Tues. May 23, 2023: Unpleasant Limbo

image courtesy of Melissa G via pixabay.com

Tuesday, May 23, 2023

Waxing Moon

Pluto Retrograde

Sunny and pleasant

Big announcement: You can find short videos about my work over on Tiktok. Trying it to see if that will expand the audience, especially for the serials and the Topic Workbooks.

Ready for our usual Tuesday morning catch-up? How was your weekend?

Today’s serial episode is Legerdemain:

Episode 87: Roommates

Shelley sets up a sting to catch a killer.

Legerdemain serial link

Legerdemain website link

Remember I mentioned interest in Alice Diamond’s Forty Elephants gang last Friday? Turns out there are already several novels out about it: Erin Bledsoe’s FORTY THIEVES and Beezy Marsh’s QUEEN OF THIEVES. So I don’t need to write a novel! I’m going to read their novels, though, and I’m going to read Brian McDonald’s nonfiction book on Alice. Disney’s doing a series, supposedly, which I’m likely to have mixed feelings about. (I’m glad Disney’s fighting DeSantis, but that doesn’t mean I suddenly love Disney). There might be another one of my historical women plays in there. Or I might read it just to read it.

It makes more sense to work on the script (or maybe it will be a novel) about Katharine Cornell’s tour. I have Gladys Malvern’s books (I ordered my own copies), and Gladys is quickly becoming one of my favorite people. In addition to being an actress touring with Cornell and others (also known as a “trouper”), she was an author, best known for the children’s books she wrote.

There are so many wonderful arts and culture events happening around here that it would be very easy to overload and not have any time for my own work. I need to make sure I keep a balance. I want to meet fellow artists and support their work, but I also have to keep putting my own work first. And I have to avoid unsafe situations where I might get infected.

On Friday, I finished the episode of Legerdemain I’d started writing a couple of days prior. This week, I have to upload and schedule the next batch of episodes.

I went to the library for what should have been a quick drop-off/pickup of a few books. However, I ran into a stranger and we started talking. Turns out we’re close to the same age and have both been in business all our lives. He works for MCU and was one of Stan Lee’s proteges. We’ve worked with about 30 or 40 of the same people throughout the years. Anyway, what started as a quick chat moved outside the building and wound up being a two-hour conversation. So that was fun, but I wasn’t wearing a jacket, and by the end of it, I was chilled to the bone.

Finally got the grocery shopping done, then came home and tried to warm up. Some client work came in for next week, so I didn’t worry about not having anything for Friday. And I’d missed my window to go to the Clark, plus it was clouding over, so I stayed home.

I experimented some more with FlexClip and Canva video tools. I like FlexClip much better, but there are instances where Canva does more of what I need.

I worked on the poem. I did the social media rounds ANGEL HUNT. I wrote up my review and sent it off. I continued reading THE SECRET SERVICE OF TEA AND TREASON, which is hilarious. So clever. I needed the rest.

Saturday, the cats tried to roust me out of bed and I refused to get up.

When I finally got up, I played with video again. I tried ClipChamp (urg) and Power Director (which just needed more time than I have to give it right now). Between FlexClip and Canva, I finished the Devon intro video, polished the Topic Workbooks videos, polished the ANGEL HUNT intro, and created a Legerdemain intro. I also set up video templates in Canva for AH and Legerdemain episodes, where I just have to pop out that week’s logline and/or graphic, save it, and the rest is set.

I also worked on the poem.

In the afternoon, I finished reading THE SECRET SERVICE OF TEA AND TREASON. What a delightful book.

Slept well Saturday into Sunday, although I had weird dreams, which fled as soon as I woke up.

I worked on the poem some more, adding in breath marks (I like to do that on pieces I read, so I don’t run out of air in the middle of a sentence).

I then worked on the Heist Romance Script, which has been begging for attention, doing the Corsica and Sardinia sections. They need work, but at least they’re there. About 20 script pages.  Got my characters back to Marseilles and separated them. Ben is back in London. Tara is wherever she is. I have to do some montage-y stuff and then do some research for the next bits, which are in Barcelona, and then York. I also have to write the dramaturgy on the treasure. I’ll only put bits and pieces of it in the script itself, but I need to know the whole story in order to do that well.

