ORGANIZE YOUR WRITING LIFE has released, in its new edition. It helps get and keep projects on track, and teaches techniques to build a calendar that works. You can learn more about it here.
It would be helpful if you like the free episodes, if you can upvote them and also leave a short, positive review. And, of course, tell everyone you know. If it’s not your thing, spreading the word to those who might like it would be really helpful.
My father died on this day in 1972. He’s been out of my life longer than he was in it. But the day still has its challenges.
I had a great time with my friend in upstate NY. The ride there on Wednesday was okay, up until the last stretch on I-84, which was rather chaotic. But it was a short stretch, and I found her place just fine. She lives in a town that’s similar to where I live here in the Berkshires, in that it’s a former factory town now populated with artists.
We know each other from working in theatre, film, and television production. There are several studios popping up in upstate NY, because of the demand for streamed programs, so she doesn’t even have to commute to the city for everything, which is great.
Doesn’t make me want to start up in production again, though. Those days are done for me, except for script coverage and creating budget estimates.
We had iced tea in the wonderful, naturalized pollinator garden she’s built, then when into town to a taproom, where we ate outside. First time I’ve eaten at a restaurant since COVID. The tables were far enough apart that it was comfortable. It was delicious, and I had a local beer called “Marlowe” that was pretty good.
We went to the gallery where she’s part of a group show. Her piece was wonderful, and there were all kinds of interesting pieces in the show. We visited a friend of hers who has a fabric store, and there are terrific pieces there. The museum we planned to visit was closed on Wednesdays, so we went to a shop called Notions and Potions where I picked up some incense and a few crystals.
My friend is a cat person, and she has a group of rescued cats living with her. Many of them are old and had spent years either on the streets or in shelters. Bob even has his own Instagram account. I bonded with Ben, a lovely 15-year-old cat who loves the other cats (especially Bob), but doesn’t like to be touched by humans. Once he realized I would respect that boundary, he stayed close for most of my visit. He investigated all my bags, and left messages for my cats. He hung around. Griddle is a lovely black cat, who is very social and liked to come and be petted. There’s a kitten in search of a name who’s very smart and friendly, and looks like my Willa’s baby brother. One-Eyed George is kind of shy (because he can’t see much), but he was around. The tortie, Star, got more and more curious, the longer I was there, but not close enough to be petted. She kept walking through the room and staring, as though she was on her way to some other appointment. Calamity Joon was shy, although she peered at me from a safe distance. I didn’t meet Bertie, who stayed in my friend’s room, and I didn’t see Slick, the outdoor cat, although his empty bowls assured us he was around.
Anyway, my friend and I had a good catch up, and then got pizza for dinner we ate at home. I slept well, although Tessa has me so well trained, I woke up at 5 anyway. I’d woken up a couple of times in the night because I Was Being Stared At, but whomever did the staring fled as soon as I looked at them. Anyway, once Griddle realized I was up, she came for a petting session. George came to check things out, and then fled. I dozed off again for a bit.
When I woke up later, and went to take my shower, I found Bob stretched out in the doorway to the room, with the other cats looking at me hopefully from a distance.
After the shower, Ben came in to help me pack, and to make sure I put everything in properly.
I brought my bags downstairs, and most of the pride trotted down hopefully with me to the kitchen, and then were very disappointed when I failed Breakfast 101. I don’t know the medicine/food routine.
Bob forgave me and sat on my foot, with Ben right next to him, and Griddle came in to get some extra petting action, and my friend came down soon after, so all was not lost.
Morning feeding happened; we went out to get bagels with everything on them, and came back to the house to eat. Real New York bagels! I mean, the Berkshire bagels are better than the Cape bagels, but nothing beats a real New York bagel.
My friend gave me a small lilac, and a tansy plant to replace the tansy that Spiro Squirrel destroyed. She also gave me some mugwort slips and some cut mugwort. And she gave me some small pink flamingos who will dance in the pots on the back balcony.
Driving back was smooth. I got caught up in the horse trailer traffic going north on I-87, because the Belmont/Aqueduct barns are sending them up to Saratoga for the big races this weekend. But it was really a smooth ride back. Much less traffic than going down the day before. And it was so nice to spend time with my friend in her amazing house and yard and with those wonderful cats.
Unloaded the car. The lilac will be okay in its pot for now. I repotted the tansy and the mugwort.
I did some promotion for LEGERDEMAIN, did my Italian lesson. I’m learning random words, and I can figure out the phrases by process of elimination, but I’m not learning structure. And that frustrates me. There’s no context for anything.
Had a quiet afternoon. It was hot.
My mom had been sick the night before (she ate too many hotdogs in my absence). I have threatened her with kale smoothies. But the cats took good care of her.
Tessa was fine. She was very interested in all Ben’s messages, and told me everything that happened while I was gone. Willa was chill, as usual. Charlotte was upset because I had the scent of other cats on me. It took her hours to calm down.
Slept decently, although Charlotte woke me around 4:30 wanting attention, and then Tessa chimed in. So I was up at the usual 5 AM to feed everyone and start the routine.
I’m getting ready to go down to MASSMoCA to attend the artist working group to which I was invited. When I get back, I have to get a lot done this afternoon, and then there’s yoga tonight. Tomorrow morning is the farmers’ market, and then I have to finish my Llewellyn article and get it off to my editor. I’ll probably work on Sunday, too. There’s something I want to go to at The Mount in the late afternoon, but if I can’t get my work done, I can’t go.
Monday is Lammas, a big holiday in my personal calendar. And then we’re in both another week and another month.
THE COMPLEX ANTAGONIST releases today. I’m excited to have these Topic Workbooks going back out into the world.
Yesterday was busy, although I didn’t get as much done as I hoped.
Worked on CREATIVE STIMULUS in the morning. It needed more rewriting than I’d hoped. Wondering if I should move the release date.
Got rid of a massive amount of email.
Ran an errand at Wild Oats, dropped off/picked up at the library, mailed some stuff at the post office, went to the bank, put gas in the car, and hit up Cinnamon Girl Apothecary for a few necessary crystals.
Turned around three coverages. Wrote and sent in a book review. Found out the artist working group to which I was invited is Friday, not Thursday, which means I can go! I’m delighted. And it’s outside, even better. It means being up very early on Friday, to write before I leave, and getting a lot of work done in the afternoon, before I head off to yoga that evening.
I’m playing with an idea for a short story submission to a Shakespeare horror anthology, which is right up my alley. I sent them an email, because I would like to try something that might push the guidelines a little too far. I’ve got a handful of ideas, so if they don’t want me to do that which I’m asking permission, I have some others to play with. I want to work with some of my favorites, who aren’t as well-known as, say, the characters from MIDSUMMER NIGHT’S DREAM. I’m sure there will be many entries tied to that. But no. . .I have other ideas! (And those of you who know me well are laughing, because you know exactly who it’s going to center around).
