Wed. Sept. 21, 2022: Digging in the Archives Of Law

image coourtesy of svklimkin via pixabay.com

Wednesday, September 21, 2022

Waning Moon

Pluto, Saturn, Neptune, Chiron, Jupiter, Uranus, Mercury Retrograde

Mars is still in effing Gemini

Cloudy and humid

I pushed a little too hard yesterday. I wasn’t as fully recovered from the booster as I hoped.

I was out of the house a little after 8, but had not budgeted enough time for the school busses and the road construction. Mercury Retrograde, even though I gave myself extra time. It just wasn’t enough time.

Then, I went to the wrong building first. I navigated decades through the five boroughs of New York, yet Pittsfield baffles me. It makes no sense.

Anyway, I ended up in the state office building, at the RMV. There was a long line and grumbling when I went to the head of it to talk to the security guard. But when I said, “I need help. I’m lost” everything shifted, and everyone had an opinion to help me get where I was going. Which was basically across the street, but I had to go all the way up the street around the common and back down. Because, you know (gestures). Anyway, I thanked them all and they were smiling when I left.

I texted the librarian to let him know I was on my way, and got there a few minutes later. I had to park waaaaay down the street, because parking in Pittsfield is a nightmare. Plus, the street along which the court buildings sit has the music school and a whole bunch of other buildings with people coming, going, and needing parking. And one has to move the car every three hours. I sincerely hope jurors get their own lot somewhere.

Everyone is funneled through a single doorway in the basement of the building, through the metal detector. The very nice female security guard asked where I was headed, I told her the library, and she asked if I knew where it was. I told her I was lucky I found the building. She laughed and said, “Let me fix that for you” and gave me directions.

The library is on the top floor.

The restrooms are in the basement, which made restroom breaks a hike.

The library is lovely, and so is the librarian. He’d pulled some books for me, showed me how to read the statute indexes and where to find what I needed. I spent the morning going from book to book. I had to go back to the 1932 Statutes to sort of find what I needed.

He suggested that the bank POLICY might be different than the actual LAW, and I’m inclined to agree with him. The law talks about “persons” without regard to gender. So basically, it was bank POLICY to be misogynistic jerks, and no wonder they refused to give me the information.

Just for that, I’ll kill a few bankers over the course of the series.

The information I found will send me back to the historical society to dig through some more of their files.

I left just before noon, a little dizzy from all the concentration. I stopped at Adams Market to pick up some groceries, and then did a few more errands, including the library, before I got home, completely wiped out.

We had a late pizza lunch, and I finished reading A MURDER OF MAGES. I never get tired of that book.

I turned around two scripts in the afternoon and evening (should have been more, but I was too tired). I have to make up the difference today. Spent some time online with a fun group of colleagues on a six-week “marketing game” in which I’m participating.

I haven’t spoken about Queen Elizabeth II’s funeral. I’m an American; the monarchy is not part of my heritage, and I have never been a royal watcher/gossiper. It’s always been my position that what the family does is not my business. I don’t take joy in gossiping about them, and when I see Americans being snarky and nasty, I lose respect for them. I have a great deal of empathy for my British friends who mourn her. British subjects and those who’ve been colonized by the British are directly impacted by all this, and I’d rather listen to them than squawk my own meaningless opinions.  The history of the event intrigues me, and her long reign was astonishing. The way the world changed while she was Queen was astounding. When you look at the history that took place under the three major Queens: Elizabeth I, Victoria, and Elizabeth II – it’s quite astounding.

I started re-reading AN IMPORT OF INTRIGUE, the next Satrine/Minox book, and love it, too.

Awakened a little after two by coyotes yipping at each other, up on the mountain. This is the first time I’ve heard coyotes since I moved here. I’m only four blocks from downtown, but I figure they’re up by the lake, which is less than ¾ of a mile up the mountain at the end of the street.

I see Joyce Carol Oates has yet again said something unfortunate on social media. I will always admire her work ethic. I keep re-reading her early diaries on process. But the work itself has always been problematic, and the mix of attention-seeking ego/insecurity is exhausting. It was old in the 90s and is still eye-rolling now.

Trouble getting my act together this morning. I need to get some admin. I need to catch up on some stuff that’s come in thanks to my Creative Ground profile up, and do some website updates. Creative Ground is so much more useful to me than LinkedIN. The debit card clusterfuck begins today, and I am not looking forward to it. Plus, I have to argue with Berkshire Fucking Gas about the bill. Do not fuck with me during a Mercury Retrograde when Mars is in Gemini because I will be more like a rabid bear than a feral cat.

I want to finish up the last few chapters of the novel version of ANGEL HUNT, but Shelley has demanded some attention on LEGERDEMAIN, so I have to see how I can move between the two for a few days. And make up the script coverages that I didn’t get done yesterday.

There was a great quote in today’s note in the Mercury Retrograde journal: “Be so committed to creating your own Universe and the Universe will start to form around you.”

Damn right I am forming my own Universe.

I need to prepare for Mabon, too, since it happens tomorrow, whether I am prepared or not.

Tessa and her Scout Crow buddy are still having their morning chat at the living room window. There must be a lot going on out there.

I also need to contact the local community television/radio station about an appointment. I want to check out the facility before the next Artist Impact Coalition Working Group meeting.

I have Ideas.

