Tues. June 19, 2018: Stressors

Tuesday, June 19, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Neptune Retrograde

Four planets retrograde, with Mars going retrograde next week. Can I please just stay in bed until it’s all direct?

Hop on over to A Biblio Paradise for “The Lost Art of Reading Aloud.”

Busy weekend. Most of it was focused on turning around the revisions of MYTH & INTERPRETATION back to my editor. We’re in galleys now. Since it’s a novella, not a novel, and just over 40K, I’m hoping the galley process won’t be as drawn out as with SPIRIT REPOSITORY.

Back in the saddle with RELICS & REQUIEM. Going at a good clip with that. I love the way the relationship is unfolding between Amanda and Phineas. It gets my full writing focus (as opposed to revision or proofreading focus) this week, because next week, DAVY JONES DHARMA gets back into the mix. I’m looking forward to spending time again with Sophie and the crew of the Charisma.

Did some work on the anti-gun violence play. It’s slow going. Instead of drafting in a rush, I’m working and reworking each scene, building the piece. It’s a different way of working than I usually use, but this play needs it. You change the process to meet the demands of a specific project.

It makes me shake my head when writers — usually un-published or under-published refuse to try something new because “that’s not my process.” Until you have a published track record, you’re still trying to find your process. And, even then, you have to change it when the work calls for it.

For the anti-gun violence play, all that time I’ve spent in DC working with senators and reps on legislation, talking to various members of Congress and their aides about issues has all come in handy. It allows me to give it texture, to layer in sights, sounds, smells, attitudes.

I’m still in touch with many of the people with whom I worked when I lived in New York, and have added the MA delegations to my contacts since I’ve moved here. Usually about once a day, always several times a week. Just because I don’t post about it all the time doesn’t mean I remain silent. Or uninvolved. Especially now, it’s vital to be immersed in our political process. My mother, who survived Russian prison camp in WWII, is horrified at the way the US is going down the road of Nazi Germany.

I am sickened by separating children from their families and putting them in cages. Every single individual who does this must be prosecuted AS AN INDIVIDUAL. No hiding behind “job” or “policy.” If your job or policy requires you to do something inhumane, you refuse. You fight. Period. If you commit an inhuman act because your job “requires” you to do it, YOU are inhumane. And must face consequences.

I take note of so many people who claim they are “religious” and “Christian” who agree with this inhumane policy of degrading people and putting children IN CAGES. Look at the AP reports. Look at John Moore’s photos. It’s happening. In our country. These people who protest outside of Planned Parenthood, want to deny women reproductive rights, are anti-abortion, delight when doctors who provide health care for women are SHOT, all in the name of RELIGION — they think putting children in cages and denying them basic human rights and dignity is just fine. Not only are they disgusting individuals with no moral compass or authority — they are hypocrites.

I saw a suggestion from a Catholic bishop to deny those implementing this inhumane treatment the sacrament. I am fully on board with that. Go further — excommunicate any individual who does not repent, not only in words, but in ACTION.

Ex-communicate Paul Ryan. This granny-starving sleazeball, who delights in taking away healthcare and other rights, posted a tone-deaf tweet for Father’s Day, while doing nothing to help the situation.

I’m deeply disappointed in Susan Collins from Maine. I have family in Maine; spent lots of time there. Have met with her, in Maine and in Washington. She seemed like a fairly reasonable, rational human being. How disturbing to find it was all a facade.

We are losing a generation of children. Physically and emotionally. It is inexcusable and must be stopped.

For all those who turn away and say they “aren’t political.” They’re coming for you next, you spineless pieces of crap. You won’t be spared. You’re useful to them now, because of your inaction. But you will be tossed away as soon as they choose.

THREE ROADS OF STRANGERS is dealing with some of these issues, as in, when you fight atrocity, how far into similar behavior can you descend without becoming what you fight? Who gets sacrificed? How can anyone come back from it?

Which is, of course, why the piece is pulling at me. Although, I suspect that, once the anti-gun violence play is drafted and goes out to Trusted Readers, I will write a play about this situation.

And, of course, POWER OF WORDS wants attention. We’ve come up with a new series title that we all like. We’ve even named the first six books, and I THINK those titles will stick. Now the question is, how realistically can I finish the material that will be broken into the rest of Book 4 and make up Books 5 & 6, with everything else going on? Books 1, 2 & 3 have been through multiple drafts. They are almost ready to send to the editor. But, because we want to have all six ready at once, I have to finish the rest. I have most of Book 4 done, and part of Book 5 (I skipped ahead). I have Book 6 outlined. But how to fit it in?

On top of that, the Jain Lazarus Adventures must now be factored back in. I need to finish CRAVE THE HUNT, so it can go into edits and be ready to release when HEX BREAKER and OLD-FASHIONED DETECTIVE WORK re-release. While still staying on track with the Coventina Circle books, the Nautical Namaste books, and the Gwen Finnegan books.

And, you know, client work.

STILL waiting for two checks, one that is now almost a month late. Where the place lied and said it was “sent” and that the accountant wouldn’t be in until this week, and there was nothing they could do about a replacement. You’re a business. You’re telling me that no one can take 5 minutes to write a check? That’s not business.

Feeling pressured and upset and in despair on multiple fronts. All I can do is put my head down and keep writing.

 

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Fri. June 14, 2018: Cover Reveal & Writing Plans

 

MYTH&INTERPRETATION Cover

Myth & Interpretation

Stuck in NYC when plans for their next expedition fall through, Gwen and Justin accept teaching jobs at different local universities. Adjusting to their day-to-day  relationship, and juggling the academic and emotional demands of their students, they are embroiled in two different, disturbing, paranormal situations that have more than one unusual crossing point. Can they work together to find the answers? Or are new temptations too much to resist? For whom are they willing to put their lives on the line?

Friday, June 15, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Cloudy and cool

Above is the cover for MYTH & INTERPRETATION, the between-the-books Gwen Finnegan novella, releasing digitally on July 17, from Bluestockings and Gentlemen Press.

Hop on over to the GDR site to see the mid-month check-in. I can’t believe we’re already in June. Pretty soon, it will be time for the mid-year assessment!

Feeling a little under the weather today.

Worked on articles yesterday, got out some LOIs, on the revisions of MYTH & INTERPRETATION. I’d hoped to get it to my editor today, but it looks like I need the weekend to work out some problems. But that means going into galleys early next week, which will still be fine. I’m finally getting used to the fact that digital releases work on a faster scale than print. When we move to the print releases, we’ll be back at molasses, which is why they are staggered so differently.

I’m a little behind on RELICS & REQUIEM, and don’t want to lose momentum. RELICS will have the main drafting focus up through the end of next week; the following week, I will be in writing mode for both RELICS and DAVY JONES DHARMA.