It’s due in mid-August, so I want to get it drafted next week, as soon as I get my article off to Llewellyn.
The producer who’s doing “The Collector” radio play let me know they’re going into casting for it, which is very exciting.
I’m playing with an idea for a poem for one of the upcoming Word X Word events. Not sure I’ll get in, but I pitched. That’s also in mid-August. I’d actually started playing with the idea driving back from Saturday’s event. If they don’t have room for me, I can massage it into flash fiction.
We’re eating leftovers out of the freezer right now until I can get to the Farmers’ Market on Saturday. I’m looking forward to weather cool enough to I can do up another batch of Moosewood’s mac and cheese and Moosewood’ ratatouille, two of our standbys around here.
Chef Jeremy at Kripalu posted a recipe for a watermelon gazpacho that I just might have to try. I’m excited to be in his class again next week. In addition to being a magnificent human, he’s a wonderful teacher.
Finished packing/repacking my bags in the evening. This morning, I did a few things out and about online, like the prompts and my Italian lesson. And now, I am on the road!
Friday wasn’t quite as hot as Thursday, mostly because there was cloud cover, but the humidity was oppressive. Once the plants were watered on the front porch, we closed it off and let it be a greenhouse for the day, which helped keep the rest of the house cooler. And we kept the blinds closed on the east side of the house, and the lace curtains drawn on the south side. The lace lets in enough light, but blocks some of the heat.
I did some admin/organizational stuff, noodled on my article, and then turned around the script I had in the late morning/early afternoon. I made a pasta salad in the morning that could cool in the fridge for dinner, so we didn’t have to think about cooking or preparing anything.
I rehearsed my portion of the poem, working on rhythm and voice placement. What made me smile is that we just moved into Leo season – a season to shine, to share, to perform – and here’s the performance date.
I finished reading the next book for review.
The request for mail-in ballots arrived, and we filled them out and returned them. The mail-in option makes it easier (and safer) for this year’s voting.
I was invited to an artists’ resource meeting, but the day and the date didn’t match up. I emailed them for clarification. If the day of the week is correct, I can’t make it this month. If the date is correct, I can. At any rate, it’s a group with which I’d like to work, and if I can’t do it this month, I hope I can next month. They even are meeting outside this month, to make it safer.
It was tough to get to sleep Friday night because of the humidity, but I managed,
I should have worked on the Topic Workbooks, but I was too hot and tired and grumpy. I am very much a Winter Girl, not a Summer Girl.
Started feeling all kinds of doubt and uncertainty on Saturday morning again. Part of it was stage nerves for that afternoon’s performance. I am not a performer; I write for performers. I am a behind-the-scenes person. But there are enough of us in this event (50) that it’s about collective creation and collective experience, and there isn’t pressure on me to do more than be in the moment (and get my first & last words right, to keep the flow going).
Another part is also with the Topic Workbook and the serial launching in the upcoming weeks, there’s the whole pressure of now it’s out in the world, and no longer in my control. It’s 50-50. Some people are going to love these pieces & find them helpful or interesting; others won’t. There will always be those who are condescending and make nasty comments. Not that they ever create anything themselves; but they talk about what they’ll do some day while slam others. That’s the reality of the business.
I remind myself: They are not my target audience.
I remind myself: The previous negative reality is not my current positive reality. I am building something new here. That means taking risks, creatively and personally. Not all of them are going to work the way I want them to. But I still need to do it.
Because the alternative is a day job outside of my field, and that is the ultimate last resort.
I cut out a rant from this post about wanna-be writers who think they know more than those of us earning our living in the industry, because I don’t feel like focusing on them today.
Saturday morning, I had to run out and get a hat. Early, when it was easy to stay ten or more feet away from anyone else in the store. There’s no way I could make it through the event without a hat. I have a whole collection of wonderful hats – in storage. So I ran out to a store that was likely to have workable hats. I couldn’t decide between two in the store, they were both affordable, so I bought both.
I did not go to the Farmers’ Market. I knew the heat would wear me out; I also didn’t want to risk exposure to anyone who might be sluffing off virus, and then bringing it to the event. I missed it, though. I missed the beautiful produce and the friendly, engaging farmers, and the other market regulars I chat with every week.
Took the rest of the morning to rest, read, rehearse. Packed my bag for the event. Took a shower, slathered on sunscreen, braided my hair that I wasn’t able to get cut in time, the whole thing.
I was proud of myself for breaking the usual pattern, which would have been to work myself into the ground all morning, and then feel frantic and unsettled when it was time to go. I gave myself time and rest. I knew it would be hot and humid and challenging, so I made sure, for once, not to sabotage myself.
I left around 2:30, to give myself time in case I hit tourist traffic. I did vocal exercises in the car, and rehearsed my little bit (all those years working musicals have application in the real world). I made decent time to get to The Mount, and got there around 3:30. Walked through the gardens to get to the house, where we were meeting. The sun dappled through the trees in nuanced light that was both beautiful and spooky. The phone’s camera made it look lighter than it was.
We assembled. They had us on chairs on either side of the path that wound down around the side of the house, odds and evens. We lobbed our parts of the poem back and forth across the path, with the audience on the path. I was number 9 (being one of the early poets to sign up and create my bit). So Number 7 was next to me. He lobbed the final word of his poem to Number 8, across the path, who started with the last word of his poem as the first word of her poem. She lobbed back across to me. The last word of her poem was the first word of my poem. I lobbed to number 10, across the path, whose first word of her poem was the last word of my poem, who lobbed it to Number 11, next to me, whose first word was the last word of the previous poem, and so forth and so on.
The audience moved through us as we spoke. They moved through us in waves, so when the first group reached the bend (about half way through), the next group started with the first poet again, so there were multiple vocals happening at any given time, and we had to be present to the poets around us, while aware of what was going on above and below us on the path.
There were a few poets who couldn’t be there. The agreement was that, if someone couldn’t be there, that individual was responsible for sending a proxy. There were several who did so, and that was great. There were a couple of people who didn’t, and a couple who didn’t show up or let anyone know, and that put unnecessary pressure on the poets who were there. Someone early in the poem couldn’t run down and cover for someone late in the poem, because by that point, the next wave of audience was coming through. So the organizers had to work out who could move a few chairs to read a missing poet’s bit, and then get back to their original chair to perform their own bit again in time.
It worked, mostly because there were enough experienced performers to flow, and the first-timers like me, who were trying to get a handle on what was going on and feel the rhythm, weren’t put under that additional pressure.