This draft, however, is to get characters and the main plot points in, and make sure I hit the action/team/romance bits. As I work on subsequent drafts, I will rip out what’s reading flat and build more dynamic beats that serve on multiple levels.

Which is ass-backwards, because most scriptwriters plot out the beats first and then write the script. But, since I’m not in a room with others, and it’s not on contract (nor would it be, with the strike going on), I’m doing it this way. Takes longer, but I’ll get there, even if it’s not the considered best practices.

I put on real people pants and makeup, and drove down to the Mount, in Lenox for the poetry reading. We had a stage out behind the stable, with a backdrop of trees. It was lovely. There were 11 poets, and it went well. I was second up. The piece got laughs where I hoped, and acknowledgement of the more serious beats where I hoped. I only blew one humorous line in delivery – the beds of kale line. Note to self – have full stanzas on the same page; end the page early if the stanza needs to spill over, because turning the page mid-stanza loses the rhythm.  I made a few adjustments as I read, when I realized the upcoming word wasn’t sustaining the rhythm created, but I could change those on the fly, without stumbling. Hopefully, I’ve remembered them all to fix them for the next draft. I’d printed it out in 16-point font, which made it much easier to read. I thoroughly enjoyed the other poets’ offerings. One of the things I love about the WxW events is that the audience are active listeners. They really pay attention and pick up on nuances and details.

On the way home, filled up the car with gas, and picked up a few things at Adams Fresh Market. Home, made dinner.

Read for a bit in the evening (not that thrilled with the current book, might just stop and take it back to the library).

Went back and did a few more pages on the Heist Romance Script – these scenes will need a lot of reworking in the next draft. Not happy with them.

Charlotte started bothering me at 2 AM, but I refused to get up until the coffee started at 5:30.

They’re still “painting” the library across the street, the machines making lots of beep-beep-beep all day from 6 AM onwards. It should have taken then a week to paint the building. We’re going into our third month. Ridiculous.

Instead of doing what I should have been doing all morning, I did a fix pass on the pages I wrote the previous night, so they’re better (but not where they need to be), and then wrote about 20 more pages. This will be a limited series (used to be called a mini-series), but this first draft is one big ole draft no one could ever use, and then I’ll cut and shape it. Again, not following best practices for the format, but, since I’m doing it for me at this point, not anyone else, I’ll do it my way. If I get a draft I feel is submission-worthy, I’ll make the necessary structural/format tweaks in that stronger draft.

Someday, it will actually get a title.

Also uploaded the first four videos to TikTok: the Devon Ellington intro, the Topic Workbooks, Legerdemain Intro, Angel Hunt intro. The only way I can edit sound attribution was to put the damn app on my phone, which I am not happy about. But, needs must.

I had four short client projects to turn around in the afternoon, which I did. I was assigned the next book for review. There’s not much from that editor now, and, with the strike, there’s not much coverage work. With the looming debt ceiling crisis (if my mother doesn’t get her social security check, I have to cover her expenses that it usually handles), AND the fact that I’m still waiting for the effing grant money (it’s going on three months late, which is just fucking with us at this point, just to fuck with us), it’s stressful, and I’m in a holding pattern. (Think Hanged Man Tarot card, hovering over The Tower). I can do it, even if (when) the Republicans catapult us over the debt cliff next week,  but it means reshuffling bills and other payments a bit. If I was in the usual work rhythm with the usual workload, it wouldn’t be a problem. I could take on a few days’ extra work, and it’s covered. But with the strike, a review pool slump, and Topic Workbook sales down because of the Muskrat’s algorithm changes, it all hits the squeeze point at once. Fortunately, the serials are still bringing in some cash (not a ton, but enough to make them worth continuing).

Such is the life of a full-time writer at this point in time. We’re all struggling. But we’re not giving up the fight.

Hence the expansion into TikTok, but again, none of this is instant. It all takes time, energy, focus, and work to build audience on any platform. I already have to reconfigure how I do it on the other platforms. Spending more quality time on specific platforms on specific days, while cycling through the others makes the most sense, at this point, but I have to be ready to adjust as needed.

There’s no point in building any of it if I let the actual creative work fall to the wayside. I can’t market what isn’t ready to market, or hasn’t yet been created. Well, I COULD, but it would come back to bite me in the butt.

