need to re-read the material and take a look at the outline to get back into that headspace and voice.

The anti-gun violence play is going along slowly. But that’s okay. Every piece has its own innate rhythm. I don’t yet have a title for it, which is making it more difficult.

I received the check from the radio play. Always great to get those checks.

PJ Friel, the cover artist, is going to stay on as the cover artist for The Jain Lazarus Adventures, which is a relief. She created a specific look for the series, which I think works. My publisher agreed. I’m very proprietary about Jain, and I’m lucky that my publisher is giving me more leeway than is usual.

I’m also reading PJ’s debut novel, A TWIST OF WYRD, and loving it. It’s a terrific urban fantasy with a strong romance at its core. I’m looking forward to more in the series. PJ was a guest of mine on A Biblio Paradise when the book came out, a few weeks ago.

Friday night, I went out with a friend I haven’t seen in person since last fall, right after PLAYING THE ANGLES released. We went to Embargo, a tapas place in Hyannis. The food was surprisingly good, and we had a great catch-up. She invited me to participate in a fundraiser for a mutual friend of ours, which will happen in August. I’m going to write a new monologue for that, which I’ve started percolating. She is a ceramic artist, and is participating in a show in Falmouth opening in a couple of weeks, so I will go to that. And she’s encouraging me to apply for a reading slot at a local festival this fall. She’s right. All they can do is say no. But they can’t say yes if I don’t let them know I’m interested.

So it was a good, creative shoring up of each other’s work.

Saturday was a rainy day. I like listening to the rain here. I gave myself the day off. I needed it.

Sunday, I was back in the saddle for RELICS & REQUIEM, and got some solid work on it in. I also read over what I’ve got on THE BALTHAZAAR TREASURE, now that I’ve cut out the material used for MYTH. It’s much tighter and more focused. I’ll have to massage a few things for the timeline and then move forward; I’ve lost several chapters of the material that was the foundation for MYTH. But now BALTHAZAAR has its necessary pace and focus, and I can move forward.

Re-read what I’ve got so far on CRAVE THE HUNT, the third Jain Lazarus. It’s a little more than the first quarter of the book, a little less than the first third. I like it. I found most of my outline notes, so I know where I’m going with it. I think I can whip it into shape for its release in March.

IF I stay focused on everything else that’s already contracted.

Yesterday was about client work and continuing to work on the media kit for MYTH & INTERPRETATION. I had trouble getting my head back into RELICS, for some reason; but eventually, I got there.

Some idiot yesterday, here on Cape said, “I don’t have anything to worry about with politics. My skin is white.” And THIS is why we now live in a fascist dictatorship. The ignorance and lack of care is appalling.

Today is about more client work. I’m hoping to get to Reiki tonight. Because believe me, I need it!

 

Wed. June 6, 2018: One Project Out, Another Moves Up

Wednesday, June 5, 2018
Waning Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

Hop on over to Ink-Dipped Advice to read why “My Rolodex Isn’t Free.”

MYTH & INTERPRETATION went out to my editor yesterday morning. I look forward to her comments. It’s a fast-paced novella that seeds conflicts that will grow in BALTHAZAAR.

On Monday afternoon, we looked at the four cover choices. They were all wildly different and quite beautiful. Each evoked something different. After much discussion, we decided on what will be the cover — both eye-catching and supports the novella.

So now, the primary focus goes back to RELICS & REQUIEM, and I’m excited. I love Amanda. I think she and Phineas will make an odd, if good team. GRAVE REACH (Coventina Circle #4) is already spinning, and I’m making notes in and around RELICS, because things from SPIRIT REPOSITORY and RELICS cause incidents in GRAVE REACH.

I have most of RELICS outlined; I’m going to write a few more chapters, then finish the outline and send it to my editor for comments as I draft; I hope we’ll have some of the same process to streamline as we did for MYTH.

I’d like both RELICS and GRAVE REACH to be close to 80K. And I’d like to keep Sylvie’s book lean, too. When we hit Diana’s book, it will sprawl a bit — I have a lot to weave in there. So the vision for Coventina Circle is pretty clear, with room for inspiration.

I want to get a lot of RELICS under my belt, because pretty soon, it’s time to turn attention to DAVY JONES DHARMA.

Never a dull moment.

Exhausting day with the client, doing IT work above my pay grade. I look forward to yoga tomorrow.

 

Published in: on June 6, 2018 at 2:32 am  Comments Off on Wed. June 6, 2018: One Project Out, Another Moves Up  
Tags: , , , , ,

Monday, May 14, 2018: #UpbeatAuthors The Next Step on the Ladder

black-and-white-construction-ladder-54335

Photo courtesy Khimish Sharma, via Pexels.com

Monday, May 14, 2018
Dark of the Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

 

My first response to that is, “Which ladder?” I have various limbs on various ladders. I write in different genres, under different names, in a variety of formats: prose, theatre, television, film, radio. Journalism. Essays. Marketing writing. Reviewing.

I do very little editing for private clients now, because the time/money ratio doesn’t work for me, too many would-be writers default on payments (when they’re not trying to lowball me down to a fraction of my rate), and I need the primary focus to be on my own work. When I edit, I am generally hired by the publishing house to work for something under contract that has passed particular gate-keeping standards.