In other words, the organizers took care of the performers, instead of expecting the performers to fix things that happened at the last minute.
And the overall poem did build a flow and a rhythm. It was amazing. Somehow, even though we didn’t know anything about the poets and their poems on either side while we wrote, it all came together.
There were poets of all ages and from all over the place. I walked in with a poet from Northampton (who used to be a production coordinator for the Boston Ballet, so we had a good talk about backstage). The woman next to me and her daughter (numbers 11 & 13) were from Gloucester, MA, and each wrote a segment as something fun to do together. There was a family of six – wife, husband, two teen daughters, and their dogs – who each did a segment (they were spread out amongst everyone. And only the humans created poems, although the dogs performed with their humans). I think they’re from upstate NY. They told me they love to “poem together” and grab any opportunity to be part of public art events like this. There was a woman across and down a few who’s stage managing a show with a theatre company with whom I had contact awhile back, and I hope I get to see the show. The guy who led the playwrights’ workshop I attended a few weeks ago wasn’t in it (he’d planned to, but dropped out when he couldn’t be there, so another poet could step in and take his place with their own work, instead of someone reading as a proxy). But one of my fellow playwrights was there, and we had a good catch-up natter. There was another woman who’s a part of a poetry group that creates and performs social justice public art.
It was great to be part of a group that had NO Trumpers in it, and no both-siders and right-wing apologists. No one pursing their thin little lips claiming they “don’t do politics” when in reality, they support extremists. In fact, a good deal of the poetry was political. Quite a few of the older poets, men and women, a few years ahead of me in age and experience, were talking about how they’d fought/marched/voted/protested for Civil Rights and Roe the first time around, and here we are again.
It was a dog, kid, family inclusive event. Several poets brought partners or family members who set up camp chairs nearby and watched/listened or read a book or worked on their own writing.
No one was told to tone down their language, and the audience was warned of the possibility of strong language. As far as I know, no one complained.
They’d put out a buffet for us up at the Terrace Café (it’s a spectacular view). They’d told us they’d have snacks for us, but there was real food to make sandwiches (and gluten free options) and salads and fruit and lemonade and raspberry tea and all that. They watered us well throughout, to make sure we were hydrated and didn’t faint. The chairs were in the shade. The audience was kept in the front courtyard until showtimes, with lemonade and cookies.
Originally, we were supposed to do the full poem 4 times through. However, so many people signed up that, for both vocal projection’s sake and safety’s sake, they split up the audience for the first couple of shows; hence the waves of audience members. So what were originally scheduled as the first two performances turned into four performances.
Each performance built a unique rhythm and flow. As the poets got more comfortable with each other, we could try different inflections with the same words, and lob the bits back and forth more easily.
We poets also kept moving our chairs back. We knew we were all fully vaccinated and had tested negative that day before showing up, but there was no way to trust that the audience was the same. Since the audience didn’t pay attention to the social distancing, we made it happen by enlarging the distance.
After the first four shows, we had a break to eat. One of the poets was bored with saying the same thing over and over, so he rewrote his poem in the break (keeping the first and last word, per the agreement). A couple of people joked that they’d never remember everyone’s name, but they could remember everyone’s content. For instance, I became “Lilac” because I had lilacs in my poem, and the image of “frothy lilacs” stuck in people’s heads. So, you know, any event I do from here on in, I’ll be “Lilac.” I can live with that.
After the break, we had two more shows. Because of time, the groups couldn’t be split up this time around. They were larger; we pulled our chairs back farther from the path and projected more. The heat and humidity were taking a toll, even with all the precautions.
During the final performance, as we completed our bits, we folded in behind the audience (at a safe distance), so that we were all together at the end and could celebrate.
We were all pretty much hurting by then (even the puppies were tired), but we celebrated each other, and were invited to a couple more of these creations, given our travel stipends, and then headed out.
The walk back to the parking lot seemed to take forever. I managed to get home in only 40 minutes (not much traffic), but as the adrenalin wore off, it was a challenge.
Dashed up the stairs, ordered Chinese food for delivery, and jumped in the shower to hose down and decontaminate. Even with some protocols in place, there were still a lot of people involved in the day. My throat was raw and everything hurt, and I knew I’d put myself at risk.
Popped the prosecco, though, and sucked down a couple of glasses along with the Chinese food. It took awhile to unwind. As a non-performer, and also as someone who’s used to writing by myself and then it either goes into the world, or, in the case of a play, it goes into rehearsal with a finite group before going out into the world, it was quite a new experience. But that sense of excitement, creating with others, trusting in them, and then INVITING the audience to experience it with us instead of PRESENTING TO the audience as pretty incredible.
Even if I don’t participate in the next couple of events (one of them, a haiku contest where content is created in the moment, is not something I could even consider doing), I might go as an audience member and support my fellow poets.
I finally collapsed into bed. I woke up around midnight and drank a bottle of water. My throat felt awful. I woke up again at 3 and did the same. Sunday, I rested. I drank tea and water. I took Slippery Elm (which I should have taken before I left, but I didn’t think of it). I’m not used to talking that much, or projecting outdoors. Of course it’s going to leave my throat and voice raw. I read.
Again, the usual pattern would have been to push myself and run myself down even more, probably winding up sick with a cold, if I managed to avoid the plague. At the very least, running myself down would give any exposure to the virus more traction.
So I rested.
I had to run out mid-day for a few errands – pick up my mother’s prescription and get her a new blood pressure monitor, get in some groceries, since I didn’t go to the market on Saturday. Just that little bit wore me out. The heat and humidity were oppressive.
I managed to do another read-through of the next chapters I have to upload for LEGERDEMAIN. I did some work on my article on Saturday morning, but didn’t do any work on Sunday. I put some hooks up in my mom’s closet, hung up some of the copper molds in the kitchen, and hung a quilt on the living room wall.
That was it.
Went to bed at the normal time. Tessa got me up early on Monday. I was still a little tired, but overall felt decent. Still just not loving the heat and humidity.
THE GRAVEYARD OF ABANDONED PROJECTS released on Monday. I’m proud of all the Topic Workbooks, but I think this one will help a lot of people who get scattered among too many projects.
A ridiculous amount of email piled up over the weekend, so I slogged my way through that. Did the postings of the daily prompt on the site where I couldn’t schedule the posts. Wrote the thank-yous for the event. Signed up for a yoga class. Signed up for an online cooking class at Kripalu, with my beloved Chef Jeremy, and even received a scholarship to attend. Checked in with my friend about my upcoming visit, provided I test negative the morning I’m supposed to leave. Packed for the trip.