The publisher is waiting for one more piece of information before making the Jain Lazarus announcement. The wait is to accommodate someone I want to include –who hasn’t gotten back to me yet, and the publisher is getting impatient. Now, this individual might be on vacation – it’s someone trustworthy. But, if we don’t hear back, one way or another, SOON, the publisher will need to move on.

I planned to do yard work today, but it’s not very nice out. Plus, I’m not feeling well. So we’ll see.

An organization I used to work with sent a condescending email on how I could “help” them, acting as if I’d never shared a post or posted a Tweet. It was demeaning, considering how much of my business is in social media. I need to let it go, but I’m angry.

My mom had a doctor’s appointment yesterday and all is well, at least for the moment. So all was well.

The weekend will focus on MYTH, RELICS, the play, and maybe a little work on either THREE ROADS OF STRANGERS or POWER OF WORDS.

Good times!

Monday’s post for Upbeat Authors is a very personal essay on my journey.

I hope you’ll read it.

Have a great weekend!

Thurs. June 7, 2018: A Thankfully Creative Period

Thursday, June 7, 2018
Waning Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Sunny and cool

I have my notes back on MYTH & INTERPRETATION. That’s the great thing about a novella — turnarounds are quicker.

My editor is pleased with the energy and the character development. But she feels I streamlined a bit too much, kept things a bit too lean. She has some suggestions about developing a few points more deeply and supporting the theme a bit more. An exchange here, a paragraph there. I came in a little under projected word count, so we have a bit of room to maneuver. I can write and then we can cut back some more.

The cover designer has an idea for a tweak on the cover, so we’ll look at that today. We looked at some early ideas for RELICS & REQUIEM, and I think we’ve found what we want. So we’re ahead of the game on that, and she will start work on the cover for DAVY JONES DHARMA soon.

Back matter won’t be difficult to put together for MYTH — I have most of it, I just have to assemble the bits. I’m working on the revisions this weekend, so I can get them out next week. I need to work on the newsletter, and get started on the media kit for MYTH & the overall kit for the Gwen Finnegan series.

A bit of work on RELICS & REQUIEM; I need to get into the groove of that, which will take awhile. I have to figure out a way to move from Gwen & Justin’s world to Amanda & Phineas’s world, since they are both contemporary NYC around the same time.

Did a bit of work on THREE ROADS OF STRANGERS, but having trouble settling. I feel like I need to type up what I have in longhand and take a look. I also have to add a chapter, or the new structure I’ve been playing with is off.

Have some material to work on to go with THE SPIRIT REPOSITORY.

Re-reading parts of POWER OF WORDS. Playing with a new series title; seeing how I can break it up into books/sections that are a comfortable reading length, still complete certain arcs, and yet keep the reader wanting more. We want to put out the books that cover the audition process, rehearsals, filming the mini-series, and the first season in quick succession. I’d like to have the hiatus, the second season, that hiatus, and the third season ready to go, too, but I’m not sure if that puts us so far down the road it doesn’t even make any sense to commit. That will need its new subdomain, and lots of different, interesting material about the business and behind-the-scenes to keep it fresh and interesting. There will also need to be a specific look for the covers, so they can each be eye-catching, yet also tie together to the actual stories.

The titles and subtitles we’ve played with that make it clear what the books are about are so long and convoluted that they’re annoying. I see that far too often: complex titles and subtitles that serve as log lines and wear me out before I even see the blurb. I want to avoid that. I need something ear-catching (yes, that’s deliberate) and quick that pulls a potential reader in.

THREE ROADS OF STRANGERS will also need its own subdomain. That’s a lot of web work.

But I’m getting ahead of myself. It’s all moot if the books aren’t written, then edited properly.

If you didn’t get a chance to read “My Rolodex isn’t Free” yesterday, over on Ink-Dipped Advice, hop on over.

I’m trying to work ahead on a few blogs today, to take off some pressure in the coming weeks. I want to focus on MYTH, RELICS, and see what I can do with THREE ROADS and WORDS.

Hopefully, I can get to yoga. If the weather is nice this afternoon — more yard work.

Back to the page!

 

Wed. June 6, 2018: One Project Out, Another Moves Up

Wednesday, June 5, 2018
Waning Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

Hop on over to Ink-Dipped Advice to read why “My Rolodex Isn’t Free.”

MYTH & INTERPRETATION went out to my editor yesterday morning. I look forward to her comments. It’s a fast-paced novella that seeds conflicts that will grow in BALTHAZAAR.

On Monday afternoon, we looked at the four cover choices. They were all wildly different and quite beautiful. Each evoked something different. After much discussion, we decided on what will be the cover — both eye-catching and supports the novella.

So now, the primary focus goes back to RELICS & REQUIEM, and I’m excited. I love Amanda. I think she and Phineas will make an odd, if good team. GRAVE REACH (Coventina Circle #4) is already spinning, and I’m making notes in and around RELICS, because things from SPIRIT REPOSITORY and RELICS cause incidents in GRAVE REACH.

I have most of RELICS outlined; I’m going to write a few more chapters, then finish the outline and send it to my editor for comments as I draft; I hope we’ll have some of the same process to streamline as we did for MYTH.

I’d like both RELICS and GRAVE REACH to be close to 80K. And I’d like to keep Sylvie’s book lean, too. When we hit Diana’s book, it will sprawl a bit — I have a lot to weave in there. So the vision for Coventina Circle is pretty clear, with room for inspiration.

I want to get a lot of RELICS under my belt, because pretty soon, it’s time to turn attention to DAVY JONES DHARMA.

Never a dull moment.

Exhausting day with the client, doing IT work above my pay grade. I look forward to yoga tomorrow.

 

Monday, May 14, 2018: #UpbeatAuthors The Next Step on the Ladder

black-and-white-construction-ladder-54335

Photo courtesy Khimish Sharma, via Pexels.com

Monday, May 14, 2018
Dark of the Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde

 

My first response to that is, “Which ladder?” I have various limbs on various ladders. I write in different genres, under different names, in a variety of formats: prose, theatre, television, film, radio. Journalism. Essays. Marketing writing. Reviewing.

I do very little editing for private clients now, because the time/money ratio doesn’t work for me, too many would-be writers default on payments (when they’re not trying to lowball me down to a fraction of my rate), and I need the primary focus to be on my own work. When I edit, I am generally hired by the publishing house to work for something under contract that has passed particular gate-keeping standards.

I am with more than one publisher. One of them, who has signed several projects, is small, just starting out. We are taking a risk on each other. Among the reasons I was excited to work with them was that they pay small advances, don’t demand their writers acquiesce to a boiler-plate contract AND, instead of POD, they do small print runs. The print runs are after a certain digital threshhold is reached, but the POD model was not working for me, so I wanted to try this. I am still with another publisher who is doing the POD model, and I have submissions out to several other publishers, who work on a mix of models, so we’ll see what happens. I also liked them because the editor with whom I’m working constantly pushes me to be better. And that is my goal — that every book I write is better, in both craft and art, than the previous books.