I am with more than one publisher. One of them, who has signed several projects, is small, just starting out. We are taking a risk on each other. Among the reasons I was excited to work with them was that they pay small advances, don’t demand their writers acquiesce to a boiler-plate contract AND, instead of POD, they do small print runs. The print runs are after a certain digital threshhold is reached, but the POD model was not working for me, so I wanted to try this. I am still with another publisher who is doing the POD model, and I have submissions out to several other publishers, who work on a mix of models, so we’ll see what happens. I also liked them because the editor with whom I’m working constantly pushes me to be better. And that is my goal — that every book I write is better, in both craft and art, than the previous books.

About a year ago, I sat down with a lawyer, an agent, an editor, and a marketing advisor, and we came up with a plan. I was unhappy and frustrated with the way things were going in my career. I knew I wasn’t writing what the Big Five wanted; I wanted to explore some things that they are currently giving lip service to, but not following through on, and I wanted to do it in my way. We were not a good fit at the time. I knew I was going to part from an agent I’d been working with for several months, because we were not a good fit. When we got together, she was excited by my work and my voice; but the more we worked together, the more she wanted to dilute it and take out what made it unique. She kept telling me my themes and issues were “too hard for the typical reader.” In other words, she wanted me to dumb things down, and I didn’t want to do that. Also, she only wanted to commit to a book at a time, and I need an agent who is interested in long-term career planning. She has since signed a friend of mine, and they’re doing great together. I’m happy for both of them; they are the right fit. We were not.

As far as the marketing writing went, I wanted to have the confidence to say “No” to the lowballers locally and reach farther afield. The interesting thing is that as soon as I did that, I landed two clients locally with whom I work well, WHILE also reaching beyond the bridge for clients who pay better.

We took four or five days together, and I took about twenty pages of notes. We crafted a plan. Some of that we followed; some of that has fallen by the wayside for various reasons.

I re-stated my commitment not to “niche” — to me, that’s a death toll for a creative life. Far too many people who “advise” freelancers sneer and call what I do a “generalist.” I prefer to call it being a “Renaissance Writer” and I’ve written on this topic for both WOW-Women on Writing and Write Naked!

I wanted to get back into article writing, which fell by the wayside for a bit. I started pitching again, and I did pretty well, but that seems to be one of the things that falls away first. Since I enjoy articles — every part from the pitch through the research through the writing and the polish, especially working with a good editor — I need to get back on track with that.

One of the big changes I made was in the way I do pitch letters. Instead of trying to frame what I do to sound like what they want, I’m more specific in the elements I think will appeal and more specific in where our paths diverge. I’m more myself in the cover letter — while still structuring it the way I find works — hook, one paragraph summary, technical info, bio, why this market. And the results are good.

This year and next, I’m on a brutal contract schedule. I’d spent a couple of years working on different types of material, on working on craft. Now, with a commitment to more than one series, I am sitting down and writing the books.

Last year, PLAYING THE ANGLES was re-released, as the first of the Coventina Circle paranormal romantic suspense novels (in its original incarnation, it was a stand-alone). The second book in the series, THE SPIRIT REPOSITORY, just released, and the third, RELICS & REQUIEM, will come out in October of this year, with the fourth, GRAVE REACH, coming out in May of 2019. So that’s a tight schedule.

Last year, the first Nautical Namaste mystery, SAVASANA AT SEA (as Ava Dunne) released. It’s a not-quite-cozy mystery series, whose protagonist is a yoga instructor on a cruise ship. Only one of those books comes out a year! But the next one, DAVY JONES DHARMA, is due in early December this year.

TRACKING MEDUSA, the first Gwen Finnegan mystery, re-released this past January. As I worked on the second book, THE BALTHAZAAR TREASURE, I realized that there was a chunk of it that slowed down the plot. Yet the information was necessary to where my characters were in their emotional lives and how they’d built their day-to-day relationships. Flashbacks and info-dump conversations wouldn’t work; so my editor and I decided to pull out those chapters, flesh them out into a “between-the-books” novella, now called MYTH & INTERPRETATION, and put that out this summer. BALTHAZAAR is still scheduled to come out in January of 2019, and that is now back on track, the pace and content correct.

In the meantime, I had three terrific opportunities. One was to pitch a serial. Those of you who’ve known me for several years know that I used to write four serials in four genres under two names for 18 months a few years back. A total of 8000 words a month. I love writing serials, and I miss it. I had the chance to pitch to a company that specializes in serials.

I pitched a fantasy/adventure novel. I’d written the first four chapters a couple of years ago and put it aside for scheduling reasons. But, when I had this opportunity, I wrote a few more chapters, and outlined what would be the book-length arc of this serial. I fell in love with it all over again. If it’s picked up, it goes back in the schedule; if not, it will be back-burnered again.

I also had two other ideas, stand-alones, that I played with, on and off for a couple of years, writing my way in the first few chapters, then making notes for my Writers’ Rough. On impulse, I polished pitches and tossed them into a Twitter pitch day for a specific company. Editors liked both; so I’m working on some additional chapters, polishing them, and sending them out by deadline this month. Again, if the editors want the full manuscript, they go back into the schedule sooner rather than later; if not, they are back-burnered until next year, when my contract schedule isn’t quite as demanding.