And let’s face it, the GOP WANTS the country to default and everything to come crashing down. It’s all part of their plan. They haven’t even pretended to be anything but who they are since Reagan, but too many people are complacent. So, here we are.

Well, by the end of next week, I’ll know what needs to be shuffled where, and can actually DO something.

Anyway, once I finished the client work, I downloaded the Kindle App onto my creaky old tablet (and yet, it still works better than the Hive app ever did). I like using the tablet to read.

I also went in search of my SD card reader. Before my friends came, I put it in a Very Safe Place. You see where this is going, right? I can’t find it. Anywhere. I keep electronic stuff – extra cords, adapters, charging squares, et al – in a specific place in my office.

The SD card reader isn’t in there.

I checked ALL the bags and ALL the drawers.

Can’t find it anywhere.

I needed a specific photo, that I took way back around 2003 or 4 or something. I decided to go through the photo backups and the imports I tried to do from the Mac. It took a couple of hours, but I found the photos I needed.

I don’t have photo permissions to share them, or I would. The photos are of five women who did the specialized art painting at Playland Amusement Park from 1928-1940. I took the photos of these photos way back when, at the Playland Amusement Park’s small museum. Those five women have always fascinated me. They show so much individual personality in these photographs.

If you’re not familiar with Playland Amusement Park, it is in my hometown of Rye, New York (I grew up and went all the way through elementary and high school there). It’s an art deco amusement park with the infamous Dragon Coaster and one of the old Derby racer rides. I have a lot of pictures taken over the years (good thing, since the current owners are wrecking it). I set the novelette “That Man in Tights” there (and the big chase scene is based on The Flying Witch House Ride, which has been destroyed), and set a couple of the Christy Miller bylined short stories there.

Anyway, I’ve toyed with the idea of writing a piece in a fictional park of the era inspired by Playland for years. I want to know who these women were.

I finally found the photo and sent it to the office at Playland, asking for more information. I printed the photos out, and I also saved them in my picture file. I sent a similar email to the Westchester County Archives, asking if they had any information, or could point me in the right direction. I may have to go down and dig in there myself at some point.

On the Archive digital website, I found some cool photos of the park at that time, which I will also use as inspiration. But I didn’t find a match for these photos.

I want to know these women’s names. Their names shouldn’t be lost.

Possibly, the Archives will have employment records, and I can try to match them. Or maybe I can try looking in the census.

Anyway, that was the rabbit hole from yesterday afternoon through this morning.

On today’s agenda: draft an episode of Legerdemain. Work on the flash fiction. I’ve percolated the beginning and the end; I need to work the arc between them. Maybe work on REP or the Heist Romance script (although I have to do more research on the latter’s next section). Do the research for the first Llewellyn pieces.

I desperately need to do some filing.

Fill out the paperwork for the residency. Do the social media rounds for Legerdemain, including posting today’s episode video on TikTok. I have a client project in the afternoon. I don’t think I’ll make it to yoga this afternoon; I’ve had a fever on and off through the night and into this morning, so isolating seems like the smart choice.

I better get going, huh? The clock is running! Have a good one!

Thurs. May 18, 2023: A Poetry-Centric Week

Clark Art Institute Reflecting Pool. Photo by Devon Ellington

Thursday, May 18, 2023

Dark Moon

Pluto Retrograde

Sunny and cold

It was 29 degrees F when I woke up this morning, and then dropped to 27. Brrrrr.

The latest on the garden is over on Gratitude and Growth. Once again, Twitter is no longer letting WP post the link. I’m back on it a lot for the WGA Strike news, but then, I need to be done with it.

Today’s serial episode is from Legerdemain:

Episode 86: Bedpan Guy

Brone’s rescuer recognized Brone’s attacker. Sort of.

Legerdemain Serial Link

Legerdemain Website Link

I have to sit down with my long range plan (which is, as always, somewhat of a work in progress) and make some business decisions over the next couple of weeks. This is a good thing, not a bad thing, but it takes time and mental space, and needs to be done. I’d like to walk a labyrinth as I ponder it, but I won’t get to do that until I get to Kripalu later in the season.

Of course, once I make the decisions, I then have to build the schedule to implement them.

Worked on the poem for Sunday. Still need those last two lines to give it a big finish.

Only got about half of a Legerdemain episode written. Had trouble concentrating.

Did the social media rounds for Angel Hunt and for Process Muse.

Headed down to Bear & Bee Bookshop, They are delighted to host the Boiler House Poets Collective reading in September, and we set it for the 30th. So happy about it. Love that place.

Now we can figure out the graphics for the marketing and get that prepped, so it’s ready to go when we need it.

Created a couple of video pieces in the afternoon, two on FlexClip, one on Canva, as a comparison/contrast. I did a promo video for the Topic Workbooks on both. I have to edit out some text on the FlexClip one that I didn’t see when I was putting it together. I did a video promo for ANGEL HUNT on FlexClip with I love. I will let them sit for a few days before I start uploading them.

Of the two, FlexClip is easier for me, and reminds me more of the tools I learned in film school and then used in iMovie. If/when I have to buy a subscription, I’m more likely to do so on FlexClip. I should do both, since I use Canva for promotional materials for the serials, but if I can only afford one, it’s more likely to be FlexClip at this point. Although I bet Canva will change its policies and I’ll be forced to pay for both.

Creating the videos for Legerdemain will be a challenge, because I don’t want to do one per episode.

When I get my new camera, I’ll be able to do photo/video shoots specific to projects, and that will be an improvement, too. I mean, my degree is in film production, FFS.

I did some client work in the afternoon (reluctantly), but it was done and out on time.

I got my word for July’s poem, and am thrilled with it. It aligns with the ideas I’ve been playing with, so I don’t have to start from scratch.  I will work on that today. I have to turn in my segment of the poem by 3 PM.

It’s a very poetry-centric week!

Got the contract back to Llewellyn. I love my editor there so much. We work well together.

Maintenance is coming around late this week/early next week to test smoke alarms, etc. I need to tidy up a bit from the chaos of multiple projects, turning over the apartment into summer fabrics, and the storage run.

I started reading the next book for review.

I had a bad night of stress dreams. I’m so grateful for all the good that’s in my life right now, and annoyed that I’m still having sense memory stress.

On today’s agenda: meditation, for the start. The priority today is the poem due by 3 PM. If possible, I will also finish the episode of Legerdemain. I’d like to finish Sunday’s poem, too. And I have some client work to do this afternoon. That’s probably as far as I will get, along with doing the social media rounds for today’s episode of Legerdemain. The episode graphic is kind of fun, and this is one of the more comic episodes.

Have a good one!

Tues. May 16, 2023: Trying To Balance The Writing Needs

View across the Clark Art Institute Reflecting Pool. Photo by Devon Ellington

Tuesday, May 16, 2023

Waning Moon

Mercury Went Direct on Sunday

Pluto Retrograde

Cloudy and chilly

Busy weekend. Good busy, but still busy. So, I hope you have your favorite beverage handy for our Tuesday catch-up.

Today’s serial episode is Legerdemain.

Episode 85: Attack on Brone

Brone is attacked in the Infirmary. His rescuer is a surprise.

Legerdemain Serial Link

Legerdemain website

Friday, I wrote another episode of Legerdemain. I uploaded and scheduled this coming Thursday’s episode. I puttered on the poem.

Out the door late morning, headed for the Clark Art Institute. It was a gorgeous day, warm and sunny. On the way there, I stopped at the Milne Library in Williamstown, because the lilacs are just starting to bloom, and they have wonderful lilacs. Their lilacs were just beginning, but I got to see their reading garden (a lovely spot in which I hope to spend time this summer) and checked out their book cart, where I found a few things, including a couple of mysteries by Anna Clarke. I met a woman at the cart, an artist who uses discarded books to make collages. She’s currently working on one using prints of old circus posters. She grew up in Bridgeport, CT and used to watch the Ringling Brothers Circus train come in, when they wintered there (before they moved to Florida for winters; PT Barnum Museum is still in Bridgeport).

Anyway, after that, I headed up to the Clark, which was packed. I never even made it inside the museum; I sat in a chair under a linden tree out by the reflecting pool. I worked on the project for a bit, and just enjoyed myself. Okay, I also eavesdropped, rolling my eyes at a few things I overheard, and made notes that will be integrated into future characters.

On the way home, I stopped at Wild Oats and then Stop & Shop, to pick up a few things. In the afternoon, I read Anna Clarke’s LETTER FROM THE DEAD, which was very good, and one of the few mysteries where I didn’t get ahead of it and figure out the murderer.

In the evening, there was a special session at my yoga studio, where they hosted Lama Tashi Norbu, who is both a Tibetan monk and an acclaimed tattoo artist. He is the director of a museum of Tibetan Arts in the Netherlands. It was an interesting session and gave me a lot to ponder.

Home, dinner, and to bed early. Didn’t get much sleep, because it was the night before MCLA’s graduation ceremony, and everyone was doing one last blowout. Considering we live catty corner from the college, it’s amazing there isn’t a lot more loud partying all semester. I can deal with a day here and there. Charlotte sat in the window all night and watched them.

Just before bedtime, I got word that I did not get the August residency I hoped for in upstate New York. It was a very nice letter, but disappointing. I’d hoped to use that time to do the big revision on FALL FOREVER. However, now I can use all of August to do it instead. I still want to do another revision of it between now and then.

The alarm went off at 4:30 AM on Saturday, and we were out of the house a little after 5:30, headed to the Cape for a storage run. It was sunny, but cooler than the previous day.

The drive down wasn’t bad, and there wasn’t too much traffic over the Bourne Bridge. We got to storage, and loaded up a rather eclectic bunch of boxes. I didn’t find the family photos/scrapbooks yet (which should have been on the truck), and I forgot to bring up the blank canvases. This is the last run we can do before autumn, so what we have is what we have.

We headed along the canal to Sagamore to the big Christmas Tree Shop over by the bridge. The chain was sold to a hedge fund, who intentionally ran it into the ground (which is how they make their money; anything a hedge fund touches is destroyed for profit), and this store is closing. It’s been around a good long time; we shopped there well before we moved to the Cape. The vultures were already there, and many shelves empty. We didn’t buy much; it was too sad, and we weren’t going to buy just to buy. I took some pictures, because I bet they tear down the building, including the lovely large windmill.

Back along the canal and off Cape on the Bourne Bridge. The traffic was picking up, especially going on Cape; we missed the worst of it. It was a fairly smooth ride until Worcester, where we were caught up in 12 miles of stop & go traffic, losing the time we’d gained. But once past that, it was a decent ride home.

While driving, I pondered some of the things discussed in Friday’s session with the monk, and got an idea for a story. Not sure what I’ll do with it yet, but I made some notes, and will let it percolate.

Stopped at Adams Fresh Market for a few things, and then to get takeout. We were home just after 2:30, which was a pretty decent time frame for a roundtrip of a little over 400 miles, plus storage sorting, plus shopping. Ate first, then I unloaded the car.

Saturday was graduation day, but it had pretty much cleared out by the time we returned, and everyone was in that state of stunned exhaustion and adrenaline withdrawal.

We just rested in the afternoon and evening, and read. I read Lina Chern’s PLAY THE FOOL, which was a lot of fun, especially in the way it used tarot cards.

Slept well; up early on Sunday (because the cats figured 4:30 was better than 5:30 for breakfast, per the previous day). Baked biscuits for my mom for Mother’s Day.

We had a quiet Mother’s Day. I unpacked most of the boxes we brought up. I have to do some rearranging to integrate things. Stuff needed to be washed, so we did that. It was fun, finding things we hadn’t seen in a while. Finally found my poodle bookends. I’ve been looking for them since we moved to the Cape, much less than moved here.

Tried to make a pizza with all of my mom’s favorite toppings. Unfortunately, I used a commercial dough I hadn’t used before. I knew I wouldn’t be up to making dough from scratch after the storage run. The dough I like and usually use wasn’t available at Big Y, and I found this Birrittella’s dough in Stop & Shop. First of all, they don’t have directions on the package. They force you to their website. I shouldn’t have to watch a video; it should be printed ON THE PACKAGE. There are plenty of times I’m cooking at a residency or retreat or whatever, and there’s no internet. Second, it takes over 2 hours to prepare the dough. I mean, I might as well have made it from scratch. This was supposed to save me time. Third, once in the pan, it doesn’t bake properly. The toppings were starting to burn, but the crust wasn’t baked. It was a disaster. We ended up scraping off the topping and making impromptu garlic bread to eat with it instead. At least the topping was good: sauce, sauteed onions, mushrooms, green peppers, tomatoes, pancetta, pepperoni, and lots and lots of mozzarella. But at least I know what dough to avoid at all costs. Absolutely awful. Worst pizza dough experience I’ve ever had.