About a year ago, I sat down with a lawyer, an agent, an editor, and a marketing advisor, and we came up with a plan. I was unhappy and frustrated with the way things were going in my career. I knew I wasn’t writing what the Big Five wanted; I wanted to explore some things that they are currently giving lip service to, but not following through on, and I wanted to do it in my way. We were not a good fit at the time. I knew I was going to part from an agent I’d been working with for several months, because we were not a good fit. When we got together, she was excited by my work and my voice; but the more we worked together, the more she wanted to dilute it and take out what made it unique. She kept telling me my themes and issues were “too hard for the typical reader.” In other words, she wanted me to dumb things down, and I didn’t want to do that. Also, she only wanted to commit to a book at a time, and I need an agent who is interested in long-term career planning. She has since signed a friend of mine, and they’re doing great together. I’m happy for both of them; they are the right fit. We were not.

As far as the marketing writing went, I wanted to have the confidence to say “No” to the lowballers locally and reach farther afield. The interesting thing is that as soon as I did that, I landed two clients locally with whom I work well, WHILE also reaching beyond the bridge for clients who pay better.

We took four or five days together, and I took about twenty pages of notes. We crafted a plan. Some of that we followed; some of that has fallen by the wayside for various reasons.

I re-stated my commitment not to “niche” — to me, that’s a death toll for a creative life. Far too many people who “advise” freelancers sneer and call what I do a “generalist.” I prefer to call it being a “Renaissance Writer” and I’ve written on this topic for both WOW-Women on Writing and Write Naked!

I wanted to get back into article writing, which fell by the wayside for a bit. I started pitching again, and I did pretty well, but that seems to be one of the things that falls away first. Since I enjoy articles — every part from the pitch through the research through the writing and the polish, especially working with a good editor — I need to get back on track with that.

One of the big changes I made was in the way I do pitch letters. Instead of trying to frame what I do to sound like what they want, I’m more specific in the elements I think will appeal and more specific in where our paths diverge. I’m more myself in the cover letter — while still structuring it the way I find works — hook, one paragraph summary, technical info, bio, why this market. And the results are good.

This year and next, I’m on a brutal contract schedule. I’d spent a couple of years working on different types of material, on working on craft. Now, with a commitment to more than one series, I am sitting down and writing the books.

Last year, PLAYING THE ANGLES was re-released, as the first of the Coventina Circle paranormal romantic suspense novels (in its original incarnation, it was a stand-alone). The second book in the series, THE SPIRIT REPOSITORY, just released, and the third, RELICS & REQUIEM, will come out in October of this year, with the fourth, GRAVE REACH, coming out in May of 2019. So that’s a tight schedule.

Last year, the first Nautical Namaste mystery, SAVASANA AT SEA (as Ava Dunne) released. It’s a not-quite-cozy mystery series, whose protagonist is a yoga instructor on a cruise ship. Only one of those books comes out a year! But the next one, DAVY JONES DHARMA, is due in early December this year.

TRACKING MEDUSA, the first Gwen Finnegan mystery, re-released this past January. As I worked on the second book, THE BALTHAZAAR TREASURE, I realized that there was a chunk of it that slowed down the plot. Yet the information was necessary to where my characters were in their emotional lives and how they’d built their day-to-day relationships. Flashbacks and info-dump conversations wouldn’t work; so my editor and I decided to pull out those chapters, flesh them out into a “between-the-books” novella, now called MYTH & INTERPRETATION, and put that out this summer. BALTHAZAAR is still scheduled to come out in January of 2019, and that is now back on track, the pace and content correct.

In the meantime, I had three terrific opportunities. One was to pitch a serial. Those of you who’ve known me for several years know that I used to write four serials in four genres under two names for 18 months a few years back. A total of 8000 words a month. I love writing serials, and I miss it. I had the chance to pitch to a company that specializes in serials.

I pitched a fantasy/adventure novel. I’d written the first four chapters a couple of years ago and put it aside for scheduling reasons. But, when I had this opportunity, I wrote a few more chapters, and outlined what would be the book-length arc of this serial. I fell in love with it all over again. If it’s picked up, it goes back in the schedule; if not, it will be back-burnered again.

I also had two other ideas, stand-alones, that I played with, on and off for a couple of years, writing my way in the first few chapters, then making notes for my Writers’ Rough. On impulse, I polished pitches and tossed them into a Twitter pitch day for a specific company. Editors liked both; so I’m working on some additional chapters, polishing them, and sending them out by deadline this month. Again, if the editors want the full manuscript, they go back into the schedule sooner rather than later; if not, they are back-burnered until next year, when my contract schedule isn’t quite as demanding.

As I said above, I have a couple of other pieces out on submission; if they are contracted, they will be worked in. I also have a serial novel — which is different than a novel broken down as a serial. This is a set of novels that are all of a piece. It follows the filming of a television series over several seasons. Not a series, in the sense that each stands alone and progresses. These novels all fit together like puzzle pieces. One of my publishers has expressed interest in looking at it when the first five or so puzzle pieces are ready. When will that be? I don’t know.

I also made a commitment to do more script work again. I’m taking this year off from stage plays (I wrote four in three years for 365 Women). But one of my radio plays will be produced later this month, and I want to submit some screenplays I’ve polished.

Along with all this, I will pitch to higher-paying clients and higher-paying article markets. Gotta keep a roof over my head, and if I don’t keep up the writing pace I can’t. This is my profession, not my hobby. I am paid to write. That IS my day job. While my book sales have jumped considerably since I moved webhosts and redesigned my websites, I still need the marketing writing and article writing for income. Plus, I enjoy it.

So, my “next step” is building on the foundation of the series on which I currently write; continuing to expand the publication contracts with other publishers at higher-paying tiers, and book higher-paid marketing and article gigs.

I’ve found a process that works for me as far as the new ideas — because, as we all know, new ideas come in batches. I write my way in for a few chapters, then sit down and do a Writer’s Rough Outline. That way, whenever I can actually sit down and WRITE the book, I can drop into its world. The Writer’s Rough outline captures the initial energy of the idea, and then, as I work, I can develop the structure and the craft.

In the coming weeks, we will sit down again and assess how this last year played out. What worked, what didn’t. Where I lost focus, and what I dropped because it didn’t work. And we will craft a plan for the coming year that will guide me toward the “next step on the ladder.”

I don’t want fame. I worked in theatre and film for too many years and see how it can hurt creativity and general life; that is not what I want. I do want financial stability, and to be paid fairly for my work. There is no reason not to be paid well doing work I love. My profession is writing. I will not let ANYONE decide that it’s a cute lil hobby and I don’t deserve to be paid a living wage. I will dig in and do it, and earn my living. It will be a mix and match of projects and styles and tangents, but writing is my profession. When I decided I wanted to work on Broadway, I didn’t let anything or anyone stand in the way of achieving that goal. Now that I’m writing full-time, I feel the same way.