As I said above, I have a couple of other pieces out on submission; if they are contracted, they will be worked in. I also have a serial novel — which is different than a novel broken down as a serial. This is a set of novels that are all of a piece. It follows the filming of a television series over several seasons. Not a series, in the sense that each stands alone and progresses. These novels all fit together like puzzle pieces. One of my publishers has expressed interest in looking at it when the first five or so puzzle pieces are ready. When will that be? I don’t know.

I also made a commitment to do more script work again. I’m taking this year off from stage plays (I wrote four in three years for 365 Women). But one of my radio plays will be produced later this month, and I want to submit some screenplays I’ve polished.

Along with all this, I will pitch to higher-paying clients and higher-paying article markets. Gotta keep a roof over my head, and if I don’t keep up the writing pace I can’t. This is my profession, not my hobby. I am paid to write. That IS my day job. While my book sales have jumped considerably since I moved webhosts and redesigned my websites, I still need the marketing writing and article writing for income. Plus, I enjoy it.

So, my “next step” is building on the foundation of the series on which I currently write; continuing to expand the publication contracts with other publishers at higher-paying tiers, and book higher-paid marketing and article gigs.

I’ve found a process that works for me as far as the new ideas — because, as we all know, new ideas come in batches. I write my way in for a few chapters, then sit down and do a Writer’s Rough Outline. That way, whenever I can actually sit down and WRITE the book, I can drop into its world. The Writer’s Rough outline captures the initial energy of the idea, and then, as I work, I can develop the structure and the craft.

In the coming weeks, we will sit down again and assess how this last year played out. What worked, what didn’t. Where I lost focus, and what I dropped because it didn’t work. And we will craft a plan for the coming year that will guide me toward the “next step on the ladder.”

I don’t want fame. I worked in theatre and film for too many years and see how it can hurt creativity and general life; that is not what I want. I do want financial stability, and to be paid fairly for my work. There is no reason not to be paid well doing work I love. My profession is writing. I will not let ANYONE decide that it’s a cute lil hobby and I don’t deserve to be paid a living wage. I will dig in and do it, and earn my living. It will be a mix and match of projects and styles and tangents, but writing is my profession. When I decided I wanted to work on Broadway, I didn’t let anything or anyone stand in the way of achieving that goal. Now that I’m writing full-time, I feel the same way.

My next step is increased earnings and visibility for my work. It is also participating in the community of writers who love what they do and are committed to a fair day’s pay for a fair day’s work across the board, no matter what the profession. It is refusing to “dumb it down” or change what I write because people I don’t respect threaten not to buy what I write. The great thing about writing is that there are plenty of authors writing in plenty of styles and genres, so there’s something for everyone. It’s fine if someone doesn’t connect with my work — there are wonderful authors out there with whom they WILL connect. But threatening me and demanding I change what I write is not going to work.

Artists have a responsibility. I believe that responsibility is to bear witness to the world, to expand people’s vision of the world, but also to create better worlds and help us find ways to reach those better worlds inclusively and fairly. A better world needs social and economic justice. By respecting our own value, our own worth, we set the tone.

For more inspiration on valuing your work, please visit Lori Widmer’s Words on the Page blog. It’s great all the time, but May is Writers Worth Month. It’s especially great now.

 

Fri. Feb. 23, 2018: Positive Web Host Adventures (For a Change)

Friday, February 23, 2018
Waxing Moon
Sunny and cold

They told us it would be snowing and raining on Cape this morning, so I changed my off-Cape appointment, and now it’s beautiful. Cold, but beautiful. How annoying.

Yesterday was a lousy day, writing-wise. I could not make SPIRIT REPOSITORY work. The deadline looming doesn’t help, and I feel like I’m chasing my own tail. At the same time, POWER OF WORDS is singing its siren song to me. But I can’t do anything until I have the contracted work back on track.

On the positive side, I got a lot of work done on both the Devon Ellington Work site and the Coventina Circle site. I figured out WHY there’s a problem on the landing page of the DE site, but not how to fix it. At least I cleaned it up! I also realized I had to add an “anthology page” for the anthologies in which I’m included. I realized there’s quite a bit of my work out there — I’ve had a decent output. It’s nice to see it all set out.

As I finish building the subdomains, I’ll have to keep tweaking some of the information on the links, but, for the most part, the DE site is done.

The Coventina Circle site is almost done. I have to tweak and upload the media kit for PLAYING THE ANGLES, and then it can go live.

I plan to do that work on both sites today, and then move on to building the Nautical Namaste site.

I still have to go back and do an article on the goddess Coventina and create the playbill for the show within PLAYING THE ANGLES, but at least there’s enough content to give readers something to enjoy. I have a feeling I can’t call it “playbill”, but have to call lit “show program.”

I’ll do as much as I can today, and then, the weekend is about SPIRIT REPOSITORY, not the websites. I’ll go back to work next week on the websites. I’m hoping I can go live with all the series subdomains by next week and start building Cerridwen’s Cottage, get that moved, get Fearless Ink up and moved on so on. And then, breathe a huge sigh of relief!

I have house-and-home stuff to do this weekend, too. Some yard work, if the weather holds, some errands across the bridge.

