Wed. May 23, 2018: Juggling Deadlines Again

Wednesday, May 23, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

It’s official. I still hate mowing. Yes, I like the new reel mower better than the other one. But it still has issues — it sticks, it doesn’t cut down certain types of grass. Really, I’m not asking for much. I’m asking that the damn wheels turn in the direction I push, and that the damn blade cuts GRASS. Which is, supposedly, what a lawn mower does. Why is that so difficult?

Big project for the client is stressful. It’ll get done, but the client doesn’t understand that it doesn’t happen by magically pushing a button on the computer.

Sent out a couple of LOIs. The media kit for the Coventina Circle series is done and up in that site’s Media Room. There’s a media kit for each book, and then there’s the media kit for the entire series, which will be updated with each release.

I’m behind on getting the judging sheets done, because of the mowing.

Working steadily on NOT BY THE BOOK, but struggling. The partial has to go out tomorrow, and I’m worried. The voice is strong, but I’m having the same struggle I’ve had in these past months trying to get it back on the roster — it’s not flowing.

Plus, both the serial and THE POWER OF WORDS are pulling at me, and I’m under the gun for MYTH & INTERPRETATION.

I want to get NOT BY THE BOOK out the door and then give myself breathing room, resting room for the long holiday weekend. I’m sure I will write, but I won’t pressure myself as to what.

I want to play with the ideas my actress friend and I discussed. I’ve come up with a couple of working titles. I’m still not sure if it will be one piece, or a pair of one acts hooked together on a common theme to make an evening.

But I need breathing room, thinking room, daydreaming room. I’m just so exhausted. Our country is being dismantled by grifters and criminals, and it’s difficult to create. But I must, or I truly will die.

I have to finish a couple of things for a client today. And then, I need to write and polish. It’s hard for me to write at the end of the day; my best working time is in the morning. But, when I’m under deadline pressure, I have to.

I’m so sick and tired of writers who say you don’t have to write every day. “Writing every day” doesn’t mean you never take a day off or a vacation. It means you choose when and how to take time off, and the rest of the time, you show up like a professional. Writing is a “real job.” Writers deserve to be paid well for what they do, and not derided because they love what they do. Professionals in all fields show up at the job and do the work. You have a major agent who can negotiate with a major publisher so you can take as long as you want to write something? Good for you. You make enough at the day job so you can only write if you “feel like it?” Good for you. You have a spouse or partner who takes care of the bills so you can write when the mood strikes? Good for you. But I — and most of my working peers — need to show up every day and do the work, whether we feel like it or not. It doesn’t make us love it any less. Getting paid doesn’t mean our work is “less than” someone who “writes for love.” We love it, too. We also value our work and demand a fair day’s pay for a fair day’s work.

Earning a living at it means it’s our profession. So we act like professionals.

On a happier note, I re-read the first four of Kate Parker’s Victorian Bookshop mysteries. I really like that series. I want to read her two series, too.

Back to the page.

 

Published in: on May 23, 2018 at 2:34 am  Comments Off on Wed. May 23, 2018: Juggling Deadlines Again  
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Thurs. May 26, 2016: Genre Dilemmas

Thursday, May 26, 2016
Waning Moon
Mars Retrograde
Sunny and warm

Busy few days. I worked on Saturday, and there was a tag sale next door, so it was busy.

Front lawn is mowed; side lawn is mowed. I still have to mow the terraced back area and the meadow. The meadow, in particular, needs help. The grass is getting knee-high!

Sunday, I went to see a show a friend directed and choreographed. Her work was good. Unfortunately, the cast was tired; the tempos were slow, and, vocally, they were all over the place.

Over the past few writing days, I updated the Devon Ellington site, to add “Severance” to it. It’s available in the Premium catalog at Smashwords, which means it is also on Kobo, Nook, and will be on Amazon. There’s press going out for the release next week.

I also have a “Media Room” on the Devon Ellington site. The media kit for “Severance” is up, and so are the kits for the Jain Lazarus Adventures. I’ll work at keeping interview links and review links updated. There’s also some press for the “Severance” re-released going out this week.

The cover for the re-release of “Personal Revolution” is done and I like it a lot. The photo shoot for the cover of “Plot Bunnies” had to be postponed. I hope to get that done in the next few days, and then that will be ready to go. I have the galleys for “Plot Bunnies” — it needs a solid proofing, and then it’ll be ready to release in early June. “Personal Revolution” will release just before the 4th of July weekend, since that’s when it’s set. I’m waiting for the next round of edits/galleys on that.

I’ve done two more rounds of revisions for the short story “Won if By Sea”, and that will go out later this week. The characters are not particularly likeable, but they’re smart. Either it’s what this anthology wants, or it’s not, and then it will go off somewhere else.

I had an agent request a whole manuscript after liking the partial she requested, she read the entire manuscript in a couple of days and liked it; fingers crossed.

“Broken Links” is in rehearsal in Virginia, and will broadcast in early June. I’m looking forward to burning a CD and having a listening party in late June or early July.

On Tuesday, I finished the second draft of DEATH OF A CHOLERIC. I enriched the setting, characters, and scenes quite a bit. The elation at finishing was dampened when I realized I’m way over the word count. A mystery like this cannot come in at 111K. It’s not appropriate for the genre. I’m going to have to cut a minimum of 20K, possibly more. There’s at least one subplot I’m going to cut out completely, and I’m going to have to make some other adjustments. I’m going to save that subplot and use it later in the series.

If I cut and shape to fit the traditional cozy mold, in the following books, I will have to force the characters into whitewashing their actions in a way that is untrue to where I see the series headed. That’s besides at least needing to cut 30K instead of 20K. My other choice is to go darker, more along the lines of Philip Craig’s mysteries set on Martha’s Vineyard or Jane Haddam’s mysteries set in Concord. I’d still have to cut quite a bit, but I could go deeper, darker, and keep my characters true to themselves. The books would still have an amateur sleuth, but they wouldn’t be cozy. I like to read those, but the market is narrowing to be either cozy or procedural. It’s a dilemma.

I made a few pages of notes, and I’m making notes where I see the next books going, especially in terms of the relationships between the characters. One of the secondary characters surprised me by pushing himself forward, and he’s important to the growth of my protagonist, so I’m going to go with it. Again, this means the book can’t fit into “cozy”, nor can it fit into “romance”, because my protagonist is not going to have a one-and-only identified in the first book and that’s that. She’s coming out of a hugely traumatic event in her life, and has to reawaken to her life slowly.

It’s a lot to think about; I’m making notes, but I’ve also put the draft away for a couple of weeks, so I can go back to it with more objectivity. Much of what I need to cut will get written up into the Series Bible — the background of various residents and the island. I fought making a map of the island, but I think I need to do so, just for my own use. I can add to it as the series grows.

Tuesday night, thinking about it all, I was horribly blue; but the more I think about the possibilities, the more optimistic I get that I can shape something that tells the story I want to tell without forcing itself into a formula that negates the story. Whether anyone will want to take a chance on it is something else, but at least I’ll have written the book I want to read (and am having trouble finding).

Wednesday, we had a staff development day out in Plymouth. It was a gorgeous, sunny day, and lots of fun. I got sunburned, though.

Lots to do today, and we’re short-staffed. Tomorrow will be a long day, too, and then the weekend. I’ve got to finish the mowing, and I also need to dig into the play set in 17th century Italy, and get back on track with SONGBOUND SISTERS.

Have a wonderful holiday!

Devon