Be very scared.

Catch you tomorrow, friends, and have a good one!

Fri. May 25, 2018: Respite & New Creative Challenges

Friday, May 25, 2018
Waxing Moon
Jupiter Retrograde
Saturn Retrograde
Pluto Retrograde
Sunny and pleasant

Sorry this is up late; I had errands to run this morning before the tourons descend on Cape Cod and make our lives hell for the next three months.

The relief I feel at getting out both requested partials to the interested editors ahead of deadline leaves me exhausted. HEART THEFT went out nine days before deadline; NOT BY THE BOOK went out four days before deadline. Neither one were dumped on the editor during a holiday weekend (although I cut it close with NBTB). I lived up to my own expectations for myself AND I’m happy with the quality of work I turned in.

I tried mowing yesterday. The reel mower doesn’t really mow much. It massages, and the grass snaps right back up. I bought a rolling blade. It should damn well cut whatever vegetation over which I roll it. Not happy AT ALL. When it cuts, it does a decent job of it, but there’s too much it’s not cutting.

I’m getting annoyed by the part-time writers who have non-writing day jobs to pay the bills attacking full-time writers who earn our living at it for “writing every day.” This is my profession, not my hobby. If I don’t show up and do the work every day, I can’t pay the bills. Getting paid for my writing doesn’t make me love it any less or make me any less of a writer. Stop attacking people who achieve what you can’t.

And, you know what? Go ahead and DON’T write regularly. Only write “when the muse strikes.” You’ll still be a cubicle slave. I’ll still be earning my living doing what I love — because I show up and do the work.

Spent some time outside, both reading and working on the maps for THREE ROADS OF STRANGERS. I’m moving forward as though my first choice market passed, and not writing it with an eye to their parameters. I’m back to writing it because I really love the piece and want to create this world. It will have to be done in and around other projects, but not having a deadline means less pressure. I’m getting more and more ideas about the world, and making more and more notes. The chapters I’ve written so far have a strong energy and drive, and I like the sprawl. I like weaving the characters, situations, and storylines together, to see where they converge and where they part.

This morning, I worked out a plot and character arc involving one of my five central protagonists with one of the minor characters who’s more complex than I expected. In my first putterings with this arc, it would have derailed the main drive of the piece. But now, I’ve figured out a way to adjust it so it supports the central plot instead of serving as a tangent. It will drive plot, illuminate character, enrich the world. In other words, serve its purpose.

However, this morning, I’m going back to work on MYTH & INTERPRETATION, whose deadline is coming up quickly. I’ll be looking at cover choices next week from my publisher and cover designer — hopefully, there will be a cover reveal soon.

I’d also like to sit down with the market list this weekend and come up with some more article pitches to go out next week.

I finished reading Marshall Ryan Maresca’s AN IMPORT OF INTRIGUE. I like this series a lot. A MURDER OF MAGES remains as one of my Top Twelve Books across genre. The choices made as the series develops surprise me. I often think, “I wouldn’t do it that way — but I’m really glad HE did!” I enjoy his world building, and I enjoy the way he breaks genre clichés.

There’s such a big difference between turning a trope (I hate that word) inside out and ignoring it. Tropes set up expectations. A talented writer (like Maresca) knows them intimately and knows how to use them beyond the expectations and take the reader somewhere new and exciting. A careless writer would toss it in and not follow through or defy it without providing expansion and payoff.

I admit it, I read Maresca as much for craft as for story and character. I learn a lot about the way he structures his books, about the paths his characters take. There’s always the sense of discovery there, but he’s got such good craft, I’m willing to leap with him wherever he goes, because I know it will be a satisfying, exciting experience. He was also kind enough to point me in the right direction when I had questions about mapping that have been useful.

I heard the radio play went well earlier this week. The cast, crew, and audience had fun with it — that’s music to a playwright’s ears! I’m looking forward to hearing it.

I’m playing with ideas for the new gun violence play that came out of the conversation I had with an actress friend. I’d set out a cast of characters, but they started feeling too much like representations than individuals. So I stripped it back and narrowed the focus. Now, I have something to work with, something to develop. I usually don’t mention the physical characteristics or race of characters in a cast breakdown. With my work, I find that when the actor who connects best with the work is cast, we have an array of physical types, races, ethnicities.

However, in this case, race is part of what the play deals with. Which means I need to specify which characters are black, white, etc. We’re dealing with things people don’t want to talk about or acknowledge, but which have to be acknowledged. This will be a challenging piece to work on, and I’m pulling in advice from all kinds of actors and creatives with whom I’ve worked on Broadway, to make sure it’s not just a banal “I’m presenting a message” piece, but a piece that digs deep in search of the cause of the problem, and also offers more than one solution. The development process will take a looong time. But it will be worth it, if something valuable comes out of it, for those of us in the creation and the experience of the final piece. Flippant responses out of emotion, fear, anger, aren’t necessarily ones that will help. Yet they will also need to be a part of this, as they are a step on the journey to a solution, and sometimes a tangent.

I hope I’m up to the challenge.

In the meantime, I have to tackle the challenge of the Lawn that Refused to Bow to the Mower.

Have a great weekend!

 

Published in: on May 25, 2018 at 9:58 am  Comments Off on Fri. May 25, 2018: Respite & New Creative Challenges  
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