But most of the weekend is about finishing THE SPIRIT REPOSITORY.

And then, the primary focus shifts to MYTH & INTERPREATION, but I have to work on RELICS & REQUIEM in tandem with that. My editor and I talked about stripping MYTHS down quite a bit, which I think is a good idea. I still might overwrite some of it, but she pointed out where the tangents are derailing the story. Since MYTHS was a derail of BALTHAZAAR TREASURE in the first place, I don’t want to wander too far afield.

It’s a good kind of busy, and I’m trying to push other frustrations out of the way and focus on the work that gives me the most satisfaction and is the most career-building.

Have a great weekend!

Published in: on February 23, 2018 at 9:49 am  Comments Off on Fri. Feb. 23, 2018: Positive Web Host Adventures (For a Change)  
Tags: , , , , , , ,

Tues. Feb.6, 2018: Same Location, Distinct Voices

Tuesday, February 6, 2018
Waning Moon

I’m in a juggling act right now. I’m working on books in different series, but I’m working on them at the same time.

One of the challenges, is, of course, keeping the voices distinct. Especially since two of the books take place in contemporary New York City, and their circles of influence somewhat intersect.

The Coventina Circle paranormal romantic suspense novels take place in contemporary New York City. Well, sort of contemporary — based on my last visit there after the move away. Things change all the time, so it’s a recognizable New York City, while still serving the fictional needs of my plots and stories.

The Gwen Finnegan mysteries have a longer reach, because Gwen and Justin’s adventures take them all over the world. After all, TRACKING MEDUSA had sections set in New York, London, Lindisfarne, Ayrshire, Greece, and Marseilles.

THE SPIRIT REPOSITORY, the second Coventina Circle book, is set in New York again. Most of it is in Greenwich Village, a place I’ve known and loved for years. Some of it takes place on the Upper West Side, where Bonnie, the central protagonist of this book, has sublet the apartment from Morag (the central protagonist of PLAYING THE ANGLES, the first book in the series). And part of it is set up in Inwood, near the Cloisters, where one of the secondary characters lives. The third book in the series, RELICS & REQUIEM, with Amanda as the central protagonist, will focus mostly on the Upper West Side and on Midtown East, where the Phineas Regan lives.

MYTH & INTERPRETATION, which lands between TRACKING MEDUSA and its locations, and THE BALTHAZAAR TREASURE, which is mostly set in the Bahamas, but with some sections in New York and in the UK, is completely set in New York. Okay, Justin makes a foray to Princeton in New Jersey. But the focus is in New York.

Both deal with paranormal. Central characters in both are witches.

So it becomes an interesting challenge to keep the books from intersecting. The voices must be different. The issues the members of the Coventina Circle face in their lives and loves are quite different from the issues faced by Gwen and her archaeological clan. Yet the frequent some of the same places — libraries, museums, restaurants, and the like.

When I lived in Manhattan, I was involved in a variety of different circles, although my primary one was theatrical (since if you work in the theatre, you spend 90 hours or more a week in the theatre). I also moved in publishing/literary circles, in the wellness/spiritual circles, in academic circles, in art and music circles. It was always interesting to see where they intersected and where they did not.

Applying that in a believable way while keeping both these series’ voices distinct is an interesting challenge. If the deadline pressure wasn’t so severe, I’d probably enjoy it more.

Some of it means writing fast and then breaking down sentence and paragraph structures as I rewrite, to fit the cadences already set up in the first book of the series. That’s easier to do in the Gwen Finnegan mysteries, because Gwen is central to each book. It’s more of a challenge with the Coventina Circle books, because each book has a different set of central protagonists, each with their own distinctions.

I’m also taking a risk, putting in a site and a small group of characters into both SPIRIT REPOSITORY and into MYTH & INTERPRETATION that make a bit of a crossover, although Bonnie, Rufus, Gwen, and Justin won’t meet and/or interact.

It’s similar to some of the in-jokes and crossover Jenn McKinlay’s done between her Hat Shop Mysteries, her Cupcake Bakery, and her series set in Maine.

Hopefully, I can pull it off!

Playing The Angles Cover Sm

PLAYING THE ANGLES, the first Coventina Circle mystery is available digitally here for $3.99.

Witchcraft, politics, and theatre collide as Morag D’Anneville and Secret Service agent Simon Keane fight to protect the Vice President of the United States — or is it Morag who needs Simon’s protection more than the VP?

THE SPIRIT REPOSITORY, the second book in the series, will release in May 2018.

Tracking Medusa Cover 1

TRACKING MEDUSA, the first Gwen Finnegan mystery, is available digitally here for $3.99.

Archaeologist Dr. Gwen Finnegan is on the hunt for her lover’s killer. Historical researcher Justin Yates bumps into her, literally, on the steps of the New York Public Library, and comes to her aid when she’s attacked, sparking an attraction between them in spite of their age difference. After avoiding a cadre of pursuers at the Met Museum, Gwen impulsively invites Justin to hop a plane with her to the UK. The shy historian, frustrated with his failing relationship, jumps at the chance to join her on a real adventure. That adventure takes them through Europe, pursued by factions including Gwen’s ex-lover and nemesis, Karl, as they try to unspool fact from fiction in a multi-generational obsession with a statue of the goddess Medusa.

