Wednesday, May 28, 2008

Wednesday, May 28, 2008
Waning Moon
Pluto Retrograde
Jupiter Retrograde
Sunny and warm

So, before I left for the photo call at 11 AM yesterday, I’d worked on the adaptation, done another polish on THE MATILDA MURDERS, prepared it and the cover letter, sent it off, typed off my notes for Confidential Job #2, sent if off with invoice, and repacked my set bag for the photo shoot.

Pant, pant, pant. I’d put in a day’s work before I even got started with the “official” day’s work!

Train was late – as usual – but I’d left for an early enough train to take that into consideration. Got to the theatre, we waited for the car service, we packed the car – the driver couldn’t figure out how to get the ironing boarding the back – what, does Momma still do the shirts? Anyway, we got down to Chelsea without a problem. The studio was hot and stuffy, but we managed. We were prepped lickety split and the shoot started. A few minor glitches (okay, I pitched a fit at one point when it was necessary and stopped the shoot to make an adjustment on a costume – Topstick is the BEST invention known to man – or woman).

After the shoot, there was a point where I had the large garment bag of costumes slung over one arm and I’m carrying the ironing board, standing on the curb on W. 23 St. of New York City as my colleague’s hailing a cab, and one of the actors and I just looked at each other and started laughing. Welcome to my world!

Got back to the theatre (after wrestling the ironing board into the trunk of a yellow cab), redistributed everything to be prepped for the show, and I grabbed a salad for dinner.

Show was fine – I was with the women this evening rather than the men, but got confused at two points and thought I missed cues, but they were from the other track. Everything was fine. Nothing got missed, nobody died, show was fine, so it’s all good. It’s a really good group of people on the show, and that always makes it pleasant.

Got home late, checked email. Peter Bowerman’s using a quote from me on “Aggravation Fees” in his next WELL-FED WRITER newsletter. Confidential Job #2 already paid me for the work I sent in yesterday morning. And a publisher gave me an offer for HEX BREAKER. I’m going to go over the contract again – the first pass looked pretty sane. And I’ll have the lawyer look at it. I’ll let you know when all i’s are dotted and t’s are crossed. But it looks as though HEX BREAKER found a home.

I have to take a few days and think things through before doing more work on the adaptation. I’m at a critical series of scenes – it’s the big confrontation between the female protagonist and the antagonist, where the male protagonist learns the complicated history and why there’s a confrontation. If it seems early in the book for this to happen, well, when I flesh out some of the earlier scenes, it’ll be about 10-20K later in the book, I think, and then there’s a twist later on (that’s not in the screenplay, by the way) that will make sense for it to happen here.

However, I’ve been splitting action between the several factions of the protagonist group. Here, I’m not sure if I should have this action unbroken, or go back to what’s happening simultaneously, and then come back to this action for the big finale of the section. I’m worried that using a technique similar to cross-cutting in film will dilute the action and power in this scene; at the same time, I don’t want the reader to lose the sense of what else is going on in the story.

I need to focus on the anthology story today – I’m way behind on it and it’s due, well, on Friday. And I have shows tomorrow and Friday, so I better get to it. Plus, I have to write the pre-Belmont article on Friday. And a few letters and get a monologue drafted.

I’m waiting a few days to start FEMME FATALE and SIDEKICK; I want to see what the response to THE MATILDA MURDERS is first.

I hope to get a draft of the next ebook done next week, too, along with the new brochures.

I’m getting everything sorted out with Cablevision. Someone from the executive office is going to send someone to install it all – at no charge, unlike what I was told initially – which will negate the need for UPS, who can’t be bothered to deliver here anyway.

Oh, yeah, and even though I’m not leaving for the Cape until Sunday – I’m packed.


Devon’s Bookstore:

5 in 10: Create 5 Short Stories in Ten Weeks
by Devon Ellington. This ebooklet takes you from inspiration to writing to revision to marketing. By the end of ten weeks, you will have either 5 short stories or a good chunk of a novella complete. And it’s only 50 cents, USD. Here.

Writing Rituals: Ideas to Support Creativity by Cerridwen Iris Shea. This ebooklet contains several rituals to help you start writing, get you through writer’s block, and help send your work on its way. It’s only 39 cents USD. (Note: Cerridwen Iris Shea is one of the six names under which I publish). Here.

Full Circle: An Ars Concordia Anthology
. Edited by Colin Galbraith. This is a collection of short stories, poems, and other pieces by a writers’ group of which I am a member. My story is “Pauvre Bob”, set at Arlington Race Track in Illinois. You can download it free here:

Published in: on May 28, 2008 at 8:34 am  Comments (4)  


  1. Congrats on your sale of HEX BREAKER! That’s wonderful news! And the mental image you you cramming an ironing board into a cab gave me a much needed laugh–I can imagine the cabbie’s face!

    I hope you have a lovely day–and a productive one!


  2. My goodness, I’m exhausted just reading about all this. Way to go, girl! 😉 It’s great that your book found a home. Congrats!


  3. Glad to hear the photo’s went well and that you found humor in your day!
    Sending good wishes for the Hex Breaker deal.

    Have a good day!

  4. WTG on selling HEX BREAKER.

    LOL on the visual of the drivers trying to get the ironing board into their respective trunks.

    Yay on being quoted. Your article on fees was spot-on and deserves quoting. You really know your stuff.

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