
Tuesday, March 28, 2023
Waxing Moon
Rainy and chilly
Hope you had a grand weekend and are ready for our Tuesday natter.
A slew of submission calls hit my desk on Friday morning. I submitted two ten-minute plays to one of them. Another call was interested in radio scripts, but the guidelines made my eyes cross, so I skipped it. Maybe I’ll go back and re-read them some day when I’m not jugging sixteen kajillion things. I saw a call that a friend’s work would fit, so I sent that off to her.
I lost way too much time dealing with my mother’s health insurance. Again. Which meant I lost the writing time I’d put aside for Legerdemain, and that put me in an unsettled mood.
I picked up a big stack of books at the library, got in some groceries from Big Y (another snowstorm predicted for the weekend), mailed some stuff and bought stamps at the Post Office (and chatted, because, around here, the Post Office is the happening place), and swung by the liquor store to replenish.
I read some more in the Katharine Cornell biography – it’s good background on Jessie Bonstelle, Rachel Crothers, and, of course, inspiration for the serial in development, REP. It’s a little on the fawning side, but if one digs past that, there’s some good theatrical history in there.
In the afternoon, I turned around two script coverages, and then went back to the Cornell bio. In the evening (and late into the night), I read a book getting a lot of attention. It’s billed as a thriller, but it’s also a horror novel. It’s very well-written, a page turner. But, at the end, it didn’t give me a feeling of catharsis, just sadness, because of the unnecessary brutality. I mean, the brutality was necessary on the author’s part, but I felt sadness for the deaths of those brutally murdered in the book. It’s well done, and I’m glad I read it, but saying I “enjoyed” it would be a stretch.
Tessa and Charlotte are now BOTH sleeping on the bed with me. Tessa is on one side, down near my feet, and Charlotte is on the other side, curled up against my chest. Charlotte always considers being a pill to Tessa when she jumps up, and I tell her that if she’s not nice to Tessa, she will be kicked out; we’re here to sleep. She considers it, decides sleeping on the bed is more important than being a brat, curls up, and goes to sleep.
I figured out how much I need to write each day on FALL FOREVER for End Of Play in April. A full-length play is 90-120 pages (with the sweet spot being a little less). Over the course of 30 days, that’s 3-4 pages, and do-able. In fact, that’s a reasonable, stable pace, although there may be some days where I write more, in order to capture the entire scene.
I also came up with a large, nonfiction project made possible by the grant (once the money ever gets here). The initial phase of it would take an entire year of a block of time devoted to it each week, and polishing it after would take a few months. But it would be a good way to show gratitude for the grant, and have a tangible project by the end of it. Well, the first draft of a tangible project. I made some notes on it, and will set up the files for it once the grant money arrives, and I can actually take action on it. Because it’s non-fiction, I can write a proposal before the draft is finished, once I have a better idea of how the idea actually works as a real piece. It’s also something I could work on in residencies, if I didn’t want to apply to residencies next year with a fiction project.
The project has a nice resonance in the heart, which indicates it’s on the right track. The right thing at the right time is like a tuning fork. You can feel when it matches the tone.
Saturday morning, I woke with the pre-storm headache, which was just not fun. Once the storm started, it eased a bit, but the weather cycled from snow to sleet to rain and back again, and it was yucky.
I drafted another episode of Legerdemain. I uploaded the next couple of episodes. It wouldn’t let me schedule today’s episode, so both of this week’s episodes are dropping on Thursday, and I have an apology graphic making the rounds. I’ll get next week’s episodes uploaded and scheduled by tomorrow, to make sure there are no glitches. I did the log lines and the episode graphics.
A friend sent me a submission call, and I had a short play that might fit, so that went out the door.
I rewrote the opening of “Labor Intensive” and then did another pass on “Plot Bunnies.” I put the opening of “Labor Intensive” in as a teaser, and added in teasers for “Just Jump in and Fly” and SAVASANA AT SEA, along with information about the serials. I kept finding little copy edit glitches, so I proofed it a few more times – and KEPT finding little niggly things. But I think it’s finally clean, and that’s uploaded and scheduled for April 4 release. I’ll be doing graphics and pre-order information and updating websites and doing a big push for the next couple of weeks on that.
But it was a full day’s work.
I did a bunch of work on contest entries, too, along with a bunch of admin work that needed to be done on them.
I dug through some books I’d ordered from the library as background for the Heist Romance. I scanned some information, and I also ordered a copy of one of the books, because I can use it as research on more than one project, and it will be useful to have on hand.
I went back to the Katharine Cornell biography and learned about Minnie Madden Fiske and the company she ran with her second husband, Harrison Grey Fiske. She’s listed in the book of American Women Theatre Directors of the 20th century, so I can do more digging on her, too.
I need to start putting together a timeline of some of these interesting women and see where they intersect. Because there’s a project in there, even if I don’t yet know what it is.
But I was tired by the end of Saturday. Really tired.