MYTH & INTERPRETATION, a “between the books” novella, will be available digitally in July 2018.

 

Published in: on February 6, 2018 at 6:28 am  Comments Off on Tues. Feb.6, 2018: Same Location, Distinct Voices  
Tags: , , , , , , ,

Fri. Jan. 12, 2018: Re-Release TRACKING MEDUSA!

Tracking Medusa Cover 1

Tracking Medusa is available through multiple digital formats here.

Blurb:

Archaeologist Dr. Gwen Finnegan is on the hunt for her lover’s killer.  Historical researcher Justin Yates bumps into her, literally, on the steps of the New York Public Library, and comes to her aid when she’s attacked, sparking an attraction between them in spite of their age difference.  After avoiding a cadre of pursuers at the Met Museum, Gwen impulsively invites Justin to hop a plane with her to the UK.  The shy historian, frustrated with his failing relationship, jumps at the chance to join her on a real adventure.  That adventure takes them through Europe, pursued by factions including Gwen’s ex-lover and nemesis, Karl, as they try to unspool fact from fiction in a multi-generational obsession with a statue of the goddess Medusa.

Friday, January 12, 2018
Waning Moon
Rainy and mild; turning colder

Well, I’m sick, which totally sucks, because I have so much to do.

On the positive – it’s re-release day for TRACKING MEDUSA! Not that I can post covers or media kits on anything on the Gwen Finnegan website – because, hey, that would mean 1and1.com actually gave me the services for which I’m paying! But no, unless I bow to their extortion of additional payments every month for every site ON TOP OF what I regularly pay – I don’t get to have photos on my sites.

Which is, of course, why I signed with a new webhost and why I’m in the process of moving everything.

But TRACKING MEDUSA is a re-release – and will be featured on A BIBLO PARADISE on Tuesday. If you have the original release, either digital or print – the text is the same (albeit with some stylistic changes to the new “house style”), and it contains the beginning of MYTH & INTERPRETATION and the beginning of THE BALTHAZAAR TREASURE. Other than that, there are no major changes.

I’m also over on Write Naked! with the article “The Anti-Niche Writer.” Check it out here. Doing this article was a joy from pitch to release.

In spite of being sick, I’m trying to update the release links for TRACKING MEDUSA, promote its release, and do some more work on the new Fearless Ink website. I want it to go live next week. Because then I have the Cerridwen’s Cottage website to build and move, and the Devon Ellington Work website with all its subdomains – including the Gwen Finnegan mysteries, where TRACKING MEDUSA belongs.

I have a book to read and review this weekend, and I want to start reading the books sent for the contest.

I also have set a high goal of word count on THE SPIRIT REPOSITORY because I’m behind where I want to be (although still within the wheelhouse of the deadline).

Somewhere in there, I need to rest with hot tea and brandy, so I don’t get sicker!

We are expecting two days of heavy rain, resulting in flooding, and then turning to ice. Keep your fingers crossed we don’t lose power.

Have a great weekend!

Published in: on January 12, 2018 at 10:05 am  Comments Off on Fri. Jan. 12, 2018: Re-Release TRACKING MEDUSA!  
Tags: , , , , , , ,

Wed. Jan. 3, 2018: Hitting the Ground Writing

Wednesday, January 3, 2018
Waning Moon
Uranus Direct (as of yesterday)

Can you believe it’s 2018? Let’s build a better year together.

Yesterday, my answers to the 2018 Questions went up on the GDR site. Today, the To-Do list for January went up. It’s shorter than my opening shots for the year usually are, but this month has complicated work.

I took a lot of time off over the holiday weekend, to read, to meditate, to do yoga. To think. To be. I’m not building enough percolation time into my life, and that needs to change. I need to percolate in order to create.

I read A LOT — hop over onto A Biblio Paradise to see some notes about it.

Also, hop on over to Cerridwen’s Cottage for the full moon meditation. Thanks to my current lousy webhost, it didn’t go live before the weekend the way it was supposed to. Apologies.

It was a beautiful full moon, albeit cold.

One of the things that struck me during my time off was how much more productive, better rested, and less stressed I was because I turned my phone OFF. Not just put it aside and told myself not to look at it. I turned it off.

I checked mail and spent a few minutes on social media each day, especially on New Year’s Eve. But I spent a lot of time with the phone off.

I planned to add social media packages to the services offered on Fearless Ink, and this makes me re-think it. If I do, I have to set strong boundaries, because I want to spend more time this year disconnected.

Of course, with the repeal of net neutrality, that might be forced, rather than a choice.

I have to think about it some more.

PLAYING THE ANGLES and SAVASANA AT SEA came off the Pronoun distribution channels yesterday. It will be a few days before they are re-settled on D2D. The buy links will change, but the price and the text remains the same (although I’ve shorted some of the teasers for the other books at the back).

This should not change anything about the copies already purchased. You own those copies; they are YOURS.

I lose my reviews and have to contact the people who received review and guest hosting information. But that’s the way it goes. I pulled and have saved the reviews for the media room and kits and information sheets.

I spent some time this weekend prepping the manuscripts for both (since the requirements are a little different for this distributor than for the previous distributor). It will take a couple of extra days to get the books on Amazon.

