Thurs. Aug. 11, 2022: Plans and Poetry

image courtesy of Adriano Gadini via pixabay.com

Thursday, August 11, 2022

Full Moon

Pluto, Saturn, Neptune, Chiron, Jupiter Retrograde

Sunny and pleasant

Garden post over on Gratitude and Growth.

Prepped for my meeting yesterday morning. The meeting ran longer than expected, and there’s a follow-up here at my place next Tuesday afternoon, so I can help my friend apply for some grants.

I was much later getting back in the afternoon than I expected, which meant a later start on the scripts. I had three to turn around, which I did, two before dinner, one after. The radio play rehearsal was moved to last night, but I didn’t find out about it until too late. This morning, I have to do some rewrites from what came up in rehearsal.

I finished and polished the poem after all that, and spent some time rehearsing. I have a three-minute slot, and the piece consistently comes in at 2:11 or 2:15, so I’m fine. Even though this is way out of my wheelhouse, I worked on story, image, and rhythm, and it’s doing what I want. So, we’ll see. Every time I get nervous, I remind myself that it is about the work, not about me. The focus is on making sure the work lands with the impact I want, not tying myself in knots about being the one to read it.

I’ll miss Chef Jeremy’s special session tonight, but that’s the way it goes sometimes. He knows he aways has my utmost respect, support, and affection.

The 6th episode of LEGERDEMAIN drops today, so there will be all kinds of promotion.

After meditation this morning, I will do the final proofread on the Topic Workbook, so I can send it and the PDF from the class out, and move the release date of the Workbook to next week. I have to see if I made an ad for it; if not, then that’s on the agenda, because once the links go live, I need to be able to upload and schedule the marketing content calendar for it.

September’s not that far away, so I’m already playing with marketing ideas for the Topic Workbooks from October through December.

And I need to get the next 10 episodes of LEGERDEMAIN uploaded and scheduled. And cover a script.

I’m tired. I feel as though I could sleep for about a week. I’ll get a chance to rest a bit this weekend, but there’s also a lot of home-and-hearth stuff that needs to be done. I want to fix the chairs and make the new chair covers and do the curtains and the back panel for the Kitchen Island Cart from Hell. Maybe I’ll even get to unpack a few more boxes, and rearrange some stuff in the pantry and the laundry room.

But I also want and need some rest.

Have a good one!

Wed. Aug. 9, 2022: Just Chugging Along

images courtesy of Wikilimages via pixabay.com

Wednesday, August 10, 2022

Waxing Moon

Pluto, Saturn, Neptune, Chiron, Jupiter Retrograde

Cloudy and cooler

Yesterday was another hot day, although the temperature started going down later in the day. But I hadn’t slept well, which was not a good way to start.

I had trouble getting going in the morning. I had to deal with stuff on the personal front, of course, with everything going on. I managed to get the book review written and out, and was assigned my next two books for review. I worked on catching up with emails, and handling a bunch of admin. I pushed back the release date for DEVELOPING THE SERIES so that I can finish proofreading it and make sure the students really get it well before it goes into general release. I did the promotion for Episode 5 of LEGERDEMAIN that dropped yesterday, “The Luminous Lady.” The ad I made for it is one of my favorites.

I worked on the poem a little.

I let myself grieve when I needed.

There was a thunderstorm in the late morning, which helped break some of the heat and humidity. But then, it was warm and sunny again.

We headed back to the quilt shop in Williamstown. And ran into a detour, because there was a gas leak, and a big chunk of Rt. 2 was blocked off by the fire department. So I had to take back roads. The fact I knew which backroads to take pleased me.

Anyway, we went to the quilt shop, and I picked up some fabric to make holiday-themed curtains for the Kitchen Island Cart from Hell. Because this weekend, when I’m working on seat covers and kitchen island curtains, I might as well do all of them at once.

A big guy working the lines came into the quilt shop, curious because his grandmother used to quilt, and he was interested in looking at the quilts. That, of course, triggered a story idea for me, so those characters are percolating. Now, the question becomes are they their own set of characters in their own world, or do I fold them into one of my other worlds?

On the way back, we did a stop at Wild Oats for a few things, and I paid my next year’s membership. I got to introduce my mom to the general manager, who is a sweet, smart, wonderful guy, and that was good.

Did a script coverage in the afternoon. Then, it was cool enough to prepare the rest of the Farmers’ Market vegetables as roasted vegetables, and served it over couscous. The rest of this week will be leftovers from the past few days of crockpot, primavera pasta, and roasted veggies.