My next step is increased earnings and visibility for my work. It is also participating in the community of writers who love what they do and are committed to a fair day’s pay for a fair day’s work across the board, no matter what the profession. It is refusing to “dumb it down” or change what I write because people I don’t respect threaten not to buy what I write. The great thing about writing is that there are plenty of authors writing in plenty of styles and genres, so there’s something for everyone. It’s fine if someone doesn’t connect with my work — there are wonderful authors out there with whom they WILL connect. But threatening me and demanding I change what I write is not going to work.

Artists have a responsibility. I believe that responsibility is to bear witness to the world, to expand people’s vision of the world, but also to create better worlds and help us find ways to reach those better worlds inclusively and fairly. A better world needs social and economic justice. By respecting our own value, our own worth, we set the tone.

For more inspiration on valuing your work, please visit Lori Widmer’s Words on the Page blog. It’s great all the time, but May is Writers Worth Month. It’s especially great now.

 

Thurs. April 19, 2018: Roller Coaster Day

Thursday, April 19, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Rainy and cold

What is it now? The 107th day of January? Sure feels like it!

Hop on over to Gratitude and Growth for an update.

Yesterday was a roller coaster that nearly broke me.

I had guests, more than expected, up for a funeral. Tuesday night, I cooked and baked. They arrived at night. I fed them and listened to them talk. We were up until the wee hours. Mostly, I listened and offered sanctuary. That was my role.

Helped them get ready the next morning. And discovered that 1&1.com destroyed all seven of the websites I’d built on the new host. All gone. Supposedly as part of the “holding package” they forced me into, although when I asked them BEFORE MOVING the DNS to A2, and NOTHING was mentioned about needing to have a “holding package” in order to retain the registrations that are paid through until October of this year.

I was furious. 1&1 shrugged and said all I had to do was re-point the DNS. Of course, I could sign in to the 1&1 Control Panel, but the only option was to “re-join” their package. There was no way to re-point the domain. That screen wouldn’t come up, and every other click put me into an endless loop. Finally, someone at 1&1 did the re-point and the sites came back up. They should have never gone down in the first place. But 1&1 did it because they could, and they like to fuck with their customers and do whatever they can to make life hell and prevent their customers from actually receiving services for which they paid.

THEN — 1&1 made an unauthorized withdrawal from my bank account. I was told — in writing — that the fee for this “holding package” would be waived, and I would not be charged until April of 2019. But then, they pull a payment WITHOUT AUTHORIZATION from my bank account. Not to mention that I warned my bank back in March that I was afraid they would pull this kind of a stunt, but I could not delete my card from their information until the registration transfer was complete. But, you know, TD Bank — if you’ve ever dealt with a vendor, as long as it’s not a prince from Nigeria, they’ll let anyone at any time remove any amount from your account. Their position is that you have to fight it out with the vendor. They won’t credit it or put a hold on the amount until it’s investigated. Too bad for you. They just keep racking up fees against you.

I told 1&1 they had to reverse the payment. 1&1 said it wasn’t a “real” payment, but an “RVK” and wouldn’t actually go through. TD Bank shows it as a debit, and, in fact, now says I’m overdrawn and is adding overdraft fees. 1&1 says there’s “nothing they can do” and they’ve refused to reverse the charge or give me a credit.

Not only that, but now they want to hold the transfer hostage for another 60 days (the original 60 days that would have allowed the move would be up in early May). How much more money will they extort from me with the threat of again destroying my sites and making it impossible for me to promote my books or earn a living?

So I have to file a boatload of paper work with Attorneys General, with my Senators, and probably go fill out a police report so that TD Bank will take this seriously.

I talked to Name Silo, to whom I plan to move the registration, and they told me it was par for the course with 1&1. They also said that the DNS should never have been touched, even if the names of the domains were moved into another package, and told me that, once I wrench the domain registrations away from them and get them to Name Silo, there isn’t any need to re-point DNS; it should remain the same. Intellectually, I knew that; it’s yet again, 1&1 doing whatever they can to hurt me and get more money out of me.

At four a.m. this morning, they sent me another invoice and are going to make another pull from my bank for monies to which they have no right. AFTER telling me IN WRITING none of this would cost me anything until April 2019.

So, now I also have to file more paperwork with ICANN.

I’m also not happy with A2 Hosting’s position, which is that it’s not their problem and there’s nothing they can do. I’m paying them to host my sites. I expect them to keep those sites secure and not let any random individual re-point a DNS without permission.

This will be hours and hours of putting together documentation that I need to spend writing. I am furious.

I finished up a couple of ads for one of my clients yesterday — things are moving along nicely there.

I got more work done on the outline for the serial. I hope to finish it today, distill it down into a synopsis, and send it off with the sample pages by tomorrow.

The good news is that I participated in the Carina Pitch event on Twitter. I’d polished and honed the pitch for NOT BY THE BOOK for hours on Tuesday afternoon. As a “what the hell” later that day, I polished a pitch for HEART THEFT as well. This particular round of pitching is open to partials as well as full manuscripts, so I was clear. Both NOT BY THE BOOK and HEART THEFT were developed with an eye to the Harlequin lines.

I pitched both on Twitter early in the morning. Almost immediately, one of the editors expressed interest in HEART THEFT. She sent me information to her personal submission link and the rest of the guidelines.

I re-pitched NOT BY THE BOOK in the early afternoon (you can pitch each project twice). A few minutes later, I heard from another editor, who liked that pitch, and asked for more. She sent me HER personal submission link and the guidelines.

So I have until May 28 to submit both.

I have four polished chapters of each book done and my writer’s rough outline. I plan to write six more of each in the interim, and polish them, and distill my writer’s rough into a polished synopsis. The cover letter will be a little different than I usually write, since it’s a partial, but that’s okay. I want to get them both in before May 28.

This is a great opportunity and I’m excited.

Of course, I still have SPIRIT REPOSITORY in galleys, and I have to keep MYTH & INTERPRETATION, RELICS & REQUIEM, and DAVY JONES DHARMA on track. AND keep up with client projects. AND keep landing new clients.

I will have to be focused and disciplined over the next few weeks.

In other words, the fraud and extortion practiced by 1&1 and the shrugging off about the unauthorized transactions by TD Bank need to be stopped by the appropriate authorities.

I have a life to live, and I’m tired of companies like 1&1 and TD Bank preying on people because those people don’t have infinite amounts of money to spend and actually notice when there are unauthorized transactions, and that it matters.

I have sixteen pages of copyediting notes to put in to THE SPIRIT REPOSITORY. I am mortified that I missed so many things in the manuscript I turned in; I am grateful for the opportunity to fix them with my copyeditor before the book is published!