TRACKING MEDUSA is still set to re-release on January 12th, through this new distributor. It has a new cover, but the rest of it is the same, except for some minor house style changes. So, if you have a print or digital copy from its time with Amber Quill, you’re not missing anything except the opening chapter of the novella MYTH AND INTERPRETAION and the opening of THE BALTHAZAAR TREASURE.

You know me, constantly cooking. Dinner on New Year’s Eve was lemon-cumin glazed salmon, sweet potatoes, and steamed green beans with Hollandaise. On the Day it was pork roast with red cabbage, small yellow potatoes, and peas. And, of course, Eggs Benedict and Prosecco for brunch.

I did some work on the outline for a new idea. I’m not sure when I’ll be able to fit it into the schedule, but I promised myself to build in time to work on ideas, not feel trapped by deadlines and then procrastinate and meander. I need to balance ideas and deadlines, so they feed off each other and expand creativity, not contract it.

I did five loads of laundry, got the garbage and recycling out, vacuumed, mopped, and cleaned off both desks before the new year. Of course, I have to go through everything I swept off the desks, but it was nice to start clean.

One of my favorite New Year’s rituals (along with burning the bayberry candle) is to open the back door just before midnight to let out the old year, and after the midnight toast, open the front door to let in the new year.

This year, it was more like giving the old year a boot about twenty minutes early! 😉

Yesterday was spent on site with a client, as most of today will be spent.

I’m back to work on both THE SPIRIT REPOSITORY and NOT BY THE BOOK. I need to re-find my groove with each of them. I was delighted with my progress on THE SPIRIT REPOSITORY yesterday — an entire chapter, 2576 words. Not a bad way to get back into it.

If the bad storm we’re supposed to get tonight arrives, I won’t be blogging until Friday. So maybe we’ll connect tomorrow, and maybe not until Friday.

Happy New Year!

Published in: on January 3, 2018 at 3:27 am  Comments Off on Wed. Jan. 3, 2018: Hitting the Ground Writing  
Tags: , , , , , , , , , ,

Wed. Dec. 13, 2017: The Holiday Spiral

Wednesday, December 13, 2017
Waning Moon
Uranus Retrograde
Mercury Retrograde

I was going to split this and add an article below on the need for authors to demand results for their marketing dollars, but I’m going to wait to post that portion.

Also, head on over to the Wayback Machine to read about the Georgia O’Keeffe exhibit opening at the Peabody Essex Museum and some great pieces designed that were inspired by the artist’s own wardrobe. PEM also has a blog post up, an interview with designer Brenda Lee.

The bomb detonated on Monday at Port Authority shook me, metaphorically speaking, because I used to live across the street from where it went off. I haven’t lived there for years; yet it felt as immediate as if I still did.

The human psyche is weird.

Had a good day on site with my client on Monday, then another meeting, then ran around dropping off cookie platters. The platters make people happy, which is their purpose.

I’m working on my 2018 questions for the Goals, Dreams, and Resolutions site. The changes that the career recalibration I started this year are happening; but there’s more work to be done.

I’m almost done with the TRACKING MEDUSA edits. I have the new opening of THE BALTHAZAAR TREASURE. It took me what, two years, to get it right? I have to rework it a bit and pop it in, and off it goes, hopefully tomorrow.

Still behind on SERENE AND DETERMINED. But getting there.

Delivering cookie platters like a madwoman.

Nice lunch with work colleagues yesterday.

Delivered cookies to the firemen. They were delighted!

So relieved that Doug Jones won in Alabama. It shouldn’t even have been a close race, but those faux Christians who were willing to vote for a racist, misogynistic pedophile were defeated. Good.

Now, if the Democratic party doesn’t want to lose 2018 (which they can easily lose), they will stop pandering to the Narcisstic Sociopath’s voters and actually stand for something positive like equality and human rights.

Thurs. Nov. 16, 2017: Writing, Releases, Posts on Sites

Savasana at Sea Cover Choice 1

Savasana at Sea is on sale. Buy it here.
Thursday, November 16, 2017

Day before Dark Moon
Neptune Retrograde
Uranus Retrograde

Busy couple of days.

Hop on over to Kemmyrk, where I talk about The Night of Hecate that’s celebrated tonight.

Hop on over to the GDR site to see how I’m getting along with my November To Do List.

I’ve also decided to put the questions for 2018 on a separate page for the site, at least for now. That way, people don’t have to search for it. Take a look here.

I’m delighted that SAVASANA AT SEA has released (under the Ava Dunne name), and I hope you have as much fun reading it as I had writing it. There’s a lot for cozy readers to enjoy, but it does break cozy formula in certain places, so be warned!

Books & the Bear is running a Twitter promotion for SAVASANA today. I’m curious and interested in how that will translate into sales.

The good thing about juggling three series that are so very different from each other is that I skew the marketing a bit for each, and it gives me the chance to try different things. I can see what works best for me, and what doesn’t.

Not doing Nano was the right choice for me this year. I hope everyone who’d doing it is having a wonderful time, but if I’d let my ego rule and committed and dug in, I would have been miserable. I’m working with two new clients, SAVASANA released’ I’m still promoting PLAYING THE ANGLES; I’m finishing SERENE AND DETERMINED, so it can go off to NY on deadline in December; I’m doing the edits for TRACKING MEDUSA, so that can release on time; I’m working on “Miss Winston Apologizes” and the pushed back release of “Labor Intensive”; We’re talking new covers for some of the holiday shorts.