At least I’d gotten my mother a nice cheesecake, her favorite.

Read THE FOXGLOVE KING by Hannah Whitten, which was good.

Relieved that Mercury went direct, and completely exhausted by it at the same time. This Pluto Retrograde won’t be particularly pleasant (lots of squares with other planets, causing tension), but at least we don’t have to worry about Mercury again until August.

Noodled with next week’s poem. It’s not where I want it. I need physical and mental openness/space to make it work, and not sure how I’ll manage it this week.

I was worried I’d get my word for July’s poem while we were on the road, so I packed my poetry notebook as insurance I wouldn’t, and it worked.

Weird dreams overnight, which fled as soon as I woke up on Monday.

Drafted an episode of Legerdemain. Did this week’s episode graphics, uploaded, and scheduled. Polished, uploaded, and scheduled next week’s Legerdemain episodes. Once they were approved, I created the episode graphics and uploaded those promos. Did a temporary graphic for FALL FOREVER, mostly so I could add it to my Creative Ground profile.

Did a dropoff/pickup at the library (and scored three fantastic cookbooks from the discard cart). Picked up my mom’s prescription at the pharmacy. Swung by the bookstore to talk about autumn’s reading, but their hours have changed, and they were closed. I have to go back on Wednesday. Mailed some bills. Deposited some checks at the bank. Swung by another store to pick up a couple of things, which, of course, they did not have. I need to go over to Carr’s Hardware on the other side of town instead, probably at the end of the week.

The siren song of FlexClip was calling again, but I needed to do my work first. I really miss iMovie from my mac. And, much as I want/need to create more enticing visuals for Legerdemain and Angel Hunt, I might start with something simpler like the Topic Workbooks. We’ll see. I need uninterrupted work time for that.

Did the client work. Had time for dinner before soup class, which was fun. We’re almost at the end of our soup class journey. It’s been an amazing few months. I’ve learned a lot, and the sense of community built is fantastic.

Started working on the next draft of FALL FOREVER. Making a lot of internal cuts in the scenes, tightening beats, getting rid of repetitive information, etc. I’m reworking one of the arcs. I need to up a confrontation scene. There’s a bit near the end that I want to move earlier, and turn into a half page or so exchange, and I want the Solstice celebration scene to have more fun and energy, instead of being a little self-conscious and trite, the way it is now. I’m not combining two characters, as a Trusted Reader suggested; the two characters work better separately, because one of them is very much a fulcrum on what the two pairs of relationships balance. I tried writing a few scenes where the characters were merged, and it shifts the themes I want to explore too much. A dynamic like that would work better in a different play. When I read the play, there’s enough of one of the characters, but when I heard the play read, I felt his character should have a little more. That’s partly due to the actor, I’m sure. But I want to layer him a bit more, so his flashes of humor and insight come through the grief better.

My contract for the 2025 Llewellyn Almanac arrived. Woo-hoo! I will sign it and send it back today, and then get started on writing the 25 spells next week, doing 3 per week at minimum, to get them all done and give me time to revise them before the mid-September deadline. And, the rate went up! Very happy.

Weird dreams overnight, that fled when I woke up. I have a feeling they were tied to FALL FOREVER. I did some more work on the play first thing this morning. Worked on the poem for Sunday, too. I started wondering if maybe I was working on the wrong thing/theme. I may do some freewriting later this morning, and see where it leads.

On today’s agenda: Legerdemain, maybe some ANGEL HUNT, work on the poem, work on the flash fiction piece for the artist call. Some new grant opportunities landed on my desk yesterday, for next year. I have to look at the calendar and see what’s what, and then work on those applications. Client work in the afternoon, and then yoga. Maybe after yoga, I’ll feel like I can focus on the poem better. Social media rounds to promote today’s serial episode. One last look at tomorrow’s Process Muse post. I’d like to do some work on FALL FOREVER, REP, and the Heist Romance Script, but I don’t see that happening today.