Right after I finished, it was time for the cooking class with Chef Jeremy over at Kripalu (via Zoom). He’s moving into a full-time faculty position, after being the Executive Chef there for 12 years (which, as he said, is “like 187 Chef years”). He’s such a brilliant teacher, and he loves it so much, I’m glad he has the opportunity. And I’m excited to, at some point, study with him again in person.

Anyway, class was tons of fun. As usual, I learned a lot (like the difference between a tian and a gratin).

After class, I had another script to cover, but I got everything done.

It was the first night in weeks where it was cool enough to sleep, and I slept. Although I had a nightmare, and Charlotte woke me up at 3 AM. But I managed to fall back to sleep, and got up a little after six.

The damn computer took nearly an hour to do an update, and then none of the programs talked to any of the other programs, so I had to go in and wiggle things around until it worked again. I am not an IT person, and I shouldn’t have to fake being one just to get the computer up and running every morning. Especially since it’s still under warranty (although no one has any interest in honoring the warranty). And I’m only using 25% of the computer’s capacity.

I did not have these problems with my Mac.

Anyway, I have a meeting to prepare for this morning, the workbook to finish proofing, the poem to polish, and then three scripts to cover this afternoon, so it’s another busy day. But good busy.

Spiro Squirrel tried to remove the kitchen window screen again yesterday afternoon and Willa was right there, letting him know that was not an option. When I heard her scampering down the hallway early this morning, I was sure he’d somehow managed to get in and she was chasing him around the house, but she was just running up and down the hall because it was cool enough to run again. All the cats were perky this morning, because it was cool enough to feel like themselves again.

Hope you’re having a good one.

Tues. Aug. 2, 2022: Creative Busy-ness

image courtesy of Hans via pixabay.com

Tuesday, August 2, 2022

Waxing Moon

Pluto, Saturn, Neptune, Chiron, Jupiter Retrograde

Sunny, hazy, humid

The weekend was kind of all over the place.

The artists working group that I was told met Friday morning, of course, met Thursday morning. The organizers really need to get their communications cleaned up. Especially since I specifically contacted them to ask for clarification and they still gave me the wrong information.

I picked up a few things at Wild Oats market instead.

I spent Friday revising CREATIVE STIMULUS and THE SERIES BIBLE. I was behind where I wanted to be, but between the humidity and ongoing computer kerflamma, it was exhausting.

Attended an amazing yoga class on Friday night. It was a wonderful restorative class and I slept very, very well after.

Up early Saturday morning. Went to the market. Didn’t buy much. The lines were so long as some of the stalls, which is great for the farmers, but I didn’t have the energy to stand in the sun. Picked up my mom’s prescription at the nearby CVS and came home.

Should have done a lot of stuff, but I was hot and tired and didn’t. We did hang up some of the artwork, although we haven’t found the right spot for oh, too many things. But some digital artwork by a friend went up, and the mosaic by my uncle. I put up the sketch of Paris – which I bought on my first trip to Paris when I was 11 years old for 2 francs – but it’s not in the right spot. When I find the right spot for it, I will move it.

Read in the afternoon and just relaxed.

Up early on Sunday. Charlotte and Tessa were both being pills. Made biscuits. Sent off an LOI. Did some blog work. Finally got the materials for a magical journaling class I’m taking this week with the group with whom I did Expedition to the Soul last year.

Worked on my Llewellyn article and got it done. It took a good portion of the day, since it was 2800 words.

I’m reading the biography of Emily Mann. The first time I met her was when I was working at the Stage Directors and Choreographers Foundation, and she’d just been named the Artistic Director for the McCarter Theatre. I always admired her, and wish I’d gotten the chance to work closely with her.

Played with ideas for my poem, and for the story for the Shakespeare horror anthology. I want to keep my poem short, between a half a page to a page (even though I have a longer slot). I’m learning how to do this, and I’d rather keep it shorter and work on technique and rhythm and performance than use up the whole slot just to use it.

Monday, I was up and at it early. I made the social media rounds to thank those who participated in #31Prompts. Ello, by far, had the highest rate of engagement, both on and offline. Counter Social was second, by quite a big gap. Then, there was another big gap, and it was Twitter and then Facebook. Trailing the pack was Tumblr.

The metrics come from both engagement on the platform, and from contact individuals made with me privately about which prompts they liked and the types of pieces those prompts inspired. Because I don’t want anyone to post the actual work online and blow first rights.

I posted the July wrap up on the GDR site, and you can read it here. I had a pretty creative month.

I rewrote my Llewellyn article pretty extensively, and got it in to my editor. I still haven’t hit the sweet spot with it, except in word count, so I’m eager for her feedback.

I did the marketing content calendar for the CREATIVE STIMULUS Topic Workbook, which dropped yesterday, and got that uploaded and scheduled through the end of September.

Then, I tackled episodes 7-10 of LEGERDEMAIN. Even though I’d done a couple of revisions on them, they needed more. The world count is a little higher than I want for these episodes, but I had to set foundations for a few things, so there we were. The text got two pretty massive revisions, and then tweaks once it was uploaded and previewed. But I got them up and scheduled.

Then, I created episode loglines and episode-specific ads for them. I uploaded and scheduled those around the episode releases. I have to do the big weekend ad schedules, but I’ll do those in a day or two.

After that, I created three more quirky general ads (well, four, because I had an idea for something coming up, but it won’t release for a few more weeks). I got those designed, uploaded, and scheduled around the relevant episodes.

I read the revision of my friend’s radio play and it is wonderful! I love what she’s done. It’s so good, and such fun!

I did some work on the grant proposal. I need photographs. I’m not sure I have photographs of the relevant work, and I’m not sure I have it up here rather than in storage so I can take new photographs. I’ll cross that bridge next week,

I did my Italian lesson. I listened to the first session of a journal workshop on journaling with intent. I was put off by the way she was so condescending to a regular journal practice. As someone who has kept up a journal practice for FIFTY YEARS, and who has found the practice helped me navigate plenty of difficult stuff, I was annoyed by the attitude that a journal practice was “meaningless” and one just writes in a book and puts it away. Nope. Not the way I do it. This after the whole “I’ll never tell you that you HAVE to do something.” Yeah, but you’ll be patronizing when someone does something differently.  I was also annoyed by the whole “Oh, a bunch of us are doing a trip to Salem, so we won’t have live sessions for the next few days, just pre-recorded ones.” I don’t mind pre-recorded sessions, I don’t need to see the running comments in the live sessions. However, it’s kind of insulting when students have put aside the time to attend the workshop to blow them off. Just set it up so it’s “work at your own pace, here are the sessions.” I’m also really irritated at the pressure to download their app. I do not run my life from apps, nor do I want to.

My path is different, especially right now.

I was very tired by the end of the day. Between 2800K in revisions on the article, nearly 8K in the episodes, and then creating the ads, yup, I was tired. I also have 9 scripts in my queue, to read by the end of the week, so I have to push today and tomorrow, so that I’m not overwhelmed at the end of the week, before I teach.

Today’s priority is uploading and scheduling the content calendar for THE SERIES BIBLE Workbook, which drops tomorrow, and finish the revisions on SETTING UP YOUR SUBMISSION SYSTEM. I also want to finish the slideshow for the class I’m teaching Saturday.

I think that’s all I can get in during the morning. In the afternoon/evening, I have to cover 3 scripts, and I’m taking a break in the evening to attend Chef Jeremy’s cooking workshop from Kripalu online. Plus the day’s Italian lesson and journal workshop. But it’s the right kind of busy.

I heard from a grant for which I’d applied that I’d made it to the next round. I’ve heard that from them before. I make it close to the end, then they give the grant to someone who never finishes anything and is never heard from again.  But they tell me to keep applying. I’d already decided that if I don’t get it this year, I’m done with them. Not worth the work putting together the grant, when all they do is string me along, and then give it to someone who doesn’t deliver. In the years I’ve applied, I went from never working in the genre to regularly publishing in it, so I guess I don’t need it. But it would sure give me some breathing room.

Anyway, back to the work that needs to be done. Hope you’re having a good start to the week.

Tues. July 26, 2022: Protocols, Performance, Persistence

garden sculputre installation at The Mount

Tuesday, July 26, 2022

Day Before Dark Moon

Pluto, Saturn, Neptune, Chiron Retrograde

Sunny, cooler, less humidity

Hot, busy weekend.

Friday wasn’t quite as hot as Thursday, mostly because there was cloud cover, but the humidity was oppressive. Once the plants were watered on the front porch, we closed it off and let it be a greenhouse for the day, which helped keep the rest of the house cooler. And we kept the blinds closed on the east side of the house, and the lace curtains drawn on the south side. The lace lets in enough light, but blocks some of the heat.

I did some admin/organizational stuff, noodled on my article, and then turned around the script I had in the late morning/early afternoon. I made a pasta salad in the morning that could cool in the fridge for dinner, so we didn’t have to think about cooking or preparing anything.

I rehearsed my portion of the poem, working on rhythm and voice placement. What made me smile is that we just moved into Leo season – a season to shine, to share, to perform – and here’s the performance date.

I finished reading the next book for review.

The request for mail-in ballots arrived, and we filled them out and returned them. The mail-in option makes it easier (and safer) for this year’s voting.

I was invited to an artists’ resource meeting, but the day and the date didn’t match up. I emailed them for clarification. If the day of the week is correct, I can’t make it this month. If the date is correct, I can. At any rate, it’s a group with which I’d like to work, and if I can’t do it this month, I hope I can next month. They even are meeting outside this month, to make it safer.

It was tough to get to sleep Friday night because of the humidity, but I managed,

I should have worked on the Topic Workbooks, but I was too hot and tired and grumpy. I am very much a Winter Girl, not a Summer Girl.

Started feeling all kinds of doubt and uncertainty on Saturday morning again. Part of it was stage nerves for that afternoon’s performance. I am not a performer; I write for performers. I am a behind-the-scenes person. But there are enough of us in this event (50) that it’s about collective creation and collective experience, and there isn’t pressure on me to do more than be in the moment (and get my first & last words right, to keep the flow going).

Another part is also with the Topic Workbook and the serial launching in the upcoming weeks, there’s the whole pressure of now it’s out in the world, and no longer in my control. It’s 50-50. Some people are going to love these pieces & find them helpful or interesting; others won’t. There will always be those who are condescending and make nasty comments. Not that they ever create anything themselves; but they talk about what they’ll do some day while slam others. That’s the reality of the business.

I remind myself: They are not my target audience.

I remind myself: The previous negative reality is not my current positive reality. I am building something new here. That means taking risks, creatively and personally. Not all of them are going to work the way I want them to. But I still need to do it.

Because the alternative is a day job outside of my field, and that is the ultimate last resort.

I cut out a rant from this post about wanna-be writers who think they know more than those of us earning our living in the industry,  because I don’t feel like focusing on them today.

Saturday morning, I had to run out and get a hat. Early, when it was easy to stay ten or more feet away from anyone else in the store. There’s no way I could make it through the event without a hat. I have a whole collection of wonderful hats – in storage. So I ran out to a store that was likely to have workable hats. I couldn’t decide between two in the store, they were both affordable, so I bought both.

I did not go to the Farmers’ Market. I knew the heat would wear me out; I also didn’t want to risk exposure to anyone who might be sluffing off virus, and then bringing it to the event. I missed it, though. I missed the beautiful produce and the friendly, engaging farmers, and the other market regulars I chat with every week.

Took the rest of the morning to rest, read, rehearse. Packed my bag for the event. Took a shower, slathered on sunscreen, braided my hair that I wasn’t able to get cut in time, the whole thing.

I was proud of myself for breaking the usual pattern, which would have been to work myself into the ground all morning, and then feel frantic and unsettled when it was time to go. I gave myself time and rest. I knew it would be hot and humid and challenging, so I made sure, for once, not to sabotage myself.

I left around 2:30, to give myself time in case I hit tourist traffic. I did vocal exercises in the car, and rehearsed my little bit (all those years working musicals have application in the real world). I made decent time to get to The Mount, and got there around 3:30. Walked through the gardens to get to the house, where we were meeting. The sun dappled through the trees in nuanced light that was both beautiful and spooky. The phone’s camera made it look lighter than it was.

We assembled. They had us on chairs on either side of the path that wound down around the side of the house, odds and evens. We lobbed our parts of the poem back and forth across the path, with the audience on the path. I was number 9 (being one of the early poets to sign up and create my bit). So Number 7 was next to me. He lobbed the final word of his poem to Number 8, across the path, who started with the last word of his poem as the first word of her poem. She lobbed back across to me. The last word of her poem was the first word of my poem. I lobbed to number 10, across the path, whose first word of her poem was the last word of my poem, who lobbed it to Number 11, next to me, whose first word was the last word of the previous poem, and so forth and so on.

The audience moved through us as we spoke. They moved through us in waves, so when the first group reached the bend (about half way through), the next group started with the first poet again, so there were multiple vocals happening at any given time, and we had to be present to the poets around us, while aware of what was going on above and below us on the path.

There were a few poets who couldn’t be there. The agreement was that, if someone couldn’t be there, that individual was responsible for sending a proxy. There were several who did so, and that was great. There were a couple of people who didn’t, and a couple who didn’t show up or let anyone know, and that put unnecessary pressure on the poets who were there. Someone early in the poem couldn’t run down and cover for someone late in the poem, because by that point, the next wave of audience was coming through. So the organizers had to work out who could move a few chairs to read a missing poet’s bit, and then get back to their original chair to perform their own bit again in time.

It worked, mostly because there were enough experienced performers to flow, and the first-timers like me, who were trying to get a handle on what was going on and feel the rhythm, weren’t put under that additional pressure.

In other words, the organizers took care of the performers, instead of expecting the performers to fix things that happened at the last minute.

And the overall poem did build a flow and a rhythm. It was amazing. Somehow, even though we didn’t know anything about the poets and their poems on either side while we wrote, it all came together.

There were poets of all ages and from all over the place. I walked in with a poet from Northampton (who used to be a production coordinator for the Boston Ballet, so we had a good talk about backstage). The woman next to me and her daughter (numbers 11 & 13) were from Gloucester, MA, and each wrote a segment as something fun to do together. There was a family of six – wife, husband, two teen daughters, and their dogs – who each did a segment (they were spread out amongst everyone. And only the humans created poems, although the dogs performed with their humans). I think they’re from upstate NY. They told me they love to “poem together” and grab any opportunity to be part of public art events like this. There was a woman across and down a few who’s stage managing a show with a theatre company with whom I had contact awhile back, and I hope I get to see the show. The guy who led the playwrights’ workshop I attended a few weeks ago wasn’t in it (he’d planned to, but dropped out when he couldn’t be there, so another poet could step in and take his place with their own work, instead of someone reading as a proxy). But one of my fellow playwrights was there, and we had a good catch-up natter. There was another woman who’s a part of a poetry group that creates and performs social justice public art.

It was great to be part of a group that had NO Trumpers in it, and no both-siders and right-wing apologists. No one pursing their thin little lips claiming they “don’t do politics” when in reality, they support extremists.  In fact, a good deal of the poetry was political. Quite a few of the older poets, men and women, a few years ahead of me in age and experience, were talking about how they’d fought/marched/voted/protested for Civil Rights and Roe the first time around, and here we are again.

It was a dog, kid, family inclusive event. Several poets brought partners or family members who set up camp chairs nearby and watched/listened or read a book or worked on their own writing.

No one was told to tone down their language, and the audience was warned of the possibility of strong language. As far as I know, no one complained.

They’d put out a buffet for us up at the Terrace Café (it’s a spectacular view). They’d told us they’d have snacks for us, but there was real food to make sandwiches (and gluten free options) and salads and fruit and lemonade and raspberry tea and all that. They watered us well throughout, to make sure we were hydrated and didn’t faint. The chairs were in the shade. The audience was kept in the front courtyard until showtimes, with lemonade and cookies.

Originally, we were supposed to do the full poem 4 times through. However, so many people signed up that, for both vocal projection’s sake and safety’s sake, they split up the audience for the first couple of shows; hence the waves of audience members. So what were originally scheduled as the first two performances turned into four performances.

Each performance built a unique rhythm and flow. As the poets got more comfortable with each other, we could try different inflections with the same words, and lob the bits back and forth more easily.

We poets also kept moving our chairs back. We knew we were all fully vaccinated and had tested negative that day before showing up, but there was no way to trust that the audience was the same. Since the audience didn’t pay attention to the social distancing, we made it happen by enlarging the distance.

After the first four shows, we had a break to eat. One of the poets was bored with saying the same thing over and over, so he rewrote his poem in the break (keeping the first and last word, per the agreement). A couple of people joked that they’d never remember everyone’s name, but they could remember everyone’s content. For instance, I became “Lilac” because I had lilacs in my poem, and the image of “frothy lilacs” stuck in people’s heads. So, you know, any event I do from here on in, I’ll be “Lilac.” I can live with that.

After the break, we had two more shows. Because of time, the groups couldn’t be split up this time around. They were larger; we pulled our chairs back farther from the path and projected more. The heat and humidity were taking a toll, even with all the precautions.

During the final performance, as we completed our bits, we folded in behind the audience (at a safe distance), so that we were all together at the end and could celebrate.

We were all pretty much hurting by then (even the puppies were tired), but we celebrated each other, and were invited to a couple more of these creations, given our travel stipends, and then headed out.

The walk back to the parking lot seemed to take forever. I managed to get home in only 40 minutes (not much traffic), but as the adrenalin wore off, it was a challenge.

Dashed up the stairs, ordered Chinese food for delivery, and jumped in the shower to hose down and decontaminate. Even with some protocols in place, there were still a lot of people involved in the day. My throat was raw and everything hurt, and I knew I’d put myself at risk.

Popped the prosecco, though, and sucked down a couple of glasses along with the Chinese food. It took awhile to unwind. As a non-performer, and also as someone who’s used to writing by myself and then it either goes into the world, or, in the case of a play, it goes into rehearsal with a finite group before going out into the world, it was quite a new experience. But that sense of excitement, creating with others, trusting in them, and then INVITING the audience to experience it with us instead of PRESENTING TO the audience as pretty incredible.

Even if I don’t participate in the next couple of events (one of them, a haiku contest where content is created in the moment, is not something I could even consider doing), I might go as an audience member and support my fellow poets.

I finally collapsed into bed. I woke up around midnight and drank a bottle of water. My throat felt awful. I woke up again at 3 and did the same. Sunday, I rested. I drank tea and water. I took Slippery Elm (which I should have taken before I left, but I didn’t think of it). I’m not used to talking that much, or projecting outdoors. Of course it’s going to leave my throat and voice raw. I read.

Again, the usual pattern would have been to push myself and run myself down even more, probably winding up sick with a cold, if I managed to avoid the plague. At the very least, running myself down would give any exposure to the virus more traction.

So I rested.

I had to run out mid-day for a few errands – pick up my mother’s prescription and get her a new blood pressure monitor, get in some groceries, since I didn’t go to the market on Saturday. Just that little bit wore me out. The heat and humidity were oppressive.

I managed to do another read-through of the next chapters I have to upload for LEGERDEMAIN. I did some work on my article on Saturday morning, but didn’t do any work on Sunday. I put some hooks up in my mom’s closet, hung up some of the copper molds in the kitchen, and hung a quilt on the living room wall.

That was it.

Went to bed at the normal time. Tessa got me up early on Monday. I was still a little tired, but overall felt decent. Still just not loving the heat and humidity.

There’s a post on the GDR site about enjoying the week. There’s a lot going on, and I want to enjoy it.

THE GRAVEYARD OF ABANDONED PROJECTS released on Monday. I’m proud of all the Topic Workbooks, but I think this one will help a lot of people who get scattered among too many projects.

A ridiculous amount of email piled up over the weekend, so I slogged my way through that. Did the postings of the daily prompt on the site where I couldn’t schedule the posts. Wrote the thank-yous for the event. Signed up for a yoga class. Signed up for an online cooking class at Kripalu, with my beloved Chef Jeremy, and even received a scholarship to attend. Checked in with my friend about my upcoming visit, provided I test negative the morning I’m supposed to leave. Packed for the trip.

Kept track to see if I’m showing any symptoms, or if I felt bad. I mean, I was grumpy in the heat and humidity, and I was tired (hey, I’m not 20 anymore), but overall, I feel fine. My throat was a little raw for a couple of days, but steadily felt better. My voice is still a little scratchy, but I don’t talk much during the course of the day, so that’s to be expected.

Turned around a script and some questions on a previous script I’d covered. Grabbed some shorts to turn around today. I’ve been steadily working on the Italian every day. I’m definitely learning vocabulary, but I’m not understanding sentence construction.

Did some work on a grant proposal, and noodled around with my article and with an idea tossed out by Word X Word.

It was hot and humid when I went to bed, but much better upon getting up this morning. I feel like I can be much more productive today, and I kind of have to be. There are a slew of errands to run late this morning, after I get some work done on the article, the Topic Workbooks, and getting the next LEGERDEMAIN episodes uploaded.

This afternoon, I turn around the three shorts. In the late afternoon, I head out to Greylock Works for a 1Berkshires Entrepreneur meeting at Berkshire Cider. It’s inside, so yes, I’ll be masked.

Someone contacted me about a content writing position. I have to take a look at the details. On the surface, the money looks outstanding, but I need to know more about it.

Hope you had a good weekend, and let’s work toward a good week!