It also means, as soon as TRACKING MEDUSA and SERENE AND DETERMINED go out the door, that I have to get back to THE SPIRIT REPOSITORY, DAVY JONES DHARMA, MYTH & INTERPRETATION, and THE BALTHAZAAR TREASURE.

Thank goodness for outlines and series bibles, or I’d be lost!

All this while I’m playing with THE MARRIAGE GARDEN, the novel on aging, and trying to get NOT BY THE BOOK back on track (which I think I’m going to move to January just to take some pressure off).

It’s a busy time. But it’s the right kind of busy, so I’m going to enjoy it.

Yesterday was a good day’s work onsite with the client, and finding a good website design/tutor contact for another client. Productive day.

I’m reading Jenn McKinlay’s Hat Shop mysteries, which are fun. As I read them, I’m passing them on to my mom to read as she recuperates. They cheer her up. So does the knitting.

Today, my mom goes back to the surgeon, so they can make sure the foot is healing properly. She is sick and tired of the long healing process, and the fact there’s still so much she can’t do.

I’ve also got to take the recycling to the dump, and I have yoga, and I have to get out a guest post to someone who is kind enough to host me, and finish uploading and scheduling next week’s post for A Biblio Paradise.

I’m hoping, over the weekend, to do some yard work. Mine is the only yard that still has leaves in it. Atmospheric, right? I at least want to get the front tidied up, and then I can work on the back as I can.

But, most of all, I need to get the first act of the Lavinia Fontana play finished, so I can tackle Act II next week, do another revision, and get it out the door the first week of December.

Onward!

 

PLAYING THE ANGLES available here.

Playing The Angles Cover Sm

Wed. Oct. 4, 2017: Reasons I Should Not Do Nano

Playing The Angles Cover Sm
Wednesday, October 4, 2017
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Sunny and pleasant

Thank you to everyone who has purchased PLAYING THE ANGLES. I hope you’re loving it. I’m getting some wonderful feedback. If you haven’t gotten your copy yet, a variety of digital links are here and the website is here.

Busy day — pitches, promo for PLAYING THE ANGLES, updating sites, research for articles, etc.

Finished writing a weird little short story — for me, very weird and out of my wheelhouse. But I like it. Have to type it up and polish it.

Got in the two reviews, and requested two more books to review.

Heard back from a pitch and have a meeting about it tomorrow afternoon, which will be fun. Looking forward to it.

Playing with an idea for a story, a way to channel current rage and frustrations. I started playing with it last night. Not only did I enjoy working the idea, but I felt better about things in general. It’s evolving away from the original inspiration into something much more complex and interesting, which is what a good bit of imagination partnered with craft does. I like even the unlikable characters, and it has a weird humor to it. It’s also out of my usual wheelhouse, which makes it an interesting challenge.

Added a challenging yoga sequence before last night’s meditation. I’m sore this morning, but slept better. Upped this morning’s yoga practice, too. Important to keep it fresh.

Of course, the Nano debate is coming up again, for me and for most writers I know. To Nano or not to Nano? Everyone, of course, has different reasons for doing or not doing Nano. I need to separate my ego at writing 50K in 30 days away from what’s on my schedule.

First and foremost, I know I can write 50K in 30 days. I proved that over 5 bouts of Nano, and, at this point, that’s basically a normal month, although usually spread over several projects.

Second, the Lavinia Fontana play has to take center stage as far as drafting, since it’s due to the producer by the end of the year.

Third, I’m promoting PLAYING THE ANGLES, and by November, will have to get back into finishing THE SPIRIT REPOSITORY, so it can release in May.

Fourth, SAVASANA AT SEA releases on November 15, so I’ll be working on pre-release and release material for that WHILE still promoting PLAYING THE ANGLES.
Fifth, I’ll be working on the research and finishing the outline for DAVY JONES DHARMA, so I can start writing it after the first of the year, since it releases in November of 2018.

Sixth, “Miss Winston Apologizes”, the next Cornelia True/Roman Gray story is set to release in November. Which means writing the opening of the following story to go in the back matter.

Seventh, we still have to re-schedule the release of “Labor Intensive”, the next Twinkle Tavern short.

Eighth, the galleys for the re-release of TRACKING MEDUSA will be in full swing by then (since it releases in January) — which also means I’ll have to reshape the material for the opening of MYTH & INTERPRETATION (which drops next July) and the opening of THE BALTHAZAAR TREASURE (which releases in January of 2019).

Ninth, I have article and review deadlines to keep the bills paid and a roof over my head.

Tenth, my mother will just have had surgery, and we don’t yet know the next steps.

Eleventh, FIX-IT GIRL has to go out on submission.

Twelfth, I have other original novels that got derailed with this new writing/release schedule that have to get back on track.

Those reasons are all in the “don’t do it this year” column.

In the “gosh I’m tempted column”:

I like riding the wave of creative energy. The air tingles with excitement;

The new novel I’m playing with wants attention; it would give me a chance to write a bit over 1600 words/day to see if it’s actually viable, or just a release valve for the moment;

I love the space where the local Nano group is meeting, and I’m tempted to go and write in community.

