Wed. Aug. 12, 2020: Die For Tourist Dollars Day 84 — Recruiter Fail, Writing Process, A Whisper of Hope

graffiti-1450798_1920
image courtesy of ShonEjal via pixabay.com

Wednesday, August 12, 2020
Waning Moon
Pluto Retrograde
Saturn Retrograde
Jupiter Retrograde
Neptune Retrograde
Cloudy, hot, humid

I’m still working on the piece for Ink-Dipped advice, about how companies drive away skilled workers, while whining they can’t find enough skilled workers.

Yesterday was hot and humid. I watered the yard in the morning, and the back both morning and evening. Watered this morning. The mosquitoes are relentless, and completely ignore the bug spray. It has no effect.

I tried to get as much done in the morning as possible, before it got too hot and my computer got too hot. I forgot how much PCs suck. This laptop is barely three months old and it makes changes in Word documents – jumping around in the document and adding or deleting. It takes 13 minutes to boot up. I’m grateful I have it, but I definitely want to go back to MAC as soon as I can afford it.

Got some LOIs out, got out a pitch to an editor for a site I’d really like to work on. A client to whom I’d pitched several months ago is interested in having me come on for a smaller job – I’m sending her some information this morning, and we’ll see if we can go from there.

Got a rejection from a company that puzzled me. I’d never applied to them for anything. First of all, the job from which I was rejected wasn’t something I’d try for anyway. Second, it was a company I knew wasn’t a good match. So how could they reject me from something I’d never wanted?

I contacted the HR person and explained my bafflement. Turns out a recruiter I’d talked to months ago – and decided NOT to work with – pitched me for the job. Without telling me.

No. Just no.

I contacted the recruiter and expressed my displeasure. In cordial terms, but this is not okay. The response? I should be “glad” this individual submitted me for anything, and I should take whatever I could get.

Again, No.

These people.

Got some reading done in the afternoon. Read another book by the person whose work I was on the fence about. Liked this one. Started a third book that will be the deciding vote! Anyway, glad I gave this author another chance, even if I disagree with some of her choices.

Made up an Asian-inspired chicken, vegetables, and noodle dish that was quite tasty.

Actually could sit outside and enjoy a breeze in the evening. First time it’s been quiet around here in MONTHS.

Noodling around on this new idea. Totally different development process for me, developing far more early on before I write any of it. I often outline, then write. Or I get an idea, think about it, jot some notes, then write my way in for about four chapters. If those four chapters work, I’ll sit down and outline the whole book, figure out where to put it in the queue, and work from there.

But this, I’m working on theme first, and then I’ve found my protagonist. Now I’m building around that, and from there, I will find my plot.

I’m keeping a diary specific to this novel, separate from everything else.

It’s helping to loosen the stuck creative bolts, and I’m hoping that will transfer to other projects that need attention.

Absolutely delighted that Kamala Harris is the VP choice. I feel more hopeful than I have in weeks.

Blocked a bunch of morons after the announcement. I’m sure I will have to call out racists fuckwits locally, because we have a lot of racist fuckwits locally.

I have to go into the office for a client today, along with other people. Not looking forward to it. But it’s only for a few hours, and I will be masked, so here’s hoping. They tend to be Sliding Mask Skanks after about 10 minutes. Which means I will probably leave shortly after they turn up.

At least I have Remote Chat to look forward to later.

Have a great midweek.

Monday, May 14, 2018: #UpbeatAuthors The Next Step on the Ladder

black-and-white-construction-ladder-54335

Photo courtesy Khimish Sharma, via Pexels.com

Monday, May 14, 2018
Dark of the Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

 

My first response to that is, “Which ladder?” I have various limbs on various ladders. I write in different genres, under different names, in a variety of formats: prose, theatre, television, film, radio. Journalism. Essays. Marketing writing. Reviewing.

I do very little editing for private clients now, because the time/money ratio doesn’t work for me, too many would-be writers default on payments (when they’re not trying to lowball me down to a fraction of my rate), and I need the primary focus to be on my own work. When I edit, I am generally hired by the publishing house to work for something under contract that has passed particular gate-keeping standards.

I am with more than one publisher. One of them, who has signed several projects, is small, just starting out. We are taking a risk on each other. Among the reasons I was excited to work with them was that they pay small advances, don’t demand their writers acquiesce to a boiler-plate contract AND, instead of POD, they do small print runs. The print runs are after a certain digital threshhold is reached, but the POD model was not working for me, so I wanted to try this. I am still with another publisher who is doing the POD model, and I have submissions out to several other publishers, who work on a mix of models, so we’ll see what happens. I also liked them because the editor with whom I’m working constantly pushes me to be better. And that is my goal — that every book I write is better, in both craft and art, than the previous books.

