Tues. Nov. 20, 2018: Writing, Reconstruction, Announcements

Tuesday, November 20, 2018
Waxing Moon
Neptune Retrograde
Uranus Retrograde
Mercury Retrograde

Busy weekend. I was lucky enough to focus on the writing.

I finished the 4th draft of HEART SNATCHER on Sunday morning, after spending part of Friday and most of Saturday on it. I wound up cutting seven chapters, doing a lot of tightening. It’s now back down within an acceptable range for genre, although I’d like it to be even leaner.

But I love Max and Valerie, and what they’re dealing with. The characters are well-developed, the plot moves.

I made some changes in the first third of HEART BINDER, the second book in the trilogy, and then went over the outline for books two and three, and made some changes to support the revisions in book 1.

I also found a place where I need to add a few words of description to an object that makes an appearance in Book 1 and then becomes vital to the plot in Books 2 &3.

I wrote another chapter on HEART BINDER on Sunday afternoon.

I’ll send HEART SNATCHER to my editor after the Thanksgiving holiday. I want it to marinate, so to speak, for a few days, and then I’ll do one more pass before I send it off. She liked the synopsis and sample chapters, and in the current climate of a toxic administration, it’s relevant.

Along with the discussions I’ve been having with editor and publisher, we are moving the release of DAVY JONES DHARMA into February, rather than December. I can’t get it into the shape I want by the end of this week. I need to tear it apart and reconstruct it. The contract schedule this year was just too tight for me.

From a marketing standpoint, it makes more sense to release a book set on a cruise ship in February, during the height of cruise season, so that all works.

THE BALTHAZAAR TREASURE is on track, and retains its late January release date.

We may push back the re-release of the Jain Lazarus Adventures, and the future of the Gambit Colony series is up in the air, as far as when it will release.

That’s all dependant, of course, if the publisher wants the Justice by Harpy trilogy. If not, we still have to rearrange some of the schedule, so that each book we release is the best I can make it, within the time frame, and the time frame is realistic so it doesn’t suck.

I’m also at that weird stage I hit with certain books, where I don’t like to be physically separated from the manuscript.

Got a few pages done on the suicidal veteran piece.

Friday night, there was an NBC news piece about teaching kids to triage each other in active school shootings. Right, because the adults refuse common sense gun legislation.

But that got me thinking about the anti-gun violence play. I wrote a new opening, and I have the notes for a new closing. They will echo each other, without boring repetition (if I do it properly). Instead of writing this play linearly, the way I usually do — start at the beginning, write it through, and then revise — I’m writing it from both ends to the middle. It’s a variation on a technique I learned in a playwrighting workshop I took with the National Theatre when one of my plays was done at the Edinburgh Festival Fringe.

I found out about the deadline to submit the application on the last day. I went to the Fringe office to apply. A scene had to accompany the application, so I sat down and wrote one. When I turned it in, they asked me to wait. A few minutes later, the instructor said, “You wrote this just now? It’s not part of something else?”

I said, “No. I can’t use anything from the piece that’s running, because it would hurt both processes.”

He looked at me and said, “You’re in.”

It’s one of the best classes I ever took in my life, and I still use what I learned.

Anyway, I rewrote the opening scene. I sent it off to my UK actor pal (the one who told me to get out of my own way in the reading). He’s one of the few who sees an early draft of anything; he’s both supportive and critical. I asked him what it needed. His reply: “To be on stage. Now.”

So I’m on the right track.

Yard work suffered this weekend, but too damn bad. I was so sick and tired of all the damn leaf blowers. It’s autumn in New England. Leaves fall down. The lawn doesn’t have to be immaculate every moment.

It was a Twitter pal’s birthday yesterday. I sent him good wishes; but, because I wasn’t close enough to buy him a drink in person, I went to a local bar where veterans hang out (he’s a veteran) and anonymously bought a round for a table of them in his honor. I left before the bartender could point me out. Because none of this is about me.

The rest of this week’s posts are placeholders and good wishes for the holidays. The next post with teeth in it is next Monday, the Upbeat Authors post wondering if authors can have friends, since everything is material.

Back to the page.

Published in: on November 20, 2018 at 6:05 am  Comments Off on Tues. Nov. 20, 2018: Writing, Reconstruction, Announcements  
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