Kept track to see if I’m showing any symptoms, or if I felt bad. I mean, I was grumpy in the heat and humidity, and I was tired (hey, I’m not 20 anymore), but overall, I feel fine. My throat was a little raw for a couple of days, but steadily felt better. My voice is still a little scratchy, but I don’t talk much during the course of the day, so that’s to be expected.
Turned around a script and some questions on a previous script I’d covered. Grabbed some shorts to turn around today. I’ve been steadily working on the Italian every day. I’m definitely learning vocabulary, but I’m not understanding sentence construction.
Did some work on a grant proposal, and noodled around with my article and with an idea tossed out by Word X Word.
It was hot and humid when I went to bed, but much better upon getting up this morning. I feel like I can be much more productive today, and I kind of have to be. There are a slew of errands to run late this morning, after I get some work done on the article, the Topic Workbooks, and getting the next LEGERDEMAIN episodes uploaded.
This afternoon, I turn around the three shorts. In the late afternoon, I head out to Greylock Works for a 1Berkshires Entrepreneur meeting at Berkshire Cider. It’s inside, so yes, I’ll be masked.
Someone contacted me about a content writing position. I have to take a look at the details. On the surface, the money looks outstanding, but I need to know more about it.
Hope you had a good weekend, and let’s work toward a good week!
It was difficult to settle into meditation yesterday, but I managed it.
Uploaded the content calendar for the ORGANIZE YOUR WRITING LIFE Topic Workbook release through the end of September. A content calendar is only useful if you follow through. I’ll do a post on that for Ink-Dipped Advice for September.
I had to run the repair on Word again in the morning. Getting tired of the constant problems with the computer, but that’s how it goes with PCs.
Plus, Windows 11 keeps changing things. What a lousy operating system.
Turned around my script coverage in the morning, before it got too hot and the computer really started suffering. I have a coverage to turn around today, for which I was requested, and another request just landed in my inbox that I will do on Sunday.
Freelance Chat was fun.
It was too hot to work upright in the afternoon. I spent most of it lying on the couch. I noodled with my article. I have to get the first 900-1000 words of It down on paper this morning, then another 900 tomorrow morning, then the final 900 on Sunday (it’s a 2800-word article). I want to revise it Monday and send it to my editor Tuesday, nearly a week early.
I also read a mystery, recommended by two writer friends, but I’m not enamored of this writer’s voice/style. It hits the genre conventions, but that’s about it.
Leftovers for dinner. We were promised a thunderstorm, which never materialized. Today and tomorrow will be hot. I’m worried about tomorrow afternoon’s performance. But I also trust the event organizers to take care of us.
The Jan. 6 Hearing last night simply confirmed that the Narcissistic Sociopath wanted a bloodbath. He should have been led away in cuffs the day after Biden’s inauguration. The fact that no one has been held accountable is unacceptable. And ALL the Republicans who voted against certifying the election need to be in prison.
I don’t know how I’m going to find a place to get my hair cut today.
I dreamed last night about one possible salon, that it was definitely the wrong place for me. In the dream, a friend told me that they were reasonably priced, but the quality was awful.
I had another dream where a Twitter acquaintance (who’s a lawyer out on the other coast) and I worked on a social justice performance piece. Weird dream.
Today will be another hot day. I’ll do as much as I can early on, and then stay quiet for the worst of it, and maybe do some work when it cools down again in the evening. That’s the joy of controlling my own schedule.
Tomorrow is all about Word X Word. I’m both excited and nervous. It will be an adventure, that’s for sure.
We’re in typical summer weather. We haven’t been hit as hard as a lot of other places, but without air conditioning, it’s still a challenge. It’s supposed to break on Sunday, though, and be down in the 80’s next week, so there’s that to look forward to.
Of course, Word X Word is Saturday, in the heat.
We’ll see, by next week, if I calculated that risk properly. We are outside. We are all vaccinated. We are kept a safe distance from the audience. The organizers are taking steps to protect us. But the event still involves people. So, we’ll see.
I’m supposed to go and visit a friend next week in upstate New York. You can be sure I’ll test the morning before I go, to make sure I’m not putting her at risk.
Other than the library and taking my mom to the doctor, I haven’t gone anywhere this week. I cancelled out of everything, because I wanted Word X Word to be the only risk, and not go in there having taken other risks. I’d like to get my hair cut before Saturday, because it’s back to being pandemic hair, but I don’t know if I’ll be able to, both because places are booked, and, if they’re not masking, I’m not going to be inside with them.
I’m skipping the Farmers’ Market on Saturday, which I will miss, but I want to make sure I’m not exposed there and then expose anyone at the event.
When I get home, I’ll do the decontamination protocols. I mean, I’d be so sweaty and gross after performing four shows outside that I’d hose off anyway. And I’m putting a bottle of prosecco in the fridge before I leave!
In the meantime, I need to rehearse my lines, few as they are. Performance is not natural to me, and I want to hold up my tiny little end of it.
Yesterday seems far away, somehow, probably because it’s so hot. ORGANIZE YOUR WRITING LIFE got proofed and is headed for release on July 29. I got about 75% of CREATIVE STIMULUS rewritten. I’m still stalling on SUBMISSIONS SYSTEM, but I’ll get there.
I discovered I have to resize all the ads I did for LEGERDEMAIN so they work on Instagram, which is a PITA, but necessary.
I will have some interesting metrics to share in early August about the 31 Prompts, and the responses to them on various social media channels.
I’m keeping up the Italian lessons. I’m retaining the vocabulary, although most of it is understanding what I see, not necessarily what I hear. But I don’t understand the declensions, although I can usually figure them out through process of elimination.
Had to run the repair twice on Word yesterday, because I’m having problems with it, mostly the keyboard. I’m so frustrated.
Also, gave the computer a rest during the hottest part of the afternoon, because it was overheating.
I did a bunch of work on the Legerdemain website. There’s still plenty more to do, but I’m getting there, and will share the link when it’s ready.
Turned around a script. I wanted to turn around two, but I was too damn tired. I’m still well within the deadlines, I just wanted to get ahead a little for myself.
The cats are little fur puddles. I’m not much better. I am not a heat-and-humidity person.
The chair I usually sit on in the kitchen came apart, so it’s in pieces in the sewing room to be fixed. I’m a little garden chair, making me feel like a toddler at the Grown-Up table.
I’ve got the online meditation group this morning. I need to upload the content calendar promoting ORGANIZE YOUR WRITING LIFE, and then get back to revising STIMULUS. I also have to start the article for Llewellyn. I want to get that out to my editor early, next week, before I go away, so it’s not hanging over my head when I come back.
A local arts organization sent me information on a paid residency they thought I would be interested in, so I will start the proposal. The process is simple, but the proposal has to be strong. I also need to photograph some of my work. I hope the pieces I need are here, and not in storage.