Have a good one!

Wed. May 3, 2023: Arranging and Rearranging Words

image courtesy of Valerio Errani via pixabay.com

Wednesday, May 3, 2023

Waxing Moon

Mercury and Pluto Retrograde

Rainy, chilly, and raw

Today’s Process Muse Post is about dealing with jealousy, envy, and uncomfortable emotions. You can read it here.

It was hard to get it together yesterday. Twitter is not allowing WP to connect anymore. I was getting a lot of trollish DMs, and I finally managed to lock my account, but I can no longer participate in community conversations. I’d leave completely, but a lot of the WGA conversations are happening there.

Today’s serial episode is from Angel Hunt:

Episode 29: Actor or Character?

Lianna unravels the layers of actor energy in the rehearsal room from something much darker.

Angel Hunt Serial Link.

I wrote a future Process Muse, got it polished, uploaded, and schedule. Finished Episode 5 of REP. Could not get it together for Legerdemain.

I thought I’d started a Series Bible and Style Sheet for Rep, but can’t find them. So I had to redo them.

Did the social media rounds for Legerdemain.

Turned around two script coverages. it’s not scabbing, my coverage agency fully supports and is in compliance with the strike (I checked with the guild). Writers can lock their profiles so that their scripts can’t be downloaded by producers, et al, during the strike. How much work we’ll actually have as things go on, who knows? I feel like I should push this week, because there’s a lot that came in before the May 1 deadline, but I have this other big client project that must be finished, so I’ll have to risk the coverage work drying up.

Finished one of the categories in the contest. Wrote up the winning reviews (it was a tie, two very different and equally wonderful books), put in the other scores, named the finalists, and sent it all off.

Good news on the poetry front!

First of all, I’m getting to know my fellow poets for the fall residency via email, so we all know a bit about each other before we start. They are an amazing, talented group, and I’m so honored to be part of it.

Second, I’m creating a new piece for Word X Word’s event at the Mount (Edith Wharton house) on May 21, as part of their Poets in Conversation series. I started turning over ideas in my head as soon as I got the invite. I’ve got an idea developing that I think will work; I’ll take what I learn from that performance, and it will be one of the pieces I bring into the residency, because it fits with the theme of the other pieces I want to work on then. That wasn’t intentional, it’s just how it percolated.

Third, I am one of the poets in this year’s Word X Word’s “World’s Largest Poem”, again at the Mount, in July. I will have 24 hours to write my section of the poem (same as last year), once I’m given the last word of the previous poet’s section. We’re being encouraged to be multi-lingual; I hope to compose my short section in English, French, and German. The word I receive to launch it could be anything, in any language. I may try writing part of it ahead of time, and then weave the word into it and adjust as needed. My final word will launch the next poet’s word, and so forth and so on.

Yoga was good. I admit, I rather dragged myself there, not feeling like leaving the house, but I was glad I went.

Worked on contest entries. I’m nearly finished with the second category; I hope I can get those off today, or, latest, by tomorrow. I’ll be down to the wire finishing off the final category.

Out of the house early this morning to go to the laundromat. I edited five episodes of Legerdemain, and a couple of REP.

On today’s agenda: draft an episode of Legerdemain, enter contest scores, make the rounds to promote Angel Hunt and the Process Muse. There’s an Ink-Dipped Advice post to finish and get up. I have two scripts to turn around, and I want to finish the second category in the contest, and get that winner/finalist list out. I also have to finish reading a book for review, because it’s due tomorrow.

I’d like to do another pass on FALL FOREVER today, too, if I can. Not an edit; more of some gentle tweaks. I’ll get my cast list on Friday, and need to send them the script so they can look it over this weekend, before the table read. I’ll also get the assignments of the other plays this week, since part of getting my play read is helping some of the other playwrights out with their readings. My play is in the first slot on Monday, the first slot of the whole table reads program.

Next week, I also want to draft the short piece for the artist call over in Northampton, and get back to work on the next Twinkle Tavern piece, “Labor Intensive.” Along with working on the poem that will be read at the Mount on May 21. I also want to play with FlexClip a little more. I have some ideas on creating short pieces on it to promote the serials.

But first, I have to clear off this week’s deadlines.

Have a good one!