Wed. July 5, 2017: “Ramsey Chase” Cover Reveal & Gwen Finnegan Mysteries News!

Ransey Chase Cover 2 Small

“The Ramsey Chase” — The First Remarkable Adventure of Cornelia True and Roman Gray. Miss Cornelia True lives in Bodwin’s Ferry, a small seacoast town, with her sisters Arabella and Viola. Her life changes forever when Roman Gray, a “fixer” from the future and across the seas from the metropolis of Newest Yorkke, lands, naked, amongst Cornelia’s petunias due to a glitch in his Device. Together, they embark on a series of remarkable adventures. In “The Ramsey Chase”, Roman arrives hunting a time-travelling serial killer who preys on young women for their blood.

Yes, that’s the cover, and the story will release next Monday, July 10.

Wednesday, July 5, 2017
Waxing Moon
Saturn Retrograde
Neptune Retrograde
Sunny and pleasant

I took time off, not that it helped much when yesterday was stressful. I didn’t do most of what I’d planned.

I read a lot — the Helen Bevington books. Worked my way through a bunch of research books. I have about twenty books to return to the library today.

I also re-read the many, many pages on INITIATE, which will eventually become the series encompassing SCHOLAR, WRAIG NAIF, WRAIG MATURE, INITATE, and KNIGHTWITCH. There’s a lot of good stuff in there. I even found my notes and wrote more pages. Not a lot, but a few thousand words here and there.

I also re-read what I have of THE BALTHAZAAR TREASURE, the second Gwen Finnegan mystery. My friend Arlene Kay loved TRACKING MEDUSA, and has encouraged me to get Gwen back on the schedule. I’d stopped working on BALTHAZAAR when Amber Quill went under; there didn’t seem any point since TRACKING MEDUSA went out of print. I was also frustrated, because the first section of the book is important to the growth of Gwen and Justin’s relationship, but doesn’t really drive BALTHAZAAR.

I realized I could cut the part before they actually go on the treasure hunt and expand it, turning it into a novella that will run about 200 pages or so. It will cover the time between MEDUSA and BALTHAZAAR, introduce a character who is vital to the next two Gwen mysteries, and show that important growth arc in their relationship, without derailing BALTHAZAAR the way it did. Then, BALTHAZAAR can open IN THE STORY and not lose momentum. Better structural choice.

The title of the novella is MYTH & INTERPRETATION, and will be focused in and around New York City.

If I can work out the details for MEDUSA along the same lines as I’m doing for PLAYING THE ANGLES — digital release first, then a small traditional print run (not POD), it makes sense to get MEDUSA back on track for an early 2018 release, with the novella mid-year, and BALTHAZAAR a few months after that. At the same time, I don’t want to drop the ball on PLAYING THE ANGLES or the books that come after it. I have to see if it’s physically and mentally possible for me to juggle both those series while I’m also writing books that are more suited to traditional publishers and working on that angle of my career as well. I want and need to be working along several fronts.

I am sick and tired of publishers (and now, many agents), only committing to one book at a time, instead of making a worthwhile, longterm investment in a writer’s career. That model doesn’t work for me. So I need to reshape my career in the way that does. That is why having a good entertainment lawyer is so vital.

The proofing of “The Ramsey Chase” is done (although I’ll probably do one more proofread before I send it in. The cover’s at the top of the post — ta da! Cover reveal! I kind of love it. Blurbs, excerpts, et al, will release this week, and it drops next Monday, via Smashwords. It’s a short, and will be only 99 cents.

I do love the stories and characters; I’m just sick of the piece right now, with all the re-reading I had to do to prep it for release!

The file also contains the opening of the second Remarkable Adventure, “Miss Winston Apologizes”, which will release in November.

The media kit is almost done. Press goes out today (release was finished this morning).

Hopefully, plenty of you enjoyed “Personal Revolution” over the weekend.

The fireworks were ridiculous. Fireworks are an art form, and they are beautiful. Go watch the professionals. Do NOT put your entire neighborhood in danger because you are a dumbass. And yes, I trained in pyrotechnics when I worked rock and roll, so I know what I’m talking about. The majority of people who buy illegal fireworks and set them off are too stupid to properly work them, which is why THEY ARE ILLEGAL. And don’t for a second think I’ll contribute to your Go Fund Me Campaign when you lose a limb or an eye. Not to mention the fact that it terrifies pets and triggers PTSD in many veterans.

Every night, when it quieted down, I gathered up the frightened animals who took refuge under the deck or in our bushes, soothed them, fed them. They overnighted with us, and I got them back to their humans the next day.

I didn’t celebrate yesterday. It was impossible to celebrate “independence” when we have a sociopathic moron and his evil henchmen in charge, turning this place into an authoritarian, white supremacist, misogynistic theocracy.

I don’t have the To Do List up yet for July. I’m still trying to figure out my schedule. There’s a lot of pressure on me the next few weeks, especially with my mother’s surgery coming up. Once the late payments catch up, I can hit an even keel, but until everything’s caught up and I have enough work booked for the month, I’m going to be stressed.

I ate red meat last night — something I rarely do any more, and was miserable. It was good while I ate it, and I paid for hours after.

However, there was some good news: an actor for whom I’d written a monologue, and with whom I worked via Skype, landed a role in a series of the type that we’d always dreamed about him doing “someday”. He’s going to be fabulous. It’s wonderful to see that the talented kid has grown into such a terrific man. I feel like a proud momma! He pointed out that I’d been a friend during some tough times, when many people forgot about him. I’m thrilled for him. (And yes, completely content to stay in the background — I’m not going to run around trying to ride on his coattails).