Saturday is all about Word X Word, but I’m working on Sunday, so that I can truly enjoy visiting my friend next week, without worrying about deadlines. I just have to space out my work in the heat and stay hydrated.
I keep thinking today is Friday, but it’s Thursday, so I better make full use of the day!
Friday was good; I got the prompts posted, and did a big chunk of work on the new edition of ORGANIZE YOUR WRITING LIFE, then headed down to Pittsfield for the book sale at the Atheneum. The weather was warm and gorgeous.
Even though I got there just after the doors opened, I had to park waaaaay down the street (around the corner from the Colonial Theatre – that far)! But it’s such a pretty street, with graceful, old, multi-family houses that have all done lovely, cheerful, whimsical things with their gardens.
I met a woman exiting the parking lot, with a huge bag of books clutched to her chest. “Good haul,” I said, and she grinned. “They’ve got great stuff this time around,” she told me.
I grabbed a basket as soon as I went in. Almost everyone was masked, which made me more comfortable, and, even though it was crowded, people were respectful about distancing. I did the rounds of the main room. The back room, with the older, larger nonfiction was too small and crowded for my comfort, even though people masked. A business called Blue Q donated zippered tote bags made out of recycled plastic. The bag is bigger than it looks (which meant I only needed a single bag for my haul). I bought 13 CDs (a mix of jazz and replacements for stuff I had on cassette and then tossed in the move, when I should have kept them), some research books, some fun books, and a stack of books for my mom. The total was just under ¼ of what I’d budgeted for the day.
Dropped off the books at home, picked up my mom, and we headed to Wild Oats, where the Northeast Organic Family Farm Partnership did a cheese tasting, featuring Von Trapp Farmstead cheese. I’m not that into cheese, but my mom is, and I figured it would be something fun for her. She’s not comfortable being out and about much, even masked, but the co-op is good with safety features (such as the tasting being in the outer portion of the store, so people could actual step outside to unmask and taste).
The cheese was amazing. I even thought so, and, like I said, I am usually not that thrilled by cheese. My mom, of course, loved the bleu cheese. I preferred the Mt. Alice (kind of like a soft brie) and the Oma cheese (soft and like nothing I’ve tasted before). So I bought blocks of all 3. And blueberries (which are so, so good). And coffee. Rolls. Wine. You know, the essentials.
Our lunch consisted of the rolls with butter, the cheeses, and the last of the Red Shirt Farm huge tomatoes. And a glass of rosé, because hey, my weekend.
I gave myself the afternoon off to read a book and play with the cats. I enjoyed the book up until the character got pregnant after one night with the love of her life Yes, I understand biology and know this happens. But, come on, people, birth control. Especially since the character was established as sexually active. I know that might not be a realistic choice in the future, if the GOP has their way, but this book was published several years ago. Birth control. And I’m over the trope of the only way to happiness and family for a woman is to breed. I want some HEAs where the couple chooses not to have children. Really sick of the accidental pregnancy trope. The book worked for me up until that point. But after it, I resented the rest of it and felt cheated.
Saturday morning, I was off to the Farmers’ Market, for my usual rounds. I had a delicious haul, and, of course, all the good conversations that make going to the Farmers’ Market so much fun. In early August, after I teach at the conference, I’m going to sit down with a couple of people and help them brainstorm on grants.
Got the revision done of the Topic Workbook ORGANIZE YOUR WRITING LIFE and uploaded it. It needs the final proof, but should be good to schedule for next week’s release.
The woman running for re-election for D.A. stopped by the house in the afternoon, and we had a good chat. She’s doing a lot to counter what the corrupt, extremist SCOTUS is doing, and has my firm support.
Read a fun book in the afternoon/evening. Some of the author’s style was a little annoying, but the overall arc of the book was a lot of fun.
Sunday was all about LEGERDEMAIN. I drafted the last 7K of the serial’s first big arc. There’s one episode that I’m going to break down into 2 episodes, because it’s going on too long, and the climactic fight scene has more comedy in it than I expected, but it’s fun. The first big arc runs 38 episodes (it’ll be 39 when I break that other episode up). It does what I want it to do, winding up the murder/theft arc, and launching the next arc. I’d hoped to get it all into 30 episodes, but too much had to be established and integrated, and seeds had to be dropped for the next two big arcs, and for things that might or might not grow into future arcs (should the serial run beyond its initial 90 episodes).
I also worked on episode ads for the first four episodes.
It was a lot. I was exhausted by the end of the day, but it was a good tired. I went to bed ridiculously early, and slept straight through the night.
Up early on Monday. Did yet another layered revision on the first six episodes of LEGERDEMAIN. Set up the serial on Kindle Vella. Uploaded, proofed, fixed, proofed again, fixed again, wrote the author notes, and sent them off. They cleared the content review within a few hours (I have specific, odd spellings and was worried I’d have trouble; ergo, I created a Style Sheet).
I did the episode ads for episodes 5 & 6 (I’m particularly proud of the ad for #5). I did tag lines for the first 6 episodes. I did an episode tracking sheet (because Vella doesn’t show the schedule once things are uploaded). I uploaded and scheduled the posts for the first six episodes. I might modify some of those post, should I ever get a direct link to them. But at least they’re up. I started the email blast that will go out on Monday, specific to LEGERDEMAIN.
I update the Series Bible as I draft each episode, which is unusual. But because each episode has to be built properly before I can draft the next, each episode goes through what would normally be a 3-draft process as its first draft. Once I get to the uploaded draft, I check and make sure to update anything necessary in the Series Bible, so that’s consistent.
I also have a style sheet, because there are unusual spellings, and I want to keep them consistent.
I set up an episode tracking sheet, so I know when I’ve uploaded and when an episode is scheduled to release. I also keep final word counts of each episode in there. My ideal episode target is 1K, but most episodes run around 1.3K, and some a little over.
I wanted to go ahead and start the website, but I forced myself to stop. I had to turn around two scripts in the afternoon/evening (which I did). Again, I then had to stop myself from going back and working on the website. Hyper productivity can end in a crash, and I have too much to do this week to crash.
I made myself rest.
That’s progress.
I kept up with posting the 31 Prompts, and with the Italian lessons.
We got the sad news that a member of the extended family in Maine is coming home for hospice care. This is a case where COVID was the final straw for him. He’s elderly, 4x vaxxed, always masking, very careful. But he had to go into the hospital a few months ago, for something non-COVID related, and then into rehab. He caught COVID in rehab, and, although he technically “recovered” from COVID, it made his other issues worse.
Up early on Tuesday. It’s more seasonably hot and humid than it’s been. Tessa is busy shedding the winter coat that she grew in a few weeks back, when it was cooler. In other words, lots of vacuuming happening in this house.
