Wednesday, April 30, 2008
Sunny and cool
Cold, rainy day yesterday.
Worked on the adaptation. In this section, I can stay close to the original screenplay; however, I have to add quite a bit later on for it all to make sense and really hold together as a novel. There are quick explanations that one can get away with in a screenplay that simply won’t hold up in the novel. For it to have the emotional impact I want, I have to deepen it, layer it, work out some of the kinks. I’m also deepening the relationship between Zenda and Sam earlier. While, if this was visual and I had three-dimensional actors working the material, a great deal could be left unsaid. Their bodies would do the “speaking” instead of the words. In the novelization, a great deal remains unspoken between them, but it still needs to be on the page. Even if it’s done through action and gesture and behavior rather than narration, it still needs to be there.
Worked on Yuri’s Tale. Actually, I stopped working to make some continuity notes and do some world-building. The problem with that is that I wind up staring at the page. Unlike Earth Bride, where I could do dozens of pages of world-building as I created the outline and THEN write, the participants in Yuri’s Tale want to reveal it to me as it goes along. So I’m doing more note-taking than world-building and letting the characters reveal the world to be in this draft. A little frustrating, but. . .that’s the way it is. Also, I realized I need to start the book with Esmé, not Yuri (yet another reason the title needs to change). At first I thought it could be a prologue, but the more I mull it over, the more I realize no, it needs to be a chapter focused on Esmé before they arrive in Solmer and Yuri’s taven. I’ll set part of it on the ship The Sea Trotter, and part of it . . .well, you’ll just have to read it to find out!
This is the kind of situation where a writer who insists on total control over everything from the get-go would just stop. But, if you trust your characters (i.e., your subconscious) to get you through even the disjointed bits, you’ll push through and have something better at the end than if you tried to control it all so tightly before you set a word on paper. Rewrites are good places to impose structure and logic. First drafts are to trust your characters and your imagination.
Did an extra yoga session yesterday afternoon and it made a big difference.
Commute sucked both ways, and too many SFT’s in the city. Brandy and Melissa, you wouldn’t behave like an SFT, because you naturally think about others. It’s your nature. I don’t mind the tourists who come here and are amazed by all the wonderful things in New York; I mind the ones who are rude, thoughtless (it’s not New Yorkers who are rude, it’s the tourists), and treat those of us who live here as though we’re their personal maids.
Show was fine. I had to tell one of my Dear Hearts this was our last week working together on this show; he’s off to do another show (he’ll be wonderful in it) and I’m covering the Preakness during his last weekend on this show. So we are going to savor every performance together this week! Seriously, working with these actors is always good for me – they’re loving and joyful as well as being talented, and working with them opens my heart a little every time. Which is good, considering how closed and ready for battle I always have to be in my own home.
I have to go and pitch a fit at the credit union this morning. It seems anyone can walk up to any ATM and wipe out my checking and savings, as they did in January, but I can’t get to my own money, and I’m sick of it.
Taped a show last night on which I thought an acquaintance was guest-starring (because he told me so). He’d teased me that he’d call at midnight to see how I liked it (I got home at 11). So I watch the whole darned thing – and he’s not on it! He called, I mentioned it, and he said, “Yeah, that kind of sucks, doesn’t it?” I’m not sure if the episodes got shuffled around or he’s in an upcoming one or what. And it’s not a show I’d watch if he hadn’t told me he had a guest spot! He so owes me! 😉
Very short writing day today; I have two shows and I have to take a train shortly after 10:30. I want to get more writing done before that, so this is a short post.
Adaptation: 23,460 words out of est. 90,000
23 / 90
5 in 10: Create 5 Short Stories in Ten Weeks by Devon Ellington. This ebooklet takes you from inspiration to writing to revision to marketing. By the end of ten weeks, you will have either 5 short stories or a good chunk of a novella complete. And it’s only 50 cents, USD. Here.
Writing Rituals: Ideas to Support Creativity by Cerridwen Iris Shea. This ebooklet contains several rituals to help you start writing, get you through writer’s block, and help send your work on its way. It’s only 39 cents USD. (Note: Cerridwen Iris Shea is one of the six names under which I publish). Here.
Full Circle: An Ars Concordia Anthology. Edited by Colin Galbraith. This is a collection of short stories, poems, and other pieces by a writers’ group of which I am a member. My story is “Pauvre Bob”, set at Arlington Race Track in Illinois. You can download it free here: