Wed. June 7, 2017: A Day in the Life of A Writer

Wednesday, June 7, 2017
Waxing Moon
Saturn Retrograde
Rainy and cold

My brain was tired yesterday from all the script work. However, I pushed through and sent off a few more article pitches. One of them was accepted within 20 minutes. I’ve written most of the article in my head; I’ll set it to paper later today. I’m hoping I can get a quote from a source in time, but the turnaround is so tight, I don’t know if that’s possible.

Another article pitch that I sent off a few weeks ago was rejected, so I’m re-slanting it and sending it to a different market, and crafting a new pitch for the first market, which is a place I’m determined to crack.

Decided not to pitch to two markets, because they expect you to sign up and participate in the “community” in order to land a paid assignment. Sorry, as a professional, I am hired to write on my ability to deliver the particular assignment, not on spending hours of unpaid time toadying. Next!

Pitched to another gig that is in my wheelhouse and that I would like a lot provided the pay is right and they’re willing to work bi-coastally.

I wrote twenty more script pages on PARALLEL-O-GAME. Definitely a limited run series (which used to be called a mini-series). I’m writing the first draft as one long piece; in subsequent drafts, I will break it down into the correct act structure for each segment. However, while I’m writing, I’m also keeping the act structure — both for each segment, and for the overall piece, in the back of my head, so that most of it will already be inherent in the pace. That’s something that only comes from experience. I’ve outlined a good portion of the next section, and scratched some notes down, although not anywhere near as detailed as for what’s already written.

I managed to write 13 pages this morning, which brings me roughly to the end of Part One.

Still haven’t heard about the edits on the assignment from the other publication. The lag time they have between everything is irritating. I have serious doubts that we’ll have a long association. I want to give it a chance, see if it’s just a case of getting used to their rhythm, but I have my doubts.

Was asked to submit a play to a new works festival north of Boston; on the fence about it, since they didn’t take the last one I submitted. Not sure I want to simply submit so their numbers look good for funding. Their numbers this year must be low, or they wouldn’t have emailed me to ask me to submit.

The radio play was acknowledged; they make their decisions in early September.

I have a short story to finish that’s dragging; I need to get it done and out the door, once the article is done, because the market for that story, should I crack it, would be another solid source of steady work. Even though it’s fiction.

This morning, I’m headed over to Cotuit Center for the Arts for a coffee chat, a new program of theirs. Several people I know will be there, and the set and costume designers will be talking — always fun to talk to colleagues.

Friday morning, I have a meeting for a potential new project that would be a lot of fun. And local. Fingers crossed it goes well. I pitched to them yesterday morning and the interview was nailed down by the afternoon, which is always a good sign.
I hope this creative rhythm continues!

Monday, October 5, 2009

IMG_0490

Monday, October 5, 2009
Waning Moon
Neptune Retrograde
Jupiter Retrograde
Uranus Retrograde
Sunny and cool

Busy, but good weekend. I worked on site — cable and internet were both out, which mean I had no intrusions on my workday. It was kind of nice. I did have to dash out to the Greenwich Library briefly to pick up an email from an editor, but, other than than, Saturday was almost entirely consumed with work on the essay. I gutted and restructured it, building the whole beginning section from the ground up, adding in the information from the two newest books, and rearranging the rest of the information.

In between bouts of essay work, I also started developing a new project– I’m not exactly sure what it is, but it’s a big one, and requires a lot of thought. It feels right — like I can cover a lot of ground on a lot of issues and concepts that matter to me and that I want to explore. Part of me wants to develop it during the Muse Conference, and part of me feels it’s still at too delicate a stage so to do. I was practically in a trance during the times I worked on the information for it, which is how I like to be — if only I could sustain that for the duration of the project! Several of my main characters (it has a large, ensemble cast) are very clear to me and are revealing relevant information. Several more are still around the shadows, in the sidelines, not quite ready to step forward. I have to be patient with this, let it unravel at its own pace, and not drop any of my other deadlines while it reveals itself.

Over the weekend, I also watched more television than usual. On Friday, I flipped between STARGATE UNIVERSE, GHOST RIDER, and NUMB3RS. I missed the denouement of NUMB3RS, so I’ll have to see if I can go back and watch it online. I have mixed feelings about STARGATE UNIVERSE. I thought it was well done, in a lot of ways, but I missed the oddball humor that then turned on a dime and went straight to the heart that STARGATE ATLANTIS had. I haven’t quite warmed up to the cast yet, but I’m willing to give it a little more time. The ATLANTIS cast had an amazing chemistry and a lot of charismatic individuals in it, something that’s unusual to put together from Day One, so I need to give this some time.

I was surprised by GHOST RIDER — I’d heard such awful things about it, and it wasn’t as bad a I expected. I would have handled the material differently, both as a writer and a director, especially when it came to pace — the pace was off. And why do most actresses wash out up against Nic Cage? Angelina Jolie and Diane Kruger hold their own and have chemistry with him, but most others — ick. Cage, as usual, has an endearing quality and can pull off dialogue that would sound ridiculous coming out of anyone else’s mouth. I love how he physicalizes his characters — Johnny Blake’s kind of twitchy and then grows into Ghost Rider, while Ben Gates from NATIONAL TREASURE moves with the grace of a dancer. Sometimes when he gets twitchy, I want to shake him and say, “stand still. Be strong in the silence”, but twitchy worked for Johnny Blake, at least early on. And seeing Sam Elliot on screen just always makes me happy — talk about a solid performer who can communicate more with the tilt of a head and the glint of an eye than most other actors do with their entire bodies. Definitely an actor who knows how to use stillness. I prefer those actors to the ones that have to bounce around all over the screen.

Saturday night, I watched the re-run (I refuse to call them “encore presentations” — they’re re-runs set in the first week so they don’t have to pay production costs on having a full roster of shows) of TRAUMA. The show needs to find its feet, in a lot of ways, but I loved the work of Cliff Curtis. He was pitch perfect with a character who could have been an arrogant ass of a messed up individual. Instead, he came out of the gate with a complex human being, and I’m interested to see where he goes from here. I found the writing a little uneven and the emphasis more on the disasters than the aftermath. I’m not going to stress if I’m not home to see an episode, but if I happen to be home when it’s on, I may watch it, just for Curtis’s work. I also liked Aimee Garcia’s work a lot, but the rest of the cast has not yet enchanted me.In fact, some of them annoyed me, and not in the right way.

I slept in on Sunday until nearly 8 — bliss — read the paper, and didn’t get to work until about 10. Spent some time on what I’m calling The Challenging Project, and then spent the bulk of the day finishing the Anita Blake essay. I’m much happier with this version — although it’s far too long. I’ll go over it again this morning and shoot if off to my editor — if she likes the overall shape of it, we can take out the red machete and cut.

Got back from the site last night, unpacked, hung out with the cats. They all wanted attention.

Up at 7 this morning. No Prague diary yet — sorry, just haven’t had time to write it up properly. I need to get out the essay and rewrite a short story that an editor’s interested in, provided I do a rewrite with some cuts. Also have to do a new bio for the relaunch of the SDR site.

I want to do some work on The Challenging Project today, and on the Jain Lazarus Prague story, and then get back to work on AMENDS.

Busy day.

Devon