And lots of fur balls.
Started building the website for LEGERDEMAIN. Cycled through at least a dozen templates. The one I really want doesn’t post the newest posts firsts unless I buy an upgrade. So I went back to a template that I don’t really want, but have used on other sites – and it won’t post the newest posts first. This time, the person I landed at A2 hosting was not helpful. I’m trying to figure out what’s going on. It’s configured exactly the way it is on the site where it’s working. Very frustrating.
Worked on the SETTING UP YOUR SUBMISSION SYSTEM revision/update. Getting the examples into JPGs and inserting them is a major PITA. I’ll get there, but it’s not fun. Today, I have to do the final proof/changes on ORGANIZE YOUR WRITING LIFE, so it can upload for release.
Took my mom to her new doctor, over in Williamstown. It’s taken us a year to find a new doctor. But they are very nice, the building is clean and comfortable, and masks are required. She likes her new doctor, which is good. The doctor is worried about her blood pressure and heart rate, both of which are too high. So some medication adjustments are coming. She misses going to the firehouse to get her blood pressure taken every week (they don’t do that here).
Turned around a script in the evening. Made myself stop for the night.
Up early this morning, woken by a thunderstorm, rather than cats. It didn’t do anything to break the humidity. Today is supposed to be the hottest day of the next few weeks.
We have our final instructions for Saturday’s performance at the Edith Wharton homestead. I have to find my poem and rehearse. Let’s face it, even if I mess up, it’s only 3 lines/30 seconds. It’s not about me. It’s about our collective experience creating something, and then sharing it.
But I still want to hold up my end.
Back to the page with revisions today, mostly on the Topic Workbooks. I have to do a library run and pick up a prescription and a new blood pressure monitor for my mom later, and then a script coverage or two in the afternoon.
Today, I finally get to reveal the identity of what I’ve called, for months, on this blog, “The Big Project.”
It’s a serial called LEGERDEMAIN.
“Legerdemain” means “sleight of hand. The title is the name of the city where most of the action takes place, a clifftop city full of misfits and magicians. It’s a comic noir fantasy serial.
It opens with a murder.
The central protagonist is the Sheriff of the city (and the province), Shelley Magnus-Grantone. She’s the eldest of four children, thirty-eight at the time it starts, with earth-aligned magic. She’s smart, compassionate, funny, pansexual, a strong witch, and loves her home city. She’s also allergic to children.
Her mother is the recently appointed Oracle of the kingdom, and her dad is an astronomer/astrologer.
A little yappy dog named Lord Fuster discovers the body in his garden (a stately home in the upscale Atraxia district of the city). Shelley and her team, including the newly arrived Inspector Fletcher Bain (whose magic aligns with music), race to catch the murderer. When the Priestesses of the Temples arrive, reporting that ritual objects were stolen, Shelley knows they have to stop something dark and dangerous.
The Fathomless Library is an important part of the action. The Fathomless Library has its own complex within the Arts District. Books are alive. There are teams of Inkspectors, Word Mercs, Scribes, and elite librarians called Marians, who keep books alive. The punishment for book burning is death.
There’s a running joke about Questors as an ongoing subplot. Every episode has either a Questor in it, or a reference to Questors. They are a big moneymaker for the city, and also one of its biggest annoyances to the population, especially to Shelley. They get in the way and do reckless things in pursuit of their various quests.
Another running joke is how much people love their Secret Societies in the city. So yes, I’m playing with all kinds of tropes, and hopefully turning them inside out.
With any luck, I’ve hit the right mix of humor, mystery, and fantasy. I had a great time worldbuilding, and I’ll build a website with all kinds of fun features and extras around the serial. I’m writing the web copy to read like a tourist site put up by the city’s local Chamber of Commerce. I’ve done some preliminary rough map sketches, but I’ll do more detailed maps of the overall city, the kingdom, and the individual districts.
This is a serial, not a book released chapter-by-chapter. It’s structured to be ongoing, should it take off. The initial offering has 90-ish episodes (with new episodes releasing on Tuesdays and Thursdays). It comprises three large plot arcs.
If the serial gains traction, enough people like it, the metrics work, and it continues to fit into my schedule, it will continue past the 90-ish episodes, as long as it works, in arcs of 30 or so episodes. (The first arc needed more time to establish certain elements and integrate them into the story, seeding future stories, so it comes in at 39 episodes).
If it doesn’t do what I need it to justify continuing work on it, I’ll leave it up six months or so after the last episode of this first triple arc goes up, and then take it down. In order to release as a novel, or a series of novels, it would need serious restructuring, and that might not be worth it.
So all those who “don’t start reading until the whole thing is done” are not my target market.
It’s releasing on Kindle Vella (at least for the moment), because that seemed like the best platform on which to run this experiment. The first six episodes are uploaded, approved, and scheduled to go live on their various dates.
The first three episodes are always free, and then the rest are opened with tokens. Readers buy tokens and spend them on the various series they like.
I don’t like that I can’t link directly to episodes. At this point, I can’t even link directly to the story page on Kindle Vella, although that might change once episodes go live. I mean, there are many things I don’t like about Amazon in general, but this is specifically annoying me right now, because it limits my ability to market.
It also doesn’t show me the release schedule, so I’m glad I set up a fuckton of tracking sheets and Style Sheets and all the rest, to keep track as I uploaded.
I have a huge marketing campaign planned for it, across various social media channels. I have quirky general ads, and then I have ads for each episode as it releases. The content calendar is quite crowded! And it’s a long-range campaign, not just for a few days around the launch.
The first two episodes go live on Thursday, July 28. The 3rd episode releases Tuesday, August 2nd, the 4th episode Thursday August 4th and so forth and so on.
It overlaps with the re-releases of the Topic Workbooks, so I’m flooding the internet with promotion over the next couple of weeks. And people just have to fucking deal.
This is my business. Not my hobby.
I love working on this piece so much. It makes me laugh; it surprises me. When I go back over it and do the edits/revisions/tighten it/clean up the sloppy language, there’s so much that delights me.
I hope you enjoy it, too!
Remember: July 28. First two episodes drop. First three episodes are free.
I hope you enjoy reading it as much as I enjoy writing it.
image courtesy of StartUp Stock Photos via pixabay.com
This week has to be about focused work and getting things done: Finishing the revisions on the rest of the Topic Workbooks, writing my Llewellyn article, getting the final pieces in place for The Big Project, working on script coverage, working on book reviews, revisions/edits, preparing for Word X Word, keeping up with Italian lessons, preparing for my trip next week.
It’s do-able, provided I don’t faff around and get distracted. It needs focus. It needs commitment.