Onward.

Thurs. April 4, 2018: Brief Sun Before More Snow

Thursday, April 5, 2018
Waning Moon
Mercury Retrograde
Jupiter Retrograde
Sunny and cold

They’re predicting another snow storm this weekend. Enough!

Tired, on many levels right now. I’m struggling.

Onsite work with one client was quiet, but busy this week. I’m behind where I want to be on SPIRIT REPOSITORY, but that seems to be a theme for the book. I’m working on the outline for the serial, and need some more time for it. I’d like to get it out at some point next week.

Hop on over to Gratitude and Growth for the latest.

Working on next week’s post for Ink-Dipped Advice, next Monday’s #Upbeat Authors post, and for a guest post over for Writer’s Worth month on Words on the Page.

Need to get back on track with MYTH AND INTERPRETATION, too, although we’ve come up with a potential cover image to start building its cover. We also found some great stuff for the cover of RELICS & REQUIEM, and possibly even GRAVE REACH. SPIRIT REPOSITORY will have its cover reveal tomorrow. My newsletter subscribers got it first!

Working on the updated media kit for TRACKING MEDUSA (since the one I’d worked on dumped last week, and I’ve had to start from scratch). I still have a good deal of work to do on the Jain Lazarus site.

The main focus right now is finishing SPIRIT REPOSITORY so it can release on schedule, and get back in gear with both MYTH and RELICS & REQUIEM. I have to get started on DAVY JONES DHARMA pretty soon, too, to keep that on track.

I read Alice Hoffman’s THE RULES OF MAGIC. It’s about the early life of the aunts in PRACTICAL MAGIC, which is one of my favorite books. I loved a lot of this book, but I got frustrated with the characters sometimes, their refusal to learn more about what they are, the lack of curiosity. It also made me think about the thread throughout many books, of the healers in a community who are shunned by day, but people creep to the door for their help at night. Not just in this book, but in literature in general, across genre. It makes me wonder why characters and authors allow characters this type of hypocrisy without consequence. Yes, it happens in life. But I would also like to see some characters, sometime, somewhere, refuse to condone and enable it. It’s gotten me thinking, in a good way. Which means the book touched on something deep in me, even if every reaction to it wasn’t positive, and the book did its job of getting me to think, to feel, and to ask questions. So my final response is positive.

Today, I have to run some errands and go grocery shopping, do some more research on ANCESTRY, do some yard work (if the weather holds), and, most importantly, WRITE.

I feel like I’m juggling two-ton dictionaries right now.

Back to the page.

Thurs. Nov. 16, 2017: Writing, Releases, Posts on Sites

Savasana at Sea Cover Choice 1

Savasana at Sea is on sale. Buy it here.
Thursday, November 16, 2017

Day before Dark Moon
Neptune Retrograde
Uranus Retrograde

Busy couple of days.

Hop on over to Kemmyrk, where I talk about The Night of Hecate that’s celebrated tonight.

Hop on over to the GDR site to see how I’m getting along with my November To Do List.

I’ve also decided to put the questions for 2018 on a separate page for the site, at least for now. That way, people don’t have to search for it. Take a look here.

I’m delighted that SAVASANA AT SEA has released (under the Ava Dunne name), and I hope you have as much fun reading it as I had writing it. There’s a lot for cozy readers to enjoy, but it does break cozy formula in certain places, so be warned!

Books & the Bear is running a Twitter promotion for SAVASANA today. I’m curious and interested in how that will translate into sales.

The good thing about juggling three series that are so very different from each other is that I skew the marketing a bit for each, and it gives me the chance to try different things. I can see what works best for me, and what doesn’t.

Not doing Nano was the right choice for me this year. I hope everyone who’d doing it is having a wonderful time, but if I’d let my ego rule and committed and dug in, I would have been miserable. I’m working with two new clients, SAVASANA released’ I’m still promoting PLAYING THE ANGLES; I’m finishing SERENE AND DETERMINED, so it can go off to NY on deadline in December; I’m doing the edits for TRACKING MEDUSA, so that can release on time; I’m working on “Miss Winston Apologizes” and the pushed back release of “Labor Intensive”; We’re talking new covers for some of the holiday shorts.

It also means, as soon as TRACKING MEDUSA and SERENE AND DETERMINED go out the door, that I have to get back to THE SPIRIT REPOSITORY, DAVY JONES DHARMA, MYTH & INTERPRETATION, and THE BALTHAZAAR TREASURE.

Thank goodness for outlines and series bibles, or I’d be lost!

All this while I’m playing with THE MARRIAGE GARDEN, the novel on aging, and trying to get NOT BY THE BOOK back on track (which I think I’m going to move to January just to take some pressure off).

It’s a busy time. But it’s the right kind of busy, so I’m going to enjoy it.

Yesterday was a good day’s work onsite with the client, and finding a good website design/tutor contact for another client. Productive day.

I’m reading Jenn McKinlay’s Hat Shop mysteries, which are fun. As I read them, I’m passing them on to my mom to read as she recuperates. They cheer her up. So does the knitting.

Today, my mom goes back to the surgeon, so they can make sure the foot is healing properly. She is sick and tired of the long healing process, and the fact there’s still so much she can’t do.

I’ve also got to take the recycling to the dump, and I have yoga, and I have to get out a guest post to someone who is kind enough to host me, and finish uploading and scheduling next week’s post for A Biblio Paradise.

I’m hoping, over the weekend, to do some yard work. Mine is the only yard that still has leaves in it. Atmospheric, right? I at least want to get the front tidied up, and then I can work on the back as I can.

But, most of all, I need to get the first act of the Lavinia Fontana play finished, so I can tackle Act II next week, do another revision, and get it out the door the first week of December.

Onward!

 

PLAYING THE ANGLES available here.

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Mon. Oct. 23, 2017: Preparations for a Stressful Week

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Playing the Angles digital buy links

Monday, October 23, 2017
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Sunny and pleasant

I was wiped out by Friday afternoon. I read a good deal, and did some work on THE MARRIAGE GARDEN. Did some work for one of my clients, and solidified our next meeting. Also worked on the next book for review, and picked up my next assignment.

It was even nice enough to sit outside for awhile.

Saturday wound up being a hearth-and-home day. Five loads of laundry, scrubbed the house from top to bottom, changed the beds, etc. I mean, I change the sheets on the beds regularly, but it always seems like something worth celebrating!

Read a bit — two books by John Scalzi, FUZZY NATION and THE GOD ENGINES. Loved the first one. The second one was exceptionally well-written and made me think, but to say I “enjoyed” it is a stretch. Definitely “appreciated” it, but not sure I “enjoyed” it.

Sunday, finished the book I have to review. Will write up the review later today and send it off tomorrow. If the book was meant as a satire, it fell short.

