Thurs. March 22,2018: Pitches, Process, and Disrespect

 Thursday, March 22, 2018
Waxing Moon
Mercury Retrograde
Snowing

Yup, Mercury is retrograde, and, once again, I can’t hide under the covers for three weeks, gosh darn it.

We’re in our fourth nor’earter of the month (hence the reason this is going up late). I have storm fatigue. It’s not as bad as predicted, at least so far, but I’m still over it.

Long day onsite yesterday, but, for the most part, an interesting one.

MYTH & INTERPRETATION is chugging along. I’m gearing up to start RELICS & REQUIEM. I’m behind on that, and I need the first chapter polished and ready to go for THE SPIRIT REPOSITORY’S release. NOT BY THE BOOK is getting some love, too.

I got two of the three pitch packets I wanted to get out before Mercury went retrograde out. The third requires more work. I have most of the pieces, but I don’t have the synopsis they want. It’s for a piece that’s yet to be written (although I wrote the first four chapters of it to get them out of my head a few years ago, and then put it aside for contracted work). I’d re-read the piece a few months ago and liked it a lot, but didn’t see a way to get it back into the schedule in the near future. It was more of a “someday” piece. But this opportunity came up, and, of all the ideas I’ve been playing with, this seemed like the best fit.

But they want a synopsis.

I have several ways I work on a book. Sometimes, characters start talking to me. I wind up outlining most of the book in what I call my Writer’s Rough Outline, and then write a few chapters to see if it’s viable, tweak the outline, polish the pages and then decide if it’s something I can sell on a pitch/sample, or if I need the whole thing written and polished. If it’s the latter, then it’s a case of deciding how to work it into the schedule. Right now, I’m scheduled tightly, and I have other potential pieces circling like planes stacked over LaGuardia.

Contracted, paid work comes first. After that, it’s whatever pulls hardest, which eventually becomes contracted, paid work.

The other way I work on a book is that characters start talking to me. I sit down and write my way into a piece, jotting notes along the way. Usually, it’s the first four chapters. Then, I stop and do a detailed Writer’s Rough Outline. That way, when I go back to it in order to work it into the schedule, I have the notes, the vision, and I’ve captured some of the energy of that first excitement.

With this particular piece, I wrote the first four chapters. I loved it, but it was during a time when I was overscheduled, so I put it away without writing the Writer’s Rough Outline.

I know I have some jotted notes. I remember the overall shape I want. But I need to sit down and work out the Writer’s Rough. From the Writer’s Rough, I need to distill and then polish a solid synopsis that works for the specific format/medium this outlet looks for.

That’s going to take a few weeks.

Fortunately, this pitch doesn’t have to go in on deadline. It gives me the room to do it well, but I still have to sit down and DO IT, rather than just letting it slide.

And I have to do it while working on contest entries, while keeping up with the books sent for review, while keeping up with client work, while anticipating the next round of edits for THE SPIRIT REPOSITORY, while staying on track with MYTH & INTERPRETATION and RELICS & REQUIEM.

Dropping any of these balls is not an option.

On a more wearying note, I had a rather nasty run-in yesterday. Someone wants me to co-author a book with her. No contract, no payment, no publisher lined up. All on spec. I told her that kind of work goes through my agent. She called me “stupid” and said I’d lost an opportunity.

I don’t consider working for free a lost opportunity.

This is my business, not my hobby. I am paid for what I do, especially when it’s work for someone else.

It would be stupid for me to accept something that will be a lot of work for no return, while putting aside my own work.

I was polite (although I didn’t want to be) and firm. It still left a bad taste in my mouth, especially about this individual. Unfortunately, it is not someone I can avoid interacting with in the future. Yet.

At every business networking event and far too many dinner parties, some yahoo comes up with the “oh, I’ve always wanted to write a book, but I don’t have time” or “I have a great idea for a book. You should write it and we’ll make a lot of money.” Both of those comments are complete and utter b.s.

First, there’s no such thing as “no time to write.” There’s writing. There’s not writing. We all have the same twenty-four hours in the day. It’s how we CHOOSE to use them that define us.

Second, writing is a business like anything else. Professionals aren’t going to put aside paying work for your vanity project.

I don’t meet a surgeon and say, “I’d love to start cutting people open, but I don’t have time” or “operate on me for free on YouTube and we’ll make a packet.” I don’t say to lawyers “I’ve always wanted to persuade a jury to see things my way, but I don’t have time.” It’s offensive.

So stop insulting writers.

Hopefully, I’ll be able to get out and get a few things done later today. I need to do some work on the websites, work on the newsletter, and get out some LOIs.

Plus, of course, work on the fiction and the synopsis.

Never a dull moment, for which I am grateful.

 

Published in: on March 22, 2018 at 8:46 am  Comments Off on Thurs. March 22,2018: Pitches, Process, and Disrespect  
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