Fri. Oct. 4, 2013: Annoying Start to the Day

Friday, October 4, 2013
New Moon
Sunny and cooler

Yesterday was a gorgeous, fun day. I worked in the morning, got stuff out, did pitches, got a review out, ran some errands.

Then, my friend and I got into the car and drove to Provincetown. It was a lovely day to drive. We went up to the Province Lands at Race Point — in spite of the facility being closed due to the government shutdown, we were able to go up on the exterior observatory deck and see the gorgeous views. We went down to Race Point beach proper (one of my favorite beaches on the East Coast), and then into P-town for a walk and a lunch. We didn’t stop at the National Seashore on the way back — National, shut down — but it was still a lovely drive, and then it was off to Chatham’s Lighthouse beach to watch seals play in the water and see real beach plums.

Home, I cooked dinner, and we watched BOURNE LEGACY in the evening. It’s become one of my favorite movies; never get tired of it. I’ve learned a lot about pace, structure, detailed acting work, sound editing, and camera placement from it.

This morning is already annoying; I’m dealing with a nightmare of an interview subject for an article, who is causing me to push back a deadline — and I may have to give up part of my weekend because of this individual. I will complete the assignment and tell my editor I never want to deal with this person again. Not just that I never want to — that I won’t.

On top of that, I pitched to a place that asked me what my article rate was. They said they wanted to use me — but they’re not paying, which is a direct contrast to their ad. I wouldn’t have pitched if they’d been honest in the ad.

Irritating.

Deep breath, and back to work.

Have a great weekend.

Devon

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Published in: on October 4, 2013 at 7:13 am  Comments Off on Fri. Oct. 4, 2013: Annoying Start to the Day  
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Mon. Sept. 9, 2013: Writing, Neuro-Ethics, Idea Batches, & Script Coverage

Monday, September 9, 2013
Waxing Moon
Sunny and cold

Busy weekend. Most of the focus was on the new novel. I’ve now written six chapters, the first 107 pages. I’m happy with the bones of it, although it will need revision. The pace is a little more intense than my usual one, but it fits this particular book’s rhythm. My original concept was category genre, but it’s evolved into contemporary fiction, so I’m rolling with it. I trust my characters, and they are not disappointing me.

Did my course work for the Creativity Course and the Paleontology course. I’m a bit disappointed in both. I don’t feel challenged enough. Maybe I was just spoiled in the archaeology course.

Found my neuro-science research and the notes for the project that didn’t work. That one can’t be saved — too derivative. But I wrote eight pages of an outline for another one that I think will work. Even if the neuro-ethics course keeps getting pushed back, I’m going to tap that professor as a resource.

I also jotted down a batch of notes, because ideas come in batches, and, on days when the well runs dry, I can pull out the notes and get to work. These are loglines for projects I’d love to create, a mix of prose and script projects, and I hope I get the chance to explore at least some of them.

I went over my script coverage package samples again, and I’m happy with them. Now, it’s a case of running off copies of the packet, sitting down with the production book, and deciding where I want to pitch. I like the work, and I want more of it.

Have to do some work in regards to the play today, and also knock out a couple of articles. I was paid for the last batch of articles, so now they get the next batch.

The 9/11 Anniversary is coming up, and I’m trying to prepare myself. I will honor those I lost that day, but I also have to function, unfortunately, because I have to attend a grant writing seminar at the Arts Foundation that night. This is a wound time does not heal.

Relaxed by watching movies in and around the writing all weekend. There was a continuity issue in BOURNE LEGACY that bugged me — at the top of the motorcycle chase, suddenly he’s putting on a pair of sunglasses. Where the heck did he get them? Renner’s a smart enough actor to want logic, and a movie that is so detailed that the wallet he later gives her is in the shot when he picks up the car in Chicago is not going to make that kind of continuity mistake. But it bugged me (hey, I used to work in wardrobe — it’s one of the discussions I would have had with actor and other crew in setting up the shot). I hunted down B roll footage on line and saw that, originally, the sunglasses were in the helmet hanging off the handlebars, so when he hands her the helmet, he takes out the sunglasses, delivers a line (giving her time to get the helmet on), puts on the sunglasses, and off they go. THAT made sense. It was cut in the edit, to keep pace. So, from a production point of view, it calmed me down, but that shot is still going to bug me any time I see it (but you know, sometimes things get sacrificed).

Watched MISSION IMPOSSIBLE: GHOST PROTOCOL. My response was, “meh.” I grew up absolutely crazy about the series (I mean, really, Peter Graves? Be still my heart, especially as a kid not even realizing I was learning about story structure), and just never really connected to the film franchise. What they do, they do well, and there were some character scenes I loved (especially the second-to-last in Seattle that had some great detail work by the actors). Too much character development was sacrificed for action, especially when it came to the villains. The team discussed the whys of the villainy, but I would have rather SEEN it during the scenes where we encountered the villains than HEARD about it in dialogue (I know, don’t faint, I actually want information not given via dialogue). I mean, it was fine, it was fun, but I don’t feel like I missed anything by not seeing it in the theatre.

And, of course, NEWSROOM was on, but because it was part of a two-episode season finale, it felt dragged out to me. I love the show, I’m glad it’s coming back next year, but this episode didn’t pack the emotional punch the last few episodes did.

So, I’m back at the desk this morning, juggling novels, getting other work done, hustling for yet more work. I feel pretty good creatively right now, but there are some other ducks that need to mind the row.