About a year ago, I sat down with a lawyer, an agent, an editor, and a marketing advisor, and we came up with a plan. I was unhappy and frustrated with the way things were going in my career. I knew I wasn’t writing what the Big Five wanted; I wanted to explore some things that they are currently giving lip service to, but not following through on, and I wanted to do it in my way. We were not a good fit at the time. I knew I was going to part from an agent I’d been working with for several months, because we were not a good fit. When we got together, she was excited by my work and my voice; but the more we worked together, the more she wanted to dilute it and take out what made it unique. She kept telling me my themes and issues were “too hard for the typical reader.” In other words, she wanted me to dumb things down, and I didn’t want to do that. Also, she only wanted to commit to a book at a time, and I need an agent who is interested in long-term career planning. She has since signed a friend of mine, and they’re doing great together. I’m happy for both of them; they are the right fit. We were not.

As far as the marketing writing went, I wanted to have the confidence to say “No” to the lowballers locally and reach farther afield. The interesting thing is that as soon as I did that, I landed two clients locally with whom I work well, WHILE also reaching beyond the bridge for clients who pay better.

We took four or five days together, and I took about twenty pages of notes. We crafted a plan. Some of that we followed; some of that has fallen by the wayside for various reasons.

I re-stated my commitment not to “niche” — to me, that’s a death toll for a creative life. Far too many people who “advise” freelancers sneer and call what I do a “generalist.” I prefer to call it being a “Renaissance Writer” and I’ve written on this topic for both WOW-Women on Writing and Write Naked!

I wanted to get back into article writing, which fell by the wayside for a bit. I started pitching again, and I did pretty well, but that seems to be one of the things that falls away first. Since I enjoy articles — every part from the pitch through the research through the writing and the polish, especially working with a good editor — I need to get back on track with that.

One of the big changes I made was in the way I do pitch letters. Instead of trying to frame what I do to sound like what they want, I’m more specific in the elements I think will appeal and more specific in where our paths diverge. I’m more myself in the cover letter — while still structuring it the way I find works — hook, one paragraph summary, technical info, bio, why this market. And the results are good.

This year and next, I’m on a brutal contract schedule. I’d spent a couple of years working on different types of material, on working on craft. Now, with a commitment to more than one series, I am sitting down and writing the books.

Last year, PLAYING THE ANGLES was re-released, as the first of the Coventina Circle paranormal romantic suspense novels (in its original incarnation, it was a stand-alone). The second book in the series, THE SPIRIT REPOSITORY, just released, and the third, RELICS & REQUIEM, will come out in October of this year, with the fourth, GRAVE REACH, coming out in May of 2019. So that’s a tight schedule.

Last year, the first Nautical Namaste mystery, SAVASANA AT SEA (as Ava Dunne) released. It’s a not-quite-cozy mystery series, whose protagonist is a yoga instructor on a cruise ship. Only one of those books comes out a year! But the next one, DAVY JONES DHARMA, is due in early December this year.

TRACKING MEDUSA, the first Gwen Finnegan mystery, re-released this past January. As I worked on the second book, THE BALTHAZAAR TREASURE, I realized that there was a chunk of it that slowed down the plot. Yet the information was necessary to where my characters were in their emotional lives and how they’d built their day-to-day relationships. Flashbacks and info-dump conversations wouldn’t work; so my editor and I decided to pull out those chapters, flesh them out into a “between-the-books” novella, now called MYTH & INTERPRETATION, and put that out this summer. BALTHAZAAR is still scheduled to come out in January of 2019, and that is now back on track, the pace and content correct.

In the meantime, I had three terrific opportunities. One was to pitch a serial. Those of you who’ve known me for several years know that I used to write four serials in four genres under two names for 18 months a few years back. A total of 8000 words a month. I love writing serials, and I miss it. I had the chance to pitch to a company that specializes in serials.

I pitched a fantasy/adventure novel. I’d written the first four chapters a couple of years ago and put it aside for scheduling reasons. But, when I had this opportunity, I wrote a few more chapters, and outlined what would be the book-length arc of this serial. I fell in love with it all over again. If it’s picked up, it goes back in the schedule; if not, it will be back-burnered again.

I also had two other ideas, stand-alones, that I played with, on and off for a couple of years, writing my way in the first few chapters, then making notes for my Writers’ Rough. On impulse, I polished pitches and tossed them into a Twitter pitch day for a specific company. Editors liked both; so I’m working on some additional chapters, polishing them, and sending them out by deadline this month. Again, if the editors want the full manuscript, they go back into the schedule sooner rather than later; if not, they are back-burnered until next year, when my contract schedule isn’t quite as demanding.

