Mon. Sept. 9, 2013: Writing, Neuro-Ethics, Idea Batches, & Script Coverage

Monday, September 9, 2013
Waxing Moon
Sunny and cold

Busy weekend. Most of the focus was on the new novel. I’ve now written six chapters, the first 107 pages. I’m happy with the bones of it, although it will need revision. The pace is a little more intense than my usual one, but it fits this particular book’s rhythm. My original concept was category genre, but it’s evolved into contemporary fiction, so I’m rolling with it. I trust my characters, and they are not disappointing me.

Did my course work for the Creativity Course and the Paleontology course. I’m a bit disappointed in both. I don’t feel challenged enough. Maybe I was just spoiled in the archaeology course.

Found my neuro-science research and the notes for the project that didn’t work. That one can’t be saved — too derivative. But I wrote eight pages of an outline for another one that I think will work. Even if the neuro-ethics course keeps getting pushed back, I’m going to tap that professor as a resource.

I also jotted down a batch of notes, because ideas come in batches, and, on days when the well runs dry, I can pull out the notes and get to work. These are loglines for projects I’d love to create, a mix of prose and script projects, and I hope I get the chance to explore at least some of them.

I went over my script coverage package samples again, and I’m happy with them. Now, it’s a case of running off copies of the packet, sitting down with the production book, and deciding where I want to pitch. I like the work, and I want more of it.

Have to do some work in regards to the play today, and also knock out a couple of articles. I was paid for the last batch of articles, so now they get the next batch.

The 9/11 Anniversary is coming up, and I’m trying to prepare myself. I will honor those I lost that day, but I also have to function, unfortunately, because I have to attend a grant writing seminar at the Arts Foundation that night. This is a wound time does not heal.

Relaxed by watching movies in and around the writing all weekend. There was a continuity issue in BOURNE LEGACY that bugged me — at the top of the motorcycle chase, suddenly he’s putting on a pair of sunglasses. Where the heck did he get them? Renner’s a smart enough actor to want logic, and a movie that is so detailed that the wallet he later gives her is in the shot when he picks up the car in Chicago is not going to make that kind of continuity mistake. But it bugged me (hey, I used to work in wardrobe — it’s one of the discussions I would have had with actor and other crew in setting up the shot). I hunted down B roll footage on line and saw that, originally, the sunglasses were in the helmet hanging off the handlebars, so when he hands her the helmet, he takes out the sunglasses, delivers a line (giving her time to get the helmet on), puts on the sunglasses, and off they go. THAT made sense. It was cut in the edit, to keep pace. So, from a production point of view, it calmed me down, but that shot is still going to bug me any time I see it (but you know, sometimes things get sacrificed).

Watched MISSION IMPOSSIBLE: GHOST PROTOCOL. My response was, “meh.” I grew up absolutely crazy about the series (I mean, really, Peter Graves? Be still my heart, especially as a kid not even realizing I was learning about story structure), and just never really connected to the film franchise. What they do, they do well, and there were some character scenes I loved (especially the second-to-last in Seattle that had some great detail work by the actors). Too much character development was sacrificed for action, especially when it came to the villains. The team discussed the whys of the villainy, but I would have rather SEEN it during the scenes where we encountered the villains than HEARD about it in dialogue (I know, don’t faint, I actually want information not given via dialogue). I mean, it was fine, it was fun, but I don’t feel like I missed anything by not seeing it in the theatre.

And, of course, NEWSROOM was on, but because it was part of a two-episode season finale, it felt dragged out to me. I love the show, I’m glad it’s coming back next year, but this episode didn’t pack the emotional punch the last few episodes did.

So, I’m back at the desk this morning, juggling novels, getting other work done, hustling for yet more work. I feel pretty good creatively right now, but there are some other ducks that need to mind the row.

Devon

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