Wrote nearly 3K on THE MARRIAGE GARDEN yesterday.

Did another proofread of SAVASANA galleys. Found a couple of typos, and decided I had to change a date in the opening chapter of DAVY JONES DHARMA for it all to make more sense.

I considered moving the “Cast of Characters” to the back of the tale, but a survey on Facebook suggested that most readers prefer the front, so it stays in the front.

In spite of my sense that participating in Nano this year is the wrong choice, there’s a part of me that wonders if that’s a good way to get NOT BY THE BOOK back on track. I only need another 44K on it. But with the release of SAVASANA and “Miss Wintston Apologizes” and the edits for TRACKING MEDUSA and finishing FIX IT GIRL and writing the Lavinia Fontana play and my two new clients, it feels like taking on too much.

Nano sings a siren song like the Lorelei.

(If you don’t know who Lorelei is, on the Rhine River, look it up).

Slow start today; I’m having trouble getting my act together. Did a grocery run this morning and forgot a couple of major things, so I guess I’ll be doing another run later on.

This is the week of my mother’s surgery, with her final pre-op appointment tomorrow, client meetings this week, and the surgery itself on Thursday. I’m trying to prepare myself both mentally and physically.

Hope you had a lovely weekend, and that it’s a good week for you.

 

Tues. Oct. 10, 2017: Not Enough Weekend, Too Many Responsibilities

 

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Playing the Angles

Tuesday, October 10, 2017
Waning Moon
Neptune Retrograde
Uranus Retrograde
Sunny and warm

Finally, some sun, after a string of rainy, humid, icky days. Remnants of Hurricane Nate yesterday. Again, I’m grateful it was just a few hours of heavy rain and wind, and not worse.

Read through the SAVASANA galleys. I made notes — six pages’ worth of notes of copy editing errors that I caught. Now, I pull up the document (I proofread on the Kindle, I catch more), and I compare my notes to my copy editor’s notes. And then I make the fixes. I’d hoped to have it done by today, but it was just too much.

Picked up my next two reviewing assignments, but haven’t had a chance to start them yet. Hope to fix that today.

Managed to work my way through about twenty research books, pulling what I need, noting citations, etc. I have stacks of books and videos to return today.

Did some work on the outline of DAVY JONES DHARMA.

Most of my writing was on THE MARRIAGE GARDEN, although that was not the original intent for the weekend. But it was flowing, and I didn’t want to get in the way. I wrote about 10K on it. I’m already well in to the second notebook, and nearly finished with Willow’s first section This book is going to take at least three years before it’s submittable, maybe longer. But then, literary fiction often takes longer than genre fiction because it’s a different type of storytelling. It needs a different type of structure. The story and characters definitely affect me, differently than most of my other work. Hopefully, it will have the same effect on the reader.

Lots of cooking all weekend, making up some new recipes, plus old favorites like the raw apple muffins from THE BREAKFAST BOOK, and moussaka from THE NEW YORK TIMES INTERNATIONAL COOKBOOK. I’m baking my favorite chocolate walnut butter bread later today, and tonight is stuffed eggplant from a Moosewood recipe.

I have so much to do today and this week that I’m overwhelmed. All I can do is break it down and do one bit at a time. I’m waiting to hear if and when I have a project meeting tomorrow, I have to follow up on a few things, and I have some pitches to get out.

I didn’t work on the short stories or the essay this weekend, so I have to spread them over the next few days, in and around everything else, and get them done. Same with the next section of FIX IT GIRL.

My mom had one of her pre-op appointments this morning, so there’s that to juggle, too.

Somehow, it will all work out. I’m not sure how, yet, but somehow, I have to figure it out and MAKE it work.

Being off social media more than on it helped. I miss being on Twitter, especially, but I don’t miss the added stress.

I’m percolating a couple of pieces that are getting ready to be written, and I have to fact-check some names and dates in order to write the opening scene of the Lavinia Fontana play.

I couldn’t do any yard work this weekend, in the lousy weather, so that’s stacking up, too.

Onward, and back to the page.

 

Published in: on October 10, 2017 at 8:41 am  Comments Off on Tues. Oct. 10, 2017: Not Enough Weekend, Too Many Responsibilities  
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Wed. Oct. 4, 2017: Reasons I Should Not Do Nano

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Wednesday, October 4, 2017
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Sunny and pleasant

Thank you to everyone who has purchased PLAYING THE ANGLES. I hope you’re loving it. I’m getting some wonderful feedback. If you haven’t gotten your copy yet, a variety of digital links are here and the website is here.

Busy day — pitches, promo for PLAYING THE ANGLES, updating sites, research for articles, etc.

Finished writing a weird little short story — for me, very weird and out of my wheelhouse. But I like it. Have to type it up and polish it.

Got in the two reviews, and requested two more books to review.

Heard back from a pitch and have a meeting about it tomorrow afternoon, which will be fun. Looking forward to it.

Playing with an idea for a story, a way to channel current rage and frustrations. I started playing with it last night. Not only did I enjoy working the idea, but I felt better about things in general. It’s evolving away from the original inspiration into something much more complex and interesting, which is what a good bit of imagination partnered with craft does. I like even the unlikable characters, and it has a weird humor to it. It’s also out of my usual wheelhouse, which makes it an interesting challenge.

Added a challenging yoga sequence before last night’s meditation. I’m sore this morning, but slept better. Upped this morning’s yoga practice, too. Important to keep it fresh.

Of course, the Nano debate is coming up again, for me and for most writers I know. To Nano or not to Nano? Everyone, of course, has different reasons for doing or not doing Nano. I need to separate my ego at writing 50K in 30 days away from what’s on my schedule.

First and foremost, I know I can write 50K in 30 days. I proved that over 5 bouts of Nano, and, at this point, that’s basically a normal month, although usually spread over several projects.

Second, the Lavinia Fontana play has to take center stage as far as drafting, since it’s due to the producer by the end of the year.

Third, I’m promoting PLAYING THE ANGLES, and by November, will have to get back into finishing THE SPIRIT REPOSITORY, so it can release in May.

Fourth, SAVASANA AT SEA releases on November 15, so I’ll be working on pre-release and release material for that WHILE still promoting PLAYING THE ANGLES.
Fifth, I’ll be working on the research and finishing the outline for DAVY JONES DHARMA, so I can start writing it after the first of the year, since it releases in November of 2018.

Sixth, “Miss Winston Apologizes”, the next Cornelia True/Roman Gray story is set to release in November. Which means writing the opening of the following story to go in the back matter.

Seventh, we still have to re-schedule the release of “Labor Intensive”, the next Twinkle Tavern short.

Eighth, the galleys for the re-release of TRACKING MEDUSA will be in full swing by then (since it releases in January) — which also means I’ll have to reshape the material for the opening of MYTH & INTERPRETATION (which drops next July) and the opening of THE BALTHAZAAR TREASURE (which releases in January of 2019).