The Nano definition has gotten much looser in the last few years, but I still stick to the original definition.

“Doing” Nano means you start a new project on Nov. 1 and you write 50K in 30 days. If you’re not done with your first draft then, you keep going until you’re done, using the Nano momentum.

“Writing Along With” Nano means you’re working on something in progress. Some people use it to work on revisions. Personally, I find the first-draft energy generated by millions of people scribbling for a month too intense for anything but first-draft work.

So why not “Write With” on more than one project?

Technically, one isn’t supposed to work on a script — this NOVEL writing month. The Lavinia Fontana script must take priority. There used to be Script Frenzy in the spring, but I think that petered out. Plus, I can’t be held to a daily word count with Lavinia. She is bound and determined to do things her way, just like she did in life — serene and determined (which I’m seriously thinking of using as the title).

First-draft energy would mean either finishing THE SPIRIT REPOSITORY or using it to push DAVY JONES DHARMA (since I’m already immersed in the world of that series).

Or, it could be used to get NOT BY THE BOOK back on track. Since that’s only got a 55K word limit, it’s do-able.

Or I could use it to keep working on MARRIAGE GARDEN, but that’s developed a solid, innate rhythm, sometimes as much as 3K/day, and I don’t want to disrupt it.

Or, I could work on the first 50K of the new piece I’m noodling with — but DOING Nano would mean I can’t work on it between now and November 1, which just isn’t going to happen. I’m pretty sure this book will run to just under 100K.

Last time I “wrote along with” Nano, about two years ago, I was already working on TIE-CUTTER, but then I wanted to “do” Nano, too, so I started DEATH OF A CHOLERIC — and wrote the whole damn thing while writing daily on TIE-CUTTER, doing what I called “Tandem Nano.” CHOLERIC is out on submission; TIE-CUTTER was put aside to work on other projects, and will go back in the queue late next year.

On an emotional/ego level, I want to do it. On a practical level, it is going to work against me instead of for me. Which should make the decision easy.

We’ll see what happens come November 1.

Lots of fiddly things to do today, and then it’s back to the SAVASANA galleys, polishing the short story, and working on articles.

Back to the page.

I’m glad so many of you are loving PLAYING THE ANGLES! It means a lot to me.

Fri. July 21, 2017: Back To Our Regularly Scheduled Balancing Act

Friday, July 21, 2017
Day before Dark Moon
Saturn Retrograde
Neptune Retrograde
Sunny, hot, humid

Back to our regularly scheduled balancing act.

Lori Widmer kindly referred to me in one of her posts on Words on the Page as an example of busting a freelance writing myth. I’m honored to be included. I’m in a rough patch now, and that mention makes me realize that I’m further along than I often feel.

I’m having trouble with the mower again, which is hurting my ability to get the meadow finished. That was one of the worst purchases I’ve ever made, certainly the worst house-related purchase. Poulan Pro not only has substandard equipment, they don’t honor the warranty. I spent far too much on this piece of garbage, and it’s never worked properly. Very frustrating. At least I won’t make the mistake of doing business with Poulan Pro again.

Worked on the article on deadline. I’m waiting for one more quote, will integrate it when it arrives, and then off it goes (probably on Monday).

I have to figure out where to pitch next. I’m feeling a little burned out, pitch-wise, and I need to get back on track with a couple of short stories that need to go out.

Pitched for a project out of San Francisco that sounds like great fun; I’d love to be part of that team, if they’re willing to work with someone remotely.

Working on the PLAYING THE ANGLES galleys. Still trying to figure out how I can get the right Facebook page up. The one for Delectable Digital Delights and Jain Lazarus work well; the Gwen Finnegan doesn’t. But I can’t find in the settings what page I chose when I set it up. All very frustrating.

Working on the adjusted outlines for the “between-the-books” novella MYTH & INTERPRETATION and then, BALTHAZAAR TREASURE.

Prepping for my project meeting next week. I hope we like each other and it works out. The company interests me.

I’ve been reading about web design, trying to figure out if I can create GOOD ftp files for subdomains and uphold them to my current website. I’m intimidated. What I need to do is take a course in all this. I need a structured environment to learn how to do it. It’s a different language; rather than just saying, ” I don’t get it”, I want to find a way to learn it.

The books on Hearst Castle came back, so hopefully, I can dig into them and get that section done on FIX IT GIRL in the next couple of weeks. I’m behind where I want to be on that.

I hope, this weekend, to do a big chunk of work on “Labor Intensive” as well.

Hopefully, the humidity will lessen; I don’t do well in this weather and neither does the computer. I’d like to be clear-headed and productive.

On author Trish Milburn’s recommendation, I’m reading THE HAPPINESS PROJECT by Gretchen Rubin. I’m thinking about doing an essay on it for Biblio Paradise next week. There are things I really respond to in the book, and things I don’t. But then, the book is about HER happiness, not mine.

The day before the dark moon is always my lowest energy day of the month, so I’m dragging today. It’s an effort to dig down and focus. Layer on the life stress, and today is a challenge.

Back to juggling burning chainsaws.

Have a great weekend.