Devon

Published in: on September 9, 2013 at 7:05 am  Comments Off on Mon. Sept. 9, 2013: Writing, Neuro-Ethics, Idea Batches, & Script Coverage  
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Tues. Sept. 3, 2013: Hellish Weekend & Jeremy Renner Saves This Writer’s Bacon in a Dream

Tuesday, September 3, 2013
Waning Moon
Sunny and humid

A Hell of a weekend. A good lesson in not letting the b.s. get you down.

Friday, I had a fairly light workday. I was waiting for what I’d been assured was good news on a big contract that would take up most of my time in the upcoming months. I was clearing things off my desk, preparing to actually HAVE a holiday weekend.

A little after 5 PM, the news came — I did not get that contract. I’ve been jerked around all summer with assurances about how much they love my work while they went and hired someone with no practical experience, no track record of meeting deadlines, but with more degrees.

To say I was devastated and heartbroken is an understatement. First of all, I am the best person for the job. Period. End of story. I have the skills, the creativity, the ability to meet deadlines; they even said my proposal was so perfect they didn’t need to change even a comma. Yet they gave the contract – -which means the MONEY — to someone who has no practical experience, but a string of letters after the name.

That throws the rest of my year out of whack — I’ve got to scramble financially and find work to replace this. It wasn’t something that could be layered onto anything else — it would need my full attention, so I held back on long-term projects that would conflict. That was MY stupidity, and I’m paying for it dearly now.

Hurt, angry, frantic. That was my Friday night.

I didn’t get any sleep. I was too upset. I couldn’t pretend it was okay, because it wasn’t okay, not on any level. And I will NEVER believe them again until the check has cleared – -this is a big name house with a solid reputation. The fact that they fucked me over in this way means my price just went WAAAAY up in anything related to them in the future. I already know the person who beat me out for the gig can’t meet the deadlines or deliver solid work — they’ll find it out. Cold comfort to me, who has to find a way to pay the bills over the next few months, but, ultimately, I have to trust that the universe will find a far more interesting way to sort this out than I ever could.

Also, pretending it doesn’t bother me when it does would just make me sick. And I’m angry at myself for trusting them — although I trusted the person who set me up with them in the first place, because that’s what she’s paid to do. Don’t bullshit me with the talk of future projects. I need something NOW.

I was up before 5 AM on Saturday, and between 6:30 in the morning and about 4 in the afternoon, I wrote another book proposal and sample chapters. This is a book that I want to write, a book I’ve wanted to write for awhile, but was put aside for the moment when this other project came up. So I sat down and powered through it.

I was exhausted by the end of the day, but happy with it. It’s something I know well, something about which I love to write, and very practical.

I could have spent the weekend wallowing in my anger and self-pity, but I decided to take the frantic momentum and turn it around. I wrote something important to ME, something I want to do, and that also has huge market potential, so it has the best of both worlds, for the right partner.

I put it aside on Sunday, and made some notes on an idea I’ve been playing with for awhile. An idea that is FAR out of my wheelhouse, a huge stretch/leap for me in my work. But I’ve found the voice and it feels right.

I did 994 words on it Monday morning. I like where I’m going with it. It’s so far out of what I usually do, and in a POV I rarely use, but it’s working, and I love it.

And I pitched some article ideas — got to jump right back into the water, get back on the horse, all those cliches, right?

I had to stop then, because I had to drive Costume Imp back to Providence, so he could get his bus back to New York. The bus, was, of course, delayed, but I’m glad we got off Cape early, because by the time we returned, there were backups coming over both bridges that looked interminable. Plus, on the way home, we took a detour to Target.

Over the weekend, we gorged ourselves watching TORCHWOOD: MIRACLE DAY on demand. I can never get enough of John Barrowman and Eve Myles anyway, and their chemistry is terrific. But this show is one of the most terrifying, relevant, and best written shows I’ve ever seen. It was wonderful to be able to watch the entire season in just a couple of days.

NEWSROOM wasn’t on this Sunday, so I wound up watching the end of THE BOURNE LEGACY. I’ve seen bits and pieces over the past weeks, but still haven’t sat down and watched the whole thing from start to finish. I should — it’s got Jeremy Renner in it, and he’s one of my favorite actors. I liked his work well before HURT LOCKER and most people even knew who he was.

But anyway, note to self: don’t watch THE BOURNE LEGACY right before bedtime unless you want it to invade your dreams. Actually, it was the actor AS an actor, not as one of his characters who invaded my dreams. I dreamed that I wrote another show for the National Marine Life Center, but the actors didn’t show up for rehearsal, and I couldn’t find them for the performance. Which was sold out. For some reason, Jeremy Renner wandered past as I was running around looking for my actors, stepped in and cold-read all the roles in the entire script, bringing down the house.

Which he is totally talented enough to do, but since we’ve never worked together, I don’t know why he would! Even though it was a dream, I’m terribly grateful to him, and woke up with some solutions. I spent so many years working with actors, I don’t usually dream about them. Too much of a busman’s holiday. But if my subconscious wants to personify itself as Jeremy Renner, who am I to argue? 😉

I’m sure other people have dreams about Jeremy Renner in quite a different context!

Obviously, I’ve got some anxieties about remounting the play.

Upon coming back home yesterday, another idea blazed across the brain (because Ideas come in batches, always). I wrote an outline, and this morning wrote 4707 words (18 pages) of this project.

So, I’ve got two priority projects to juggle, plus the fantasy trilogy, plus getting the play up again, plus finding enough work to pay the bills for the next few months.

Which means I better get back to it, huh? I’ve got two book reviews to finish today, some contracts to resend, work on the play, work on the grant for the next play, invoicing for previous articles, and a final polish on the proposal I wrote on Saturday (that I still love) that I intend to have on my agent’s desk by the end of the day.

Power on.

Devon