As I said above, I have a couple of other pieces out on submission; if they are contracted, they will be worked in. I also have a serial novel — which is different than a novel broken down as a serial. This is a set of novels that are all of a piece. It follows the filming of a television series over several seasons. Not a series, in the sense that each stands alone and progresses. These novels all fit together like puzzle pieces. One of my publishers has expressed interest in looking at it when the first five or so puzzle pieces are ready. When will that be? I don’t know.

I also made a commitment to do more script work again. I’m taking this year off from stage plays (I wrote four in three years for 365 Women). But one of my radio plays will be produced later this month, and I want to submit some screenplays I’ve polished.

Along with all this, I will pitch to higher-paying clients and higher-paying article markets. Gotta keep a roof over my head, and if I don’t keep up the writing pace I can’t. This is my profession, not my hobby. I am paid to write. That IS my day job. While my book sales have jumped considerably since I moved webhosts and redesigned my websites, I still need the marketing writing and article writing for income. Plus, I enjoy it.

So, my “next step” is building on the foundation of the series on which I currently write; continuing to expand the publication contracts with other publishers at higher-paying tiers, and book higher-paid marketing and article gigs.

I’ve found a process that works for me as far as the new ideas — because, as we all know, new ideas come in batches. I write my way in for a few chapters, then sit down and do a Writer’s Rough Outline. That way, whenever I can actually sit down and WRITE the book, I can drop into its world. The Writer’s Rough outline captures the initial energy of the idea, and then, as I work, I can develop the structure and the craft.

In the coming weeks, we will sit down again and assess how this last year played out. What worked, what didn’t. Where I lost focus, and what I dropped because it didn’t work. And we will craft a plan for the coming year that will guide me toward the “next step on the ladder.”

I don’t want fame. I worked in theatre and film for too many years and see how it can hurt creativity and general life; that is not what I want. I do want financial stability, and to be paid fairly for my work. There is no reason not to be paid well doing work I love. My profession is writing. I will not let ANYONE decide that it’s a cute lil hobby and I don’t deserve to be paid a living wage. I will dig in and do it, and earn my living. It will be a mix and match of projects and styles and tangents, but writing is my profession. When I decided I wanted to work on Broadway, I didn’t let anything or anyone stand in the way of achieving that goal. Now that I’m writing full-time, I feel the same way.

My next step is increased earnings and visibility for my work. It is also participating in the community of writers who love what they do and are committed to a fair day’s pay for a fair day’s work across the board, no matter what the profession. It is refusing to “dumb it down” or change what I write because people I don’t respect threaten not to buy what I write. The great thing about writing is that there are plenty of authors writing in plenty of styles and genres, so there’s something for everyone. It’s fine if someone doesn’t connect with my work — there are wonderful authors out there with whom they WILL connect. But threatening me and demanding I change what I write is not going to work.

Artists have a responsibility. I believe that responsibility is to bear witness to the world, to expand people’s vision of the world, but also to create better worlds and help us find ways to reach those better worlds inclusively and fairly. A better world needs social and economic justice. By respecting our own value, our own worth, we set the tone.

For more inspiration on valuing your work, please visit Lori Widmer’s Words on the Page blog. It’s great all the time, but May is Writers Worth Month. It’s especially great now.

 

Thurs. Jan. 30, 2014: A Typical Writer’s Day

Thursday, January 30, 2014
Dark Moon
Jupiter Retrograde
Sunny and cold

I worked hard yesterday, but don’t feel like I got much done. Those days are frustrating.

I reworked a novella, prepping it for submission, and wrote the synopsis. I have another novella to rework and write a synopsis, and then I’m submitting both. Hopefully, I can get that squared away.

Working on the play, but it hasn’t quite gelled yet. Doubt it will be ready by tomorrow, which is when I wanted it ready.

Working on another screenplay, and did a revision on a teleplay — which means, yes, boys and girls, gotta write yet ANOTHER synopsis. I am caught in the Synopsis Forest.

Caught up with students, pitched jobs, caught up on email. Got two very nice responses from arts organizations with whom I’m interested in working, and hopefully, we can build solid working relationships over the next few months.

Heard back from the place where I did the test article (for pay — sign of a genuinely professional group). It will run on Feb. 2 — yes, I’ll remind everyone!

Read a well-written crime novel, CITY OF WOE by Christopher Ryan. Very well done AND unusual.

Need to catch up on schoolwork today, along with getting A LOT of writing done. I also want to finish the rough of the media kit I’m working on for the Marine Life Center.

Onward!

Published in: on January 30, 2014 at 9:04 am  Comments Off on Thurs. Jan. 30, 2014: A Typical Writer’s Day  
Tags: , , , , , , , , , , , ,