Ninth, I have article and review deadlines to keep the bills paid and a roof over my head.

Tenth, my mother will just have had surgery, and we don’t yet know the next steps.

Eleventh, FIX-IT GIRL has to go out on submission.

Twelfth, I have other original novels that got derailed with this new writing/release schedule that have to get back on track.

Those reasons are all in the “don’t do it this year” column.

In the “gosh I’m tempted column”:

I like riding the wave of creative energy. The air tingles with excitement;

The new novel I’m playing with wants attention; it would give me a chance to write a bit over 1600 words/day to see if it’s actually viable, or just a release valve for the moment;

I love the space where the local Nano group is meeting, and I’m tempted to go and write in community.

The Nano definition has gotten much looser in the last few years, but I still stick to the original definition.

“Doing” Nano means you start a new project on Nov. 1 and you write 50K in 30 days. If you’re not done with your first draft then, you keep going until you’re done, using the Nano momentum.

“Writing Along With” Nano means you’re working on something in progress. Some people use it to work on revisions. Personally, I find the first-draft energy generated by millions of people scribbling for a month too intense for anything but first-draft work.

So why not “Write With” on more than one project?

Technically, one isn’t supposed to work on a script — this NOVEL writing month. The Lavinia Fontana script must take priority. There used to be Script Frenzy in the spring, but I think that petered out. Plus, I can’t be held to a daily word count with Lavinia. She is bound and determined to do things her way, just like she did in life — serene and determined (which I’m seriously thinking of using as the title).

First-draft energy would mean either finishing THE SPIRIT REPOSITORY or using it to push DAVY JONES DHARMA (since I’m already immersed in the world of that series).

Or, it could be used to get NOT BY THE BOOK back on track. Since that’s only got a 55K word limit, it’s do-able.

Or I could use it to keep working on MARRIAGE GARDEN, but that’s developed a solid, innate rhythm, sometimes as much as 3K/day, and I don’t want to disrupt it.

Or, I could work on the first 50K of the new piece I’m noodling with — but DOING Nano would mean I can’t work on it between now and November 1, which just isn’t going to happen. I’m pretty sure this book will run to just under 100K.

Last time I “wrote along with” Nano, about two years ago, I was already working on TIE-CUTTER, but then I wanted to “do” Nano, too, so I started DEATH OF A CHOLERIC — and wrote the whole damn thing while writing daily on TIE-CUTTER, doing what I called “Tandem Nano.” CHOLERIC is out on submission; TIE-CUTTER was put aside to work on other projects, and will go back in the queue late next year.

On an emotional/ego level, I want to do it. On a practical level, it is going to work against me instead of for me. Which should make the decision easy.

We’ll see what happens come November 1.

Lots of fiddly things to do today, and then it’s back to the SAVASANA galleys, polishing the short story, and working on articles.

Back to the page.

I’m glad so many of you are loving PLAYING THE ANGLES! It means a lot to me.

Fri. Sept. 29, 2017: If You Don’t Respect the Value of Your Work, Why Should Anyone Else?

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Friday, September 29, 2017
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Cloudy/sunny/cool

Yesterday was about sending out pitches and preparing SAVASANA AT SEA to go off to the publisher today.

I can’t believe PLAYING THE ANGLES releases on Monday! Excited and nervous all at once.

So, fixed the problem in the first chapter of DAVY JONES DHARMA (that goes in the back of SAVASANA), fixed a few errors, and SAVASANA goes off today.

Also went over the manuscript of SETTING UP YOUR SUBMISSION SYSTEM, which is going to an additional distributor — all the Topic Workbooks will, eventually. I want to get them on Amazon and into libraries.

That goes out today, too.

There’s been an editorial change at one of my regular gigs. I wish the editor himself had told me, instead of sending out a merry message about assignment distribution a few days ago, and then we get another message yesterday that he’s gone. He should have told us himself (unless he was unexpectedly fired).

I people’d yesterday, went out for the first time in too long, to a lecture sponsored by the Writers Center at Hyannis Library. It’s been nearly two years since I did anything with this group — can’t believe how the time has flown! Saw only a handful of familiar faces, met plenty of new and interesting people.

However, there were some annoyances, based in the typical attitude around here that what we do (writing) has no value. Three exchanges.

The first was with a board member, who talked to me about stepping in occasionally to interview authors. She said the interviews take place on Friday afternoons “when most people work.”

Um, what I do isn’t work? I beg to differ.

Second was with another writer. We talked about our writing, and he said, “What do you do for a living?”

Me: Write.

Man: I mean, your day job.

Me: Write.

Man: I mean, how do you make money?

Me: Write.

His incredulity was quite insulting.

Third encounter, I was talking to a lovely woman who happened to be friends with the former partner of someone I knew in New York. We had a great conversation about this, that and the other, and talked about writing. She dismissed the writing she does for companies and non-profits as “not real writing.”

Um, no. It IS real writing, it’s a specific skill, and deserves to be valued.

Until we value our own work, no one else has any reason to value it, either.

I was sitting with a lovely man who lives in New York, near where I grew up, and has a house in Falmouth. He’s writing a book about Ireland, during the famine. It sounds quite wonderful. He didn’t know one could rent from the National Trust, so I gave him the information.

Figures I’d connect with a fellow New Yorker. No insults about day jobs or writing not being work from him!

Anyway, the speaker was quite wonderful — an historian. I got some great ideas for better note-taking when I research, and I’m very excited to read his books. His name is John Cumbler, and the book I’m most interested to read is FROM ABOLITION RIGHTS TO RIGHTS FOR ALL: THE MAKING OF A REFORM COMMUNITY IN THE NINETEENTH CENTURY.

All in all, it was a good evening, and I’m glad I went. But those encounters with people who don’t value what they do and what we, as a writing community do, are disturbing. This attitude is one of the biggest disappointments about living in this area. I thought I was moving to a progressive community that supported artists — not just by talking about how much they support arts, but by making it possible for artists to live and work with dignity. That is, unfortunately, not the case. If you come in with money and a best seller, they fall all over you. If you actually want to live here and work, you’re looked at as though something must be wrong with you, or you “couldn’t make it” elsewhere. Which is simply not the case. Writers (and many other types of artists) can and should work anywhere that calls to them.

A community that does not support its artists (and that includes financially) is doomed to ignorance and lack of progress. And, eventually, will fail in all other respects as well. Because artists are visionaries. They not only bear witness to the good and bad of current society, they hold the lessons of history, and they envision what the future can be — both good and bad.

Anyway, today is about errands and then pitches, work on some articles, getting both book manuscripts out, working on prepping the SERIES BIBLE manuscript for this other distributor, working on the books I have to review.

I’m having coffee with an artist friend this afternoon, which should be fun. Yes, I’m peopling two days in a row. It may take me days to recover!