So this week, the intent is to commit and get things done. The next three weeks are very busy!
Meditation was good yesterday morning. Charlotte enjoyed it, too!
Got the ads for THE GRAVEYARD OF ABANDONED PROJECTS and THE COMPLEX ANTAGONIST scheduled to post/run through the end of September. Created the ads for the other five workbooks, so as soon as I have buy links going live, I can add them into the content calendar, and we’re good to go through August and September. In early September, I’ll decide what I want to do through the end of the year.
I might put some of those ads and some of the ads for The Big Project into an updated marketing portfolio, because they are fun. The ads for the Big Project, in particular, have a rather wacky sense of humor to them, which I think will engage readers.
Did a library run, and dashed into the grocery store to grab some Lysol spray since I can’t find ours. Really excited about some of the novels that arrived. I’m looking forward to reading them.
Spiro Squirrel climbed the kitchen window screen, trying to get in this morning. Willa chased him off. We’ve started closing the kitchen window at night. All we need is for him to figure out how to remove the screen and get inside.
Freelance Chat was fun.
Turned around two scripts in the afternoon.
Skipped Open Studios as MASSMoCA. I needed to focus on my work. Also, the though of getting dressed, putting on makeup, and pretending I wasn’t feral for a couple of hours was overwhelming yesterday. I’m not sure if masking is still required (the email was unclear), and if it’s not, I would have had to leave anyway, because they get crowded. I’m going to have to play each month by ear, and see how what they’re doing fits in with what I’m doing, and with what I need to do to keep us safe.
I’ve done more content calendars than I can count for clients over the years, but doing one for my own work has been invigorating. Having it all there on the calendar inspires me to get it done. It also helps to track the ebb and flow of projects, so I can see where I have room to do more, and where I can pull back a little and not overdo.
Buckle up, my lovely buttercups: The last week of July and the first week of August are going to have a lot of promotion going on!
A Twitter pal and her husband is taking their first ever trip to NYC for 5 days, and I sent them a boatload of suggestions for weird little fun stuff. I really love New York, and I’m so grateful I lived there the years I did. Even though it’s not where I need to be right now, I do love it.
The sentence about the children’s screams cut out from the Uvalde videos released will haunt me the rest of my days. For the parents, who are going through more pain than any of us can imagine, I hope this helps them (rather than insults them, and different parents will feel differently). For those who stood around and did NOTHING while those children were slaughtered, may they never be free from the screaming. May they be haunted the rest of their miserable lives for this, and may they suffer in eternity beyond their own deaths. May they never, ever rest in peace.
I intentionally cleared off the script reading early this week, because I wanted to have three days without it. I’m headed to Pittsfield to a book sale at the library this morning, then taking my mom over to Wild Oats, where the Von Trapp Farmstead is doing an event around their cheese. I never thought I would build time into my schedule focused on cheese, but there you have it. My mom loves cheese, so we are going.
Then it’s back to work, on The Topic Workbooks, and finished the first big arc of The Big Project, so that the next parts of the process can hum along on time, and I can actually make the Big Announcement and The Big Reveal next week, and all of this will make sense.
Then comes the Big Marketing Campaign, which will last for months, so. . .be warned!
Have a great weekend, and I’ll catch you on the other side! The weather has been just gorgeous here, and I hope it is where you are, too.
A very long time ago, back in the 1980’s, when I was living on the West Coast, I claimed July 14, Bastille Day, as my personal independence day. So I always acknowledge the day, in whatever way is appropriate that year.
Gratitude and Growth has the latest on the Squirrel Shenanigans, and Ink-Dipped Advice has a post on writing about your ideal workday, which we will use in autumn for another exercise.
In spite of the computer issues, I managed to get the Topic Workbook page on the Devon Ellington site updated. All the new covers are up. As buy links release on pre-orders and closer to release date, those, too, will go up.
THE GRAVEYARD OF ABANDONED PROJECTS and THE COMPLEX ANTAGONIST went through final proofreads and some more tweaks, and are up for pre-order. I can start scheduling the marketing ads on social media channels, so they can run and I don’t have to think about them too much. I downloaded some calendar sheets with “hour” slots from General Blue. The Google calendar stuff wasn’t working for me, and doing what I wanted it to do. I run ads at different times on different days; since the Topic Workbooks are releasing close to each other, I want to make sure I don’t schedule two ads on the same day at the same time. There will be enough overlap for the promotion on The Big Project.
Having the content calendar as something on the computer isn’t working, so I have my handy dandy printed out calendar sheets, so I can look at it as I work uploading the actual content.
The plan is for all the Topic Workbooks to re-release in early August, and have the workbook tied to the class release the week after the class (class participants get a copy, free, with the class). Once I catch my breath, I can decide how I want to fit the new workbooks into the workflow.
I had a good conversation with an editor about a project both of us are no longer connected with, and not being a part of it is the right choice for both of us. Trusting my gut was the right choice. Onward.
As part of updating another workbook, I’m playing with project management software. I loathe Trello, so that is not an option. Trello fractures things too much for my liking. I’ve used Click up with clients, but, looking at it, it doesn’t give me enough room for the number of projects I’m juggling, unless I lump them into categories. I decided to do a comparison/contrast with Todoist and Asana. I have colleagues who adore each of them, for every different reasons.
So I signed up for both, and I entered information on both, to see how they work, comparing the same tasks in the two different platforms.
Todoist is too much like the traditional “To Do” list, which makes me feel restricted. I ditched the daily list, because all it did was make me feel like a failure, and even crossing items off gave me no pleasure or sense of accomplishment. Todoist also suggested that I vacuum the house today (Thursday: vacuum through all the rooms), which is really not its business, and not something I entered. What I like about Asana is that I can color code projects (like I do on my big desk blotter calendar), break projects down into pieces while still keeping the bigger picture in view. So it doesn’t feel fractured, the way Trello does. I had used Asana for some client work at one point, and wasn’t all that thrilled with it, but it’s letting me set things up the way I like it, at least so far.
I may ditch both of them, and just stay with my desk blotter calendar. You know, the tool that’s worked for decades.
But since I’m writing about tools, I want to give those readers options and experiences.
Working with that, and handling incoming buy links going live put me behind in the script coverage. I managed to cover three scripts, although I was working until 11 PM. But I’d decided I don’t want to do coverage on Friday, and I have limited time today, between meditation, Freelance Chat, and Open Studios, so I piled on more yesterday.
I did my Italian lesson, keeping up the streak. I’m learning vocabulary, but don’t feel like I’m getting an understanding of the grammar or why sentence construction is the way it is. I need to head across the street to the college library and find a textbook to fill in the gaps.
