Tuesday, June 29, 2010

Tuesday, June 29, 2010
Waning Moon
Pluto Retrograde
Neptune Retrograde
Hot and sticky

Yesterday was just disgusting, weather-wise. I didn’t get much writing done — mostly because the migraine was so bad, I couldn’t think or see. Got some stuff to the post office, worked on something else that has to go out today. Finished the material for Confidential Job #1, so I will do the write-up and send it off today. It turned out better than it started, thank goodness. Took care of the cat next door.

Elsa’s hanging in there. She’s really trying to get better. I told the vet I wanted to move forward with the new medication, so I’m waiting for the information. It has to be mixed at a special pharmacy in Manhattan and then sent to me. But Elsa’s trying to eat, and she’s interacting and curious about what’s going on, and stays with us, and is more herself again.

Migraine’s still here and the hip’s bothering me. I have a feeling this will be a good day. “Good day”? Why did I write that? Well, maybe my subconscious knows something I don’t. I’d like it to be a good day, that’s for sure, but certainly am not convinced of it yet! Couldn’t reach one of those who needs a new one ripped today, so that had to roll over to today.

I’m going to try and get some work done on both POWER OF WORDS and on the short story today, as well as getting out the write-up and other paperwork for Confidential Job #1. But, mostly, it will be a pretty quiet day in the heat. The humidity is supposed to break today, though, which is a good thing, because I have to be out and about tomorrow, and I don’t like to leave the cats for very long without the air conditioning on. If the heat/humidity are low enough so they don’t need it, it’s fine. Let’s face it, it’s hard to be furry in the summer!

I’m also going to start re-reading the books for the seminar series this week and taking notes.

Thursday, my pottery class starts. I’m really excited and really nervous.

Back to the page.

Devon

Published in: on June 29, 2010 at 6:00 am  Comments (1)  
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Thursday, April 8, 2010

Thursday, April 8, 2010
Waning Moon
Cloudy and humid

It hit 90 degrees in Central Park yesterday, which is just wrong. It was only 80 out here, but still . ..

Did some good work on the urban fantasy. I’ve written what I outlined, so I’m flying blind for a bit, then outlining more.

Acupuncture was great. The traffic, in both directions, was a nightmare, and I wasn’t in as bad shape as I usually am. She also worked on my knee.

Came back, did a little more on the urban fantasy, but mostly had to let the treatment settle. I’m reading PD James’s book THE LIGHTHOUSE, which is very interesting. She moves POV in various chapters, but is consistent within a chapter, and shows us the mystery through several perspectives. I haven’t read her books in order, so I’m a little lost in the arcs that have developed over the series, but not so lost so that it’s distracting. It’s also set on a fictional island off Cornwall, and makes me miss Cornwall.

