En Route

Friday, January 22, 2010
Waxing Moon
Mars Retrograde
Who knows what the weather is? I’m scheduling this to post

I’m headed to Philly this morning for a weekend gig. I’ll be enroute when most of you read this. And I’m looking forward to some fun flirtation tonight.

Did the proofs for the anthology essay. Only found one mistake and sent in the correction. I’m satisfied with it — I said what I wanted to say, even though, in the early drafts, it took me awhile to figure out exactly for what that was. That’s what “drafts” are for, though, isn’t it? Overall, the anthology is very different than the initial concept that was pitched when I first signed on — focuses on a single topic of the writer’s work instead of the body of work.

Which doesn’t really matter; it’s simply an observation.

One of the things my friend and I discussed on Wednesday was whether or not I miss the work — on Broadway or on TV. I don’t miss the way things are run, the politics of the places, people who aren’t in the trenches of the work making decisions which make it harder to run the production well, the hierarchy, especially in the TV world. I miss some of the actual physicality of quick changes on Broadway — especially working with actors with whom I have a good rapport. I don’t miss the 8 show/week schedule and working nights, weekends, holidays, and the dreadful commute. I don’t miss the long hours on TV or the “hurry up and wait”. I miss the camaraderie backstage — the jokes no one else would ever get unless they worked on that actual production, the way you sometimes even miss people you don’t particularly like. I don’t care how many reality shows like AMERICAN IDOL pretend to show what goes on behind the scenes — each production is totally unique, has its own energy and rhythm, and relationships are formed with a closeness that, if you don’t work in the business, you can’t understand. Yes, a lot of them are transient — if you’re not working together, you don’t see each other. And sometimes, you work together again, and it’s like you picked up a conversation that stopped only moments before, even if years have passed.

As a writer, I miss being in the rehearsal room with actors — that’s always one of my favorite parts of the process. I’m not involved in the rehearsal or production process with Cloverleaf at all, but I hope at some point, to develop a piece with a director, producer, and cast along the lines of a more collaborative working process, which I enjoy, and which I’ve had in the past. That energy of creation, working on a common goal to make all the elements of it shine — it’s a wonderful feeling.

Provided, of course, you have the right mix of people. Put the wrong mix together — even if they’re talented — and it can turn into a nightmare. Been on a few of those. Where people’s personal agendas and power trips become more important than the work.

Got a good amount of writing done in the morning, less in the afternoon. But I got all the laundry and other crap done, so I can leave town with a clear conscience (and clean lingerie).

Should be connected in Philly — will try to check in over weekend.



Published in: on January 22, 2010 at 5:02 am  Comments (5)  
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  1. Have a good trip.

  2. Have a great weekend.

  3. You’re so right about the mix of people. Talent is great, but not if it comes at the expense of camraderie. I found that out with my last desk job. The first team was collaborative. They left. The second team, contentious. My great job turned ugly overnight.

  4. I hope you have a safe trip and a great weekend!

  5. I never realised you were in Philly when you tweeted! Hope it’s fab. Don’t know much about the place although I’ll nver forget the look of the Rose Bowl in 1985….

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