Tuesday, January 28, 2013
Snowy and cold
My guest over on A Biblio Paradise today is Margaret Fieland, talking about character development. She worked on this book and these characters in class a few years back — I’m happy it found a good home.
Brandy, to answer your question, I write in several places. I use the more ritualistic elements sometimes if I’m having trouble getting started. Most days, I just sit at the desk, power up the computer, and write. Or, if I’d rather start with a project I’m doing in longhand, I’ll write in longhand. I like my current office and my desk — in a corner, where I can look out the window at a pretty front yard. Sometimes, I write at the dining table or in a big chair in the living room. When the weather is nice, I like to write outside on the covered deck. I used to light a candle at the start of a writing session and extinguish it when I was done, but now, that I spend most of the day writing, and I’m switching between projects, that no longer serves me. I have objects around me that are meaningful and/or whimsical, so I can look up and feel good.
And, by the way, you ARE very creative. Creativity manifests in different ways. You’re creative in the way you live your life, create such a loving home for your family and the cats, the compassion you give to the world. Not a lot of people can do that.
Had to do a lot of admin work yesterday, and also do things like go grocery shopping, load in cat food, pick up books from the library. My library card always makes me feel rich — as long as I can use the library, borrow from the library, I feel an abundance in my life.
Some more good news: My play, “Seven of Swords”, has been accepted for the spring series of PLAY WITH YOUR FOOD, and will be given a staged reading on March 1. It’s much darker than the piece I’m writing for the Marine Life Center –and needs a rewrite done this week.
I’m feeling a little overwhelmed by my deadlines. I have a story that has to go out by Thursday, one that has to release on Friday (or Saturday — I just realized Imbolc is Saturday, not Friday), the Marine Life play finished today, and the other play revised by the weekend. At the same time, I’m grateful for the feast of opportunities.
Two more assignments arrived from Confidential Job #1 yesterday, and they look AWESOME. I can’t wait to dig into them. And one of my editors picked this week (of course) to send me an extra assignment that needs to be turned around in the next few days. I love that he pitches me extra work whenever he can, it’s again — part of the feast.
This is where the challenge comes in. When you’re presented with opportunities in your chosen profession, you have to step up or lose them. Those who step up advance; those who don’t — don’t. It’s not supposed to be easy.
Got the second act of MURDER SEALS THE DEAL in a much better place, which meant ripping apart the third act, and then realizing that, while I’d put in some good red herrings for the audience, I’d never given them the clue to the real murderer. That’s not fair — the audience has to have a fair shot at figuring out who did it and why. I’ve dropped enough clues about the “why”, but the who isn’t hidden in plain sight enough. No matter how witty it is, unless it’s structurally satisfying and fair to the audience, the piece will fail. So, that’s my main focus for the day.
Better get back to it.
You can still sign up for “The Graveyard of Abandoned Projects” from Feb. 4-6 here.
Bring in up to 5 projects you’ve put aside, and we’ll figure out which ones are viable, and which ones need to be laid to rest permanently in a way to let you move forward with your work. Registration closes on February 2.