Wednesday, October 5, 2016
Sunny and cool
I managed to find my mowing Zen, going into my seventh year in this place. I got the front and side yards mowed in twenty minutes yesterday, without feeling like it nearly killed me. There’s still an enormous amount of yard work to do, but at least I’ve got a decent start. I’m not putting up the outdoor decorations until I’m sure Hurricane Matthew has passed. Right now, it doesn’t look as though we’re going to be badly hit, but it’s a storm, so who knows?
Working on the Victorian mystery, fixing the bits that need adjustment due to research. Also doing some procedural research for the states of Massachusetts and Vermont — jeez, the way things are done so differently from state to state! 😉 That’s for two different contemporary projects.
I’m having trouble getting back into the plays. I’m not quite in the right headspace for any of the three of them that need work. That will have to change this weekend. I need to dig in and get working on them, whether or not I feel like it.
I have to take a look at PLAYING THE ANGLES this weekend, too. I want to get that out on submission next week. I have some solid possibilities.
I need to figure out a marketing push for the Digital Delights, and it’s time to give the Jain Lazarus short story set around this time another push. I’ll have to figure out a good day to have it available as a free download and then do a big PR push for it.
I’m reading Alyssa Maxwell’s Gilded Newport mysteries and loving them. I was worried that my Victorian mystery would be too similar, because it’s set in Newport just a few years after her first mystery. But it’s very, very different, thank goodness. Plus, for this particular series, I’m only setting the first book in Newport. The second will be in Saratoga, the third in NYC. If the series continues beyond that, I plan to do one on an ocean liner, one in England, one in Florence, and so on and so forth. If the series takes off, it will be fun. But, as I said yesterday, these books require a very different writing process than I usually use, and can’t be written quickly. In other words, not a good candidate for a Nano!
If I was going to get sucked into doing Nano this year, it would be either the book that follows DEATH OF A CHOLERIC (using my friend Lori’s suggestion to call it MURDER OF A MELACHOLIC), or the next Sophie Batchelder. However, I am probably NOT going to do Nano this year, so the point is moot. I have three plays to get back on track, and I need to get back to SONGBOUND SISTERS. Nano would be a distraction, and it would be my ego wanting it, instead of it actually being useful.
Since a great deal of last year and this year have been about thinking about how I want to proceed in my writing career and changing a good many things about it, I need to concentrate on those decisions, those actions, and that follow-through, rather than getting distracted by new and shiny. I am also tired of other people telling me how I “have to” do things in my writing career, and trying to push me into boxes and formulas that don’t suit me or don’t interest me. I spent many years developing my voice, and I don’t want it diluted by “formula”. Which means I have to look at options that give me more flexibility. I also don’t like the way we are “supposed” to market. Bland or aggressive marketing turns me off as a consumer, and that’s not what I want to put out there to promote my work.
Yet, the siren call of Nano is always tempting.
I have a meeting this afternoon that could also wind up opening some lovely doors for me, and I’ve got a boatload of research to do (some of it is even about boats). So I better get going!