I was also looking at beachfront hotels for October. The prices are ridiculous for the mediocre. I planned to spend more on the hotel, since we are staying put and making use of it, but I’m not seeing the value I’m looking for in what’s on offer. Plus, with virus numbers on the rise again, and those who should have never told us it was okay to unmask telling us to mask up again, it’s probably not worth the risk. Instead of going on a midweek oceanside vacation, I can do a long weekend home disconnected retreat and not put us at risk. I’ll keep an eye on prices and possibilities, but if it doesn’t make sense, on either financial or health levels, we just won’t do it.
I took a break for a Grace and Gratitude yoga/meditation session online with the Stressed Out Professional Women Without Children group, and that was excellent.
Slept well, up early. Online meditation group this morning, then hitting the page for a few hours, and doing a library run. I have two scripts to turn around before Open Studios tonight, and then I’m done with coverage for the week.
I am working this weekend, on the Topic Workbooks, the Big Project (so that everything is in place to make the announcement next week), and starting the article for my Llewellyn editor. I want to get it out the door and onto my editor’s desk a few days early, before I go to visit my friend. Setting up the content calendar for upcoming releases, and uploading/scheduling the content. That way, I can enjoy my time away.
I had a wonderful aha! moment on the next big arc of The Big Project, which excites me to work on.
Yesterday was a pretty decent workday. Got a nice chunk of The Big Project done in the multi-colored draft over at the laundromat. Got everything washed and dried, and put away as soon as I got home. Dealt with email, did follow up from the networking session (there’s still some more to do today), got some bills mailed, got the box from the mail carrier that was stuck in the slot (because he shouldn’t have put it there in the first place).
Did a good chunk of work on the Topic Workbooks. THE GRAVEYARD OF ABANDONED PROJECTS just needs a final proof, and it’s good to set for release. THE COMPLEX ANTAGONIST got a solid revision/update, and also needs a final proof. There’s some formatting wonk, but I hope to fix that today and set that release date, then update across the various websites.
Did a couple of ads for them, too. Also created a style cheat sheet, so I can keep the look/details consistent throughout.
If I meet my own goals, the six revised workbooks will release in the weeks leading up to the conference workshop, and the workbook built around that workshop will release the week after. There’s class material for two more workbooks out of classes I’ve taught, and I have ideas for at least two more.
The Topic Workbooks give clear action steps on their topic, and I intentionally keep them inexpensive so people on a budget can afford them and use them.
Finished the script coverage I’d started last night, and did a second one. I have five more scripts I my queue for this week. I won’t hit the preferred mark for the pay period, but I’ll hit the necessary mark. I have to hope the work comes in steadily in July, although I’ll have to work through some weekends, because I’m taking some time away from the work in some of the midweeks.
I also need to get started on the article for the Llewellyn annual, because that deadline is racing toward me faster than I’d like. And, of course, my editor contracted the most complex topic I pitched!
Heard from another editor about an anthology. I wrote and submitted, because I wanted to work with her, and this anthology gave me a chance to stretch. I was shortlisted for the anthology – not promised acceptance, but made it through the first round of 1K submissions. Then, the publisher ran into difficulties, and it looked like things were off. But now the publisher wants to move forward. The editor has left the project. If we choose to continue under consideration (again, no promises, but we’re the shortlisted group), we have to submit directly to the new editor. I don’t know if I want to. My gut tells me to stay far, far away. My ego encourages me to go for it. The smarter choice is my gut. My ego is just going to have to get over itself. I’ll look at the piece again, and find another possible market.
Thunderstorms and pounding rain did little to break the humidity. The next couple of weeks will be hot and humid. Still not as bad as last year, but the cats, who’ve already grown in their winter fur, are miserable. They are little fur puddles. Charlotte was smart, last night. Instead of sleeping on the bed, she slept on a side table in front of an open window (and only came into my room to wake me up for attention a few times).
Started reading the next book assigned for review. It’s good. Hard to settle in to meditation, but came up with a project title. Not sure if I will use it for something already in the pipeline, or if it’s for something new.
The computer decided to do an upgrade this morning. It only took one hour instead of 4, but then none of the software talks to each other, and it will be a mess to untangle it. There go hours of the workday for which I had other plans. Windows11 Sucks.
Back to work on the Topic Workbooks and The Big Project. I hope to have the official announcement for the latter ready to go next week. And then script coverage.
The Jan. 6 Hearings continue to horrify. And the seditionists continue to get away with it. Very discouraging.
GWEN FINNEGAN MYSTERIES
Archaeologist Dr. Gwen Finnegan is on the hunt for her lover’s killer. Shy historical researcher Justin Yates jumps at the chance to join her on a real adventure through Europe as they try to unspool fact from fiction in a multi-generational obsession with a statue of the goddess Medusa.
Buy links here.
When plans for their next expedition fall through, Gwen and Justin accept teaching jobs at different local universities. Adjusting to their day-to-day relationship, they are embroiled in two different, disturbing, paranormal situations that have more than one unusual crossing point. Can they work together to find the answers? Or are new temptations too much to resist? For whom are they willing to put their lives on the line? Available on multiple digital channels here.NAUTICAL NAMASTE MYSTERIESSAVASANA AT SEA
Yoga instructor Sophie Batchelder jumps at the chance to teach on a cruise ship when she loses her job and her boyfriend dumps her. But when her boss is murdered, Sophie must figure out who the real killer is -- before he turns her into a corpse, too. A Not-Quite-Cozy Mystery.
Buy Links here.COVENTINA CIRCLE ROMANTIC SUSPENSEPLAYING THE ANGLES
Witchcraft, politics, and theatre collide as Morag D’Anneville and Secret Service agent Simon Keane fight to protect the Vice President of the United States -- or is it Morag who needs Simon’s protection more than the VP?
Buy links here.THE SPIRIT REPOSITORY
Bonnie Chencko knows books change lives. She’s attracted to Rufus Van Dijk, the mysterious man who owns the bookshop in his ancestors’ building. A building filled with family ghosts, who are mysteriously disappearing. It’s up to Bonnie and her burgeoning Craft powers to rescue the spirits before their souls are lost forever. Buy Links here. RELICS & REQUIEM
Amanda Breck’s complicated life gets more convoluted when she finds the body of Lena Morgan in Central Park, identical to Amanda’s dream. Detective Phineas Regan is one case away from retirement; the last thing he needs is a murder case tinged by the occult. The seeds of their attraction were planted months ago. But can they work together to stop a wily, vicious killer, or will the murderer destroy them both?
Buy link here.
Full Circle: An Ars Concordia Anthology. Edited by Colin Galbraith. My story is “Pauvre Bob”, set at Arlington Race Track in Illinois is included in this wonderful collection of short stories and poetry. You can download it free here.