I also have to do a big push on the FIX IT GIRL today, do the sections set in San Simeon, since those books have arrived, and start figuring out how I’m going to structure the Lavinia Fontana play.

I know I want to root it in how the nobles’ wives created the opportunities for her to compete for commissions with the male artists, but I have to figure out the details. I also know she will be pregnant in the play, as she was pregnant for much of her working life. I don’t want to have actual children on stage (not practical), but will use sound effects.

I’ve got some research for the novel within the MARRIAGE GARDEN, and I need to use those books and get them back.

Have a great weekend!

Don’t forget — PLAYING THE ANGLES releases on Monday! Woo-hooo!

 

Published in: on September 29, 2017 at 8:43 am  Comments Off on Fri. Sept. 29, 2017: If You Don’t Respect the Value of Your Work, Why Should Anyone Else?  
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Wed. Sept. 27, 2017: Writing, Working Artists, and Social Media Paradox

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Wednesday, September 27, 2017
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Foggy and muggy

PLAYING THE ANGLES releases next Monday. The buy links are here. Pre-sales make a huge difference; but, whenever you choose to read it, I hope you enjoy it!

Apologies for not posting yesterday. I ran errands early early in the morning, and then I was wiped out for the day. It’s been a stressful time.

I dealt with life stuff, and I finished read John Scalzi’s THE GHOST BRIGADES, which I also loved. Learned a lot from it; I love both his structure and his narrative drive.

Monday, I’d finished the proofread/revision of SAVASANA AT SEA. I have to fix one scene in the last third and add one piece of information at the end. I want to do another pass at the first chapter of DAVY JONES DHARMA. Then, I’ll put all the pieces together, and hopefully get it to my editor tomorrow.

I’ve been writing the outline of DAVY JONES DHARMA in my head, and will get it on the page during the next day or two. This morning, I had ideas for the third book in the series, tentatively titled MARINE MUDRA MURDERS, and jotted them down. One of the cats woke me at 3:30 because she wanted attention and then went back to sleep, so my brain had time to percolate.

I have requested material to put together for a potential gig, and work to do on articles, an essay, and a couple of short stories. And I need to work on the books I have for review. Hopefully, after yesterday’s day off, I can attack it with energy today.

I seem to have gone back to having a floating day off, instead of a fixed one. Hey, whatever works. That’s why I freelance.

A part-time artist was tweeting yesterday about how, because he has a day job, he can focus on quality. I found that insulting. The insinuation is that if art is how you make your living, if you actually earn a fair day’s pay for a fair day’s work, you must be a hack, create crap, and not care about quality. He then amended it to say he meant “passion” instead of “quality”, which is equally insulting. I don’t take on gigs I don’t find interesting, intriguing, a challenge in a positive way. In fact, I’ve turned down plenty of big money gigs because I found the company’s position on issues revolting.

Even though he didn’t post the words “if you’re paid you must make crap”, that was the subtext. He was trying to make himself and his own work superior to those PROFESSIONALS who are good enough TO EARN A LIVING AT IT.

Think about that for a minute. A part-time hobbyist claims superiority over those who are professionals in the field.

There are plenty of people who have a day job and create good material. Many of them love their day jobs. They love their art. They look at it as holding down two jobs. Some of them are working towards creating full time and leaving the day job. Others are happy with things the way they are. Good for them. But it doesn’t mean that those who earn a living at it aren’t good at what they do. Quite the opposite. Even though “good” is often subjective. Perhaps “skilled” is a better term.

However, this is someone with whom I cross paths on Twitter, for crying out loud. Not someone I spend a lot of time communicating with, or someone who is relevant in my actual life. Did I find his comments insulting? Of course, as any working artist would. It wasn’t an attack on me personally, but it was an attack on the full-time artist and his circle of full-time artist friends to whom the tweet was originally directed — who happens to make more money than I’ve ever seen in my life AT HIS ART AND CRAFT.

This part-timer is not part of my life, so in the bigger scheme of things, who care? I sure as heck am not going to be buying any of his work any time soon. Especially since he’s got a day job, doesn’t need the money, and boasts about it. I’d rather support artists who need the sale to keep a roof over their heads, and I would hope they do the same for me.

I made a couple of comments in response, including the fact that earning a living and creating quality work AND having passion for it aren’t mutually exclusive. And that’s it. He’s not worth my time. It’s like a mosquito. Annoying, you slap it, but it doesn’t define the rest of your life unless it gives you West Nile or something.

It was disappointing to hear that kind of crap from a fellow creator. I’ve grown to expect it from the general public, especially from those who never had the guts to dig in and follow their dreams, and therefore feel the need to punish those with the courage to take the risk.

But I’d rather put my energy into creating my own work and promoting the work of those I like and respect than engaging in a battle with someone who, in the grander scheme of things, does not matter to me. I’ve acknowledged my irritation and anger (rather than suppressing it). I’ve expressed it, without trashing this individual by name publicly, and now it’s time to move on.

Therein lies a paradox of social media. I’ve gotten to know some terrific people. I’ve crossed paths with many others, many of whom leave each other in peaceful co-existence. We can support each other and encourage each other and work to make the world a better place (as the defeat of the latest GOP Deathcare Bill proves). But sometimes, poison arrows strike, and you have to remove them and disinfect the wound.

Things can get out of proportion. You have to ask, “Who is this person in relation to my life?” Sometimes, it’s a person with value, and you figure a way to work things out. Discuss it; perhaps the words were not well-chosen and the intent was not what it seems. People speak without thinking, off the cuff, are unintentionally cruel. Part of being human. When it’s on social media, it’s forever (even with a delete key). Sometimes the cruelty is intentional. So we all have to work to keep perspective. Decide how much room we give each other; decide when to work on forgiveness; decide when to excommunicate someone from our universe.

It’s an example of how social media can be a blessing or a curse, and is usually, on any given day, a mixture.

I still think the slime in the GOP that make pond scum look like leading lights are going to try to pull some last minute crap with their Deathcare Bill Friday night or on Saturday. Fingers crossed they don’t.

I’m also disgusted at the lack of aid sent to Puerto Rico and the US Virgin Islands. It’s been more than a week. There are machines like planes and high-powered vessels that could be bringing in supplies and making a difference. I know New York and MA have sent help, but two states can’t fix it all.

If it was an island full of rich white people, help would have been there the day after the storm.

This, while cabinet members spend hundreds of thousands of dollars on unnecessary private jets. I refuse to have my tax dollars used for that. I want a refund. They should have to reimburse the taxpayers from out of their own pockets.

Back to the page. Plenty to do. Onward!

Playing The Angles Cover Sm

Published in: on September 27, 2017 at 8:58 am  Comments Off on Wed. Sept. 27, 2017: Writing, Working Artists, and Social Media Paradox  
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