Woke up feeling much more cheerful this morning, after a bad night thanks to the red meat. I have so much to do today that I will be overwhelmed if I don’t just deal with each piece at a time, and then move on to the next piece.

And I HAVE to get back to FIX-IT GIRL this week. I can’t keep the research books any longer. I also feel, since I started “Miss Winston”, I should keep going on it, although it’s not releasing until November. “Labor Intensive” has a closer deadline, and therefore should get attention first.

But first, mowing. The front yard looks raggedy. I wish I could learn to like it. The mowing, I mean, not the raggedy lawn!

Fri. Jan. 8, 2016: Revising the Writing Schedule and Goals

Friday, January 8, 2016
Dark Moon
Mercury Retrograde
Sunny and cold

Meeting in Hyannis yesterday morning. It was fine; at least I didn’t want to jab my eye with a fork, like I do at some of these meetings.

Back to work, tried to catch up. Computer isn’t working properly, so that makes it more difficult.

I got some sad news: Amber Quill, with whom I have half a dozen titles, is shutting its doors on March 30. LAKE JUSTICE, SEVERANCE, ELUSIVE PRAYERS, and TRACKING MEDUSA will cease to be available from them at that time. I wish I’d found out directly from THEM instead of through a second party, but, other than that, I’ve always been treated well by them. I loved my editor; they paid on time; they gave me good covers. They believed in their authors. I will miss being a part of the company.

So what does that mean for my writing?

Several different things.

I’m meeting with my advisors to decide what to do. There are still two months until the doors close, two months until rights revert back. Once rights revert back, unless I’m going the indie route, it doesn’t make sense to just shoot the titles straight out again. While it makes me nervous to have anything go out of print, at the same time, I need time to launch a re-release properly, wherever and however I decide to do it. I expect they will be out of print until at least September. If I go independent, I’m going to have to marshal massive marketing resources to make it worthwhile. Right now, that much marketing emphasis isn’t going to fit my schedule. I’m not convinced the independent route is the right choice for me. I prefer to work in a more traditional model right now.

I do realize that, when I’m ready to launch the series that started life as THE POWER OF WORDS (which now has multiple titles as it breaks down into multiple books), it is most likely I have to use the independent model, because it would be exceedingly difficult for a traditional publisher to put it out in the usual channels. It’s a strange monster – one I love, but one that would require the type of Gentleman (or Bluestocking) Publisher to take it on, a type of publisher who no longer exists.

I was in the throes of planning a big marketing campaign for everything over the next few months, which now will not include the titles that won’t be available, for obvious reasons.

I also had three books scheduled to go to Amber Quill this year, all Gwen Finnegan books: BALTHAZAAR TREASURE, SANDOVAL SECRET, and SHAKESPEARE’S BACON. It was a pressurized schedule, but I wanted to make sure I finished the Gwen Finnegan cycle quickly for them, with an eye to moving in some new directions, as inspired by last August’s conference, where Claire Cook gave me the push I needed to give what’s now TIE-CUTTER a shot, and Carole Bugge encouraged me to continue work on SONGBOUND SISTERS.

With those three books off the schedule, at least for the moment (which means I’ll work on them in and around other projects, without the pressure) it moves up SONGBIRD SISTERS and the aviation mystery set in the late 1940s that I’ve been playing with for a few years.

I do love Gwen and Justin, and I want to see their stories to completion, but a break may not be a bad thing. As I kept saying last year, struggling with BALTHAZAAR, I can do it fast or I can do it well. Both aren’t happening in tandem right now.

HEX BREAKER and OLD-FASHIONED DETECTIVE WORK, the Jain Lazarus books, are still with Solstice, and I’m not sure what’s next with them; we’re in a bit of a holding pattern.

I have several play scripts and radio scripts on the slate for the year, and some film and television scripts on which I worked last year, which go out on submission this year.

The focus will be more on writing, polishing, and submitting this year, building on the previous writing, but taking me in new directions that I’ve been interested in for the past few months. That’s a positive. It moves up the timeline for me, but it’s a positive. It takes a lot of the “write as fast as possible” pressure off me – something that’s bogged me down over the past couple of years and actually interfered with my productivity, instead of increasing it.

As saddened as I am by the news, I think it’s the push I need right now. My gut tells me this is a positive in the long run.

I’ll have a long day at work today, but, since I’m feeling run down, I pulled out of my commitments for this weekend. I have some work to do for Monday’s NMLC Board meeting, and I’m going to write. I want to finish the first draft of the short radio play that goes out at the end of the month, and I’ve been approached to adapt the historical play into a radio play. I’ll take a look at that to see if it makes sense. I use a good deal of sound in the play anyway, and I think if I make some changes to make it more aural than visual, it will work. I also need to get LIGHT BEHIND THE EYES into US radio format from BBC format, because I have a US market interested.

Plus, I want to stay on schedule with TIE-CUTTER and DEATH OF A CHOLERIC.

So I’ll have a solid writing weekend ahead of me.

This certainly didn’t happen the way I wanted it to, but I have a feeling that, in the long run, these changes will be positive.

I remain hugely grateful to Amber Quill for their support, belief in me, and everything they’ve done for me and for my writing over the years I spent with them. I wish all the partners well in their new ventures, and I hope we can all stay in touch and support each other’s work. Thank you, Amber Quill!

Have a great weekend, people.

Devon