I’m learning a lot by breaking down this show on a craft level, so thanks for bearing with me. HUMAN TARGET was on last night, and, I’m happy to say, back on track, at least as far as I’m concerned. i nearly skipped it because the premise required such a far suspension of my disbelief, but I’m glad I watched. The writing and direction were much better this week. The two episodes I had a problem with were directed by the same guy, and this was directed by someone else. Huge difference. His work was really solid, and he let the actors fly, for the most part. Jackie Earle Haley’s Guerrero had the hair that reads well on camera again, AND he got to be very active in this episode, with actions including taking out a sniper and driving an ambulance. This production must OWN that frigging ambulance, because it keeps turning up in episodes. And I have to take a second to praise the crew on this show — the demands of this show means they’re flat out busting their asses at an enormous rate. It’s amazing that the continuity of the show is as good as it is. I’ve been there, I’ve had to watch for continuity, at least as far as wardrobe, so wardrobe and hair continuity and prop continuity are things I tend to notice. And it’s damn hard, especially when you’re working outside and so many factors can’t be controlled. You do the best you can and you hope that, if something doesn’t work, it’s small enough not to notice, or they don’t decide to use the take with the continuity error because the performance is better and the director figures no one will notice. Other than hating the Guerrero hair last week that read so flat on camera (in contrast to the texture it usually has), and that had to have been a much-discussed choice, not an error, I’ve picked up very little continuity stuff that bothered me — and not enough to write about. Script inconsistencies — that’s something else. But even that — they’ve been good about looping references and coming back to follow up on things set up in earlier episodes, and I admire that. As far as last night, Haley had both the writing and direction support to really shine, except for one scene, which I’ll get to later. It was set in New York, and, while the stock footage and art direction were more realistic than, in, say CASTLE (a show I enjoy for the dynamic between the actors, except they don’t even try to get the locations right, and it’s so obviously shot in LA not NY, but they pretend it’s NY and it bugs me), it still was obvious that it wasn’t New York. There were logistical lapses in the script — if Gerard AND Chance had hunted Connor, why didn’t Connor recognize Chance? And once Victoria spouted off about the uselessness of fencing lessons, you knew, in the final fight, she’d come out swinging a sword. Really, that could have been handled better. Not to mention that it was either a broadsword or a claymore in the fight scene, and if she took fencing lessons, she’d have learned epee (accent won’t come in, sorry), foil, and sabre. Totally different fighting styles. I fenced, remember? AND had stage combat training. So stuff like that drives me nuts (yeah, I know, short drive). Loved the actors who played Gerard and Connor — well-known faces, and the actor playing Gerard was just a guest on something or other I saw a few days ago. It might even have been CASTLE. The last Guerrero-Winston scene bothered me — it felt like the producers or someone had demanded it, and it was inorganic to the rest of the episode (and some of what’s been set up in the series). It was written so that what Guerrero said was somewhere between a sulk and a whine. Had the director of the previous two episodes been at the helm, I have no doubt he’d have forced Haley down that path. Fortunately, both Haley and the director of this episode were smart enough not to make that choice. Still, it didn’t ring true to me. Haley’s had to fight the direction in this show before, depending on the director — this was the first time he had to fight the writing. He almost pulled it off — he did the best he could with what he was given, and he’s so damned good that you want to roll with whatever choices he makes. But, let’s face it, once Guerrero sets his sights on something or someone — he’s going to win. Or die. Period. That’s what’s been defined in the character, and to have it challenged with something as weak as the context and content of that particular scene, rubbed me the wrong way. I also felt Chance should have been watched, in that last scene in the graveyard, to put an ominous button at the end of the episode. Next week is the season finale, and it’s supposed to show us Chance’s conversion to good guy Human Target. I don’t know if the creators’ reality can live up to what I’ve imagined, quite frankly, although I’m happy to see the character of Baptiste is back — he was so good in my favorite episode of the season.

Regarding the urban fantasy, I realized I have to go into NYC sometime soon and walk the neighborhoods where I’m setting the story. I’ve set in around City Hall, Tribeca, and the fringes of Chinatown and LIttle Italy. I’ve certainly spent enough time there,and I’ve shot on location there (part of it takes place while a cop show is shooting). But, as I sit here and write it, I’m drawing a blank on some important details. Pulling up the city maps isn’t helping. I have to get down there and WALK it.

I need to see the Native American Museum for another project, and that’s in the same neighborhood, so I may combine the two. The city’s not that far away, but it’s gotten so expensive to go in that I try to combine as much as possible. I’ll take the notebook and the camera with me and get some details.

I’m working out of town for the second half of next week, so it might have to be the following week.

Decent morning’s work on the urban fantasy, but not as good as I’d like. That’s because I’m feeling my way through it, rather than following notes on sections I’ve already figured out. I’ve also got a couple of B plot lines to weave in.

I want to thank Diane Parkin for the Beautiful Blogger award. I really appreciate it. If you don’t read her blog, you should. It’s fantastic, and she’s so on top of her creative life, she inspires me on a daily basis.

Back to the page, and, ugh, the taxes.

Devon