Tessa was the only one who slept on the bed on Saturday night, and I overslept on Sunday. But the cats got breakfast and I baked biscuits.
I drafted an episode of Legerdemain, and started the next episode. I finished, polished, uploaded and scheduled this week’s Process Muse, and then went ahead and wrote, polished, uploaded, and scheduled next week’s Process Muse. I’d like to get all of April’s posts written, polished, uploaded and scheduled this week to take the pressure off me in April.
I watched/listened to the prep video for the April yoga/eco challenge, and a lot of it resonated with me, which is a good thing.
Worked my way through a stack of contest entries in the afternoon. In the evening, I went back to the Cornell bio and made some notes for several different projects. I love it when one resource has multiple uses.
Had weird dreams Sunday into Monday. First, I was driving along a highway and had to keep stopping because people crossed in front of me. Pulled myself out of that dream, and was in the midst of fretting. Then, I realized I’m slipping back into the sense memory from before the move. I kept reminding myself that the feelings are real, but the reality has shifted to something more positive.
I hope, as I mentioned in yesterday’s “Intent” post, that I can use the pillars of End of Play and the yoga practice to ease that and prevent me from sliding back into that physical and mental state. It made April-May-June and even into July last year tough.
Finally fell asleep again and fell into more weird dreams, which fled as soon as I woke up.
Instagram no longer lets me cross post to Twitter and Tumblr. I can only post to IG & FB. Urgh.
I need ONE scheduling tool that lets me schedule unlimited posts to ALL my social media channels. But that doesn’t exist. Most tools only integrate with FB, IG, and Twitter. Some add Tumblr or Pinterest. That’s not good enough.
Did some admin, drafted an episode of Legerdemain, wrote a 3-page insert for GAMBIT COLONY. Scheduled the promos for this week’s episodes of Legerdemain and Angel Hunt.
Turned around three script coverages. I started them on the front porch, but it was too chilly. However, our yellow tulips are starting to bloom! So that’s lovely.
Completely forgot I’d signed up for Summer Brennan’s Essay Camp workshop, which started yesterday. Thank goodness for emails. I managed to get in both the writing assignment and the reading assignment.
Soup class was a lot of fun. Poor Jeremy. It’s gotten a little bit like herding cats for him.
After soup class, I had another idea for the Essay Camp assignment, so I did it. I think this one might be a stronger choice, but it’s always good to have options.
I went back to the Cornell bio. The chapter on the year-long rep tour by train (ROMEO & JULIET, THE BARRETTS OF WIMPOLE STREET, CANDIDA) was amazing and funny and difficult (among her co-stars were Basil Rathbone and a young Orson Welles). Maude Howell, the first female stage manager on Broadway, helped general manager Gert Macy set things up, before heading out to California to direct films. Minnie Fiske’s niece, Merle Maddern, was an actress in the company and a skilled tarot reader. They traveled with their own train cars with 50 actors, a crew, pets, spouses, scenery, props, and costumes. The Christmas performance in Seattle, where the train was delayed by storms, but the audience waited, watched them set up, and then they performed until 4 AM is a wonderful story in itself.
There’s a project in there.
What and when, I don’t know, but I’m gathering information. The research will be tons of fun. I can also use some of this as inspiration for the REP serial, even though REP’s premise is very different. I’m not sure when it can fit into the schedule (probably next year), but it is very much my kind of project.
Dreamed I was part of a very busy writers’ group overnight, which was fun, but I felt like I’d put in a full day before I woke up.
FALL FOREVER is definitely ready to be written. I’m feeling that pull of “come on, now, tell my story” and I’m looking forward to April 1. I’m attending the virtual kick-off party on Friday night. I can’t attend Sunday’s virtual New England event because it conflicts with yoga AND with Sunday supposed to be my day of not going online, and, in this case, the yoga needs to come first.
Twitter’s only putting those who pay for blue checks in the “For You” feed (which is where the people I follow show up, rather than in the “Following” feed). That starts April 15. I think, that week before, I will lock my account. I need to shift my focus to building community on other platforms, and remind myself that it took years. But I need to put attention there, because, although Twitter used to fuel sales (especially for the Topic Workbooks) and reads and other things, it hasn’t the last few months. I need to figure out where my audience has shifted, and establish myself there.
The “Plot Bunnies” launch will end just as that’s happening, so I’ll be able to get some good metrics about the shift in a couple of months.
Speaking of “Plot Bunnies” it’s starting to go live for pre-order. I will post more info when I get relevant information up on the website, in the next few days. It re-releases on April 4, which is next Tuesday.
On today’s agenda: working on Legerdemain, working on tomorrow’s Ink-Dipped Advice post, prepping the launch info for the re-release of “Plot Bunnies,” turning around two scripts (one of for which I was requested), and then, tonight, yoga.
There’s no episode of Legerdemain going live today because of the glitch